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Osip Mandel'shtam (1891-1938) is considered by many to have been the best Russian poet of his era. This book is the first attempt to describe in a comprehensive way Mandel'shtam's intellectual world and its effect on his evolution as a thinker.
FOR THE FIRST TIME! This book is an extensive visual look into Ray "Crash" Corrigan's film, television, and stage career. An extensive filmography which includes 115 films, 15 television shows, and 3 stage plays. Profusely illustrated with over 2,000 illustrations, images, stills, lobby cards, posters, newspaper articles, ads, and film clips.
This book provides 18 lively commentaries on Lacan’s Seminar VIII, Transference (1960-61) that explore its theoretical and philosophical consequences in the clinic, the classroom, and society. Including contributions from clinicians as well as scholars working in philosophy, literature, and culture studies, the commentaries presented here represent a wide-range of disciplinary perspectives on the concept of transference. Some chapters closely follow the structure of the seminar’s sessions, while others take up thematic concerns or related sessions such as the commentary on sessions 19 to 22 which deal with Lacan’s discussion of Claudel’s Coûfontaine trilogy. This book is not a compendium to Lacan’s seminar. Instead it attempts to capture through shorter contributions a spectrum of voices debating, deliberating, and learning with Lacan’s concept. In doing so it can be seen to engage with transference conceptually in a manner that matches the spirit of Lacan’s seminar itself. The book will provide an invaluable new resource for Lacan scholars working across the fields of psychoanalytic theory, clinical psychology, philosophy and cultural studies.
FOR THE FIRST TIME! A complete and true history of the Ray "Crash" Corrigan Movie Ranch, from its prehistory to its current status as a city park. Corrects all of the falsehoods and exaggerations concerning the ranch and its operation as both a movie location and as an amusement park. Includes many details of its day-to-day operation, especially the amusement park business (its highpoints and its shortcomings!). An extensive and expanded filmography of the movie ranch. Profusely illustrated with nearly a thousand illustrations, including almost 500 photographs from a 4,000 negative collection of Corriganville images, most of which have not been published before.
The “transmigration of souls is no fable. I would it were, but men and women are only half human.” With these words, Ralph Waldo Emerson confronts a dilemma that illuminates the formation of American individualism: to evolve and become fully human requires a heightened engagement with history. Americans, Emerson argues, must realize history’s chronology in themselves—because their own minds and bodies are its evolving record. Whereas scholarship has tended to minimize the mystical underpinnings of Emerson’s notion of the self, his depictions of “the metempsychosis of nature” reveal deep roots in mystical traditions from Hinduism and Buddhism to Platonism and Christian esotericism. In essay after essay, Emerson uses metempsychosis as an open-ended template to understand human development. In Leaves of Grass, Walt Whitman transforms Emerson’s conception of metempsychotic selfhood into an expressly poetic event. His vision of transmigration viscerally celebrates the poet’s ability to assume and live in other bodies; his American poet seeks to incorporate the entire nation into his own person so that he can speak for every man and woman.
Phronesis is a journal for the study of ancient Greek and Roman thought (ancient philosophy, psychology, metaphysics, epistemology and the philosophy of science and medicine) from its origins down to the end of the sixth century A.D.