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In the cutthroat pharmaceutical industry, two rival American companies race to be the first to register patents for a vaccine for malaria worth billions of dollars. When drug company employee, Paula Martin, suspects vital research has been stolen from her company by a rival firm owned by the man she holds responsible for her father's suspicious death, she becomes embroiled in the dark, dangerous world of corporate espionage where the high stakes quickly escalate out of control. --Provided by publisher.
Silence and the Rest argues that throughout its entire history, Russian poetry can be read as an argument for "verbal skepticism," positing a long-running dialogue between poets, philosophers, and theorists central to the antiverbal strain of Russian culture.
Nikolai Klyuev is the first book in English to examine the life and work of this enigmatic poet. Klyuev (1884–1937) rose to prominence in the early twentieth century as the first of the so-called "new peasant poets" but later fell victim to Stalinist hostility to both his cultural ideology and his homosexuality. He was arrested and exiled in 1933, then shot in 1937. Klyuev’s work incorporates rich elements of folklore, mysticism, politics, and religion, and he sometimes invokes arcane Russian syntax and vocabulary. Makin’s feat is particularly notable because Klyuev was often elusive in his own accounts of his life, and Makin successfully brings into focus the poet’s deliberate strategies of self-mythologization. Nikolai Klyuev is an indispensable guide to the life and the work of an important poet winning wider recognition outside of Russia.
Mikhail Zoshchenko was one of the most popular and contentious Russian writers in the period from 1920 to 1950. Scholars and critics have long enlisted Zoshchenko to fight the cultural battles of early Soviet history, the Cold War, and even the glasnost era. In The Politics of Reception, Gregory Carleton analyzes how and why Zoshchenko's legacy has become a battleground for competing ideological interests.
In her extensive Introduction, Lawton has highlighted the historical development of the movement and has related futurism both to the Russian national scene and to avant-garde movements worldwide.
Barbara Walker examines the Russian literary circle, a feature of Russian intellectual and cultural life from tsarist times into the early Soviet period, through the life story of one of its liveliest and most adored figures, the poet Maximilian Voloshin (1877--1932). From 1911 until his death, Voloshin led a circle in the Crimean village of Koktebel' that was a haven for such literary luminaries as Marina Tsvetaeva, Nikolai Gumilev, and Osip Mandelstam. Drawing upon the anthropological theories of Victor Turner, Walker depicts the literary circle of late Imperial Russia as a contradictory mix of idealism and "communitas," on the one hand, and traditional Russian patterns of patronage and networking, on the other. While detailing the colorful history of Voloshinov's circle in the pre- and postrevolutionary decades, the book demonstrates that the literary circle and its leaders played a key role in integrating the intelligentsia into the emerging ethos of the Soviet state.
Identifies and investigates international medievalism through three distinct strands: "Internationally Nationalist", "Someone Else's Past?", and "Activist Medievalism". Medievalism - the reception of the Middle Ages - often invokes a set of tropes generally considered 'medieval', rather than consciously engaging with medieval cultures and societies. International medievalism offers an additional interpretative layer by juxtaposing two or more national cultures, at least one of which is medieval. 'National' can be aspirational: it might refer to the area within agreed borders, or to the people who live there, but it might also describe the people who understand, or imagine, themselves to cons...
Written over the course of the last four years, a lot of (ex)es obviously had to be added to this comparative study of contemporary Soviet and American women writers. In each of the volume's major sections two stories, one by a contemporary (then)Soviet woman and one by a contemporary American woman, become the focus of two interpretive essays, one.
A cultural history charting the rise and fall of Russian patriotism during the first few years of the Great War. Illustrated with period prints, posters and broadsides, the book traces the evolution of patriotic symbolism in popular entertainments and cultural production.