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From 1929 to 1958, hundreds of thousands of prisoners and exiles from across the Soviet Union were sent to the harsh yet resource-rich Komi Republic in Russia's Far North. When the Soviet Union collapsed, former prisoners sent their autobiographies to Komi's local branches of the anti-Stalinist Memorial Society and history museums. Using these previously unavailable personal records, alongside newspapers, photographs, interviews, and other non-state archival sources, After the Gulag sheds new light not only on how former prisoners experienced life after release but also how they laid the foundations for the future commemoration of Komi's dark past. Bound by a "camp brotherhood," they used in...
Both before and after the collapse of the Soviet Union, everyday life and the domestic sphere served as an ideological battleground, simultaneously threatening Stalinist control and challenging traditional Russian gender norms that had been shaken by the Second World War. The Prose of Life examines how six female authors employed images of daily life to depict women’s experience in Russian culture from the 1960s to the present. Byt, a term connoting both the everyday and its many petty problems, is an enduring yet neglected theme in Russian literature: its very ordinariness causes many critics to ignore it. Benjamin Sutcliffe’s study is the first sustained examination of how and why ever...
First Published in 1995. A Meeting About Laughter is a collection of sketches, interludes and theatrical parodies by Nikolai Erdman, Vladimir Mass and others. Translated from the Russian Theatre Archive by John Freedman, Harvard University. Erdman is best known as the author of The Warrant and The Suicide, both written for Vsevolod Meyerhold in the 1920s. Also including the transcript of a startling discussion of The Suicide at the Vakhtangov Theatre in 1930 and the only surviving fragments of Erdman's third play The Hypnotist.
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Six months have passed since Dakota surrendered herself to the Faceless League, and Silver City has become a war zone. With the Faceless League fighting for more control over the city, and Jasper and Alice nearly powerless against them, they have no other choice than to call upon Dakota's most dangerous allies. But in their heroic pursuit to cleanse Silver City of the evils that plague it once and for all, and save Dakota from a horrible fate unknown, they will find themselves face to face with their greatest enemy yet.
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Nikolai Klyuev is the first book in English to examine the life and work of this enigmatic poet. Klyuev (1884–1937) rose to prominence in the early twentieth century as the first of the so-called "new peasant poets" but later fell victim to Stalinist hostility to both his cultural ideology and his homosexuality. He was arrested and exiled in 1933, then shot in 1937. Klyuev’s work incorporates rich elements of folklore, mysticism, politics, and religion, and he sometimes invokes arcane Russian syntax and vocabulary. Makin’s feat is particularly notable because Klyuev was often elusive in his own accounts of his life, and Makin successfully brings into focus the poet’s deliberate strategies of self-mythologization. Nikolai Klyuev is an indispensable guide to the life and the work of an important poet winning wider recognition outside of Russia.
This is a collection of John Freedman's reviews and articles, most originally written for the Moscow Times, in which he focuses his expert critical eye on the directors, writers and actors who held centre stage during the 1996-97 theatre season in Moscow. The book looks at the debut of promising new artists and directors at the Moscow Art Theatre celebrating its 100th anniversary this year and offers a wealth of insight into the latest developments in Russian theatre. Freedman illuminates all of the season's noteworthy trends and events in clear, informed and unapologetically opinionated reports. More than just an overview of the stars and highlights, Moscow Performances II observes at close range the playhouses and the people who make up the ever-changing face of contemporary Russian theatre today. This volume is generously illustrated with photographs of featured productions and will be a useful reference for students, professors, writers, directors and actors in the fields of Russian studies, theatre studies, theatre history and contemporary culture.
Lyric Incarnate examines the plays of Aleksandr Blok, the pre-eminent poet of Russian Symbolism and one of the greatest poets of the twentieth century. Blok's plays have received less attention than his poetry in the West, and this book is the first and only English-language monograph devoted to Blok the playwright. In chronological succession, each of Blok's major plays is examined in detail. Special attention is accorded to Blok's relations with the major directors of his time, particularly Meyerhold and Stanislavsky. Blok's role, for instance, in Meyerhold's formulation of the theatre of the grotesque proved to be critical, and his relation to the Moscow Art Theatre just before the October Revolution helped to define the future course of that theatre. Blok's innovative dramatic technique is carefully studied at each stage in his career, from his earliest "lyric dramas" , such as A Puppet Show and The Stranger, to his great tragedy The Rose and the Cross.
This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.