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History as Literature in Byzantium
Although perceived since the sixteenth century as the most impressive literary achievement of Byzantine culture, historical writing nevertheless remains little studied as literature. Historical texts are still read first and foremost for nuggets of information, as main sources for the reconstruction of the events of Byzantine history. Whatever can be called literary in these works has been considered as external and detachable from the facts. The 'classical tradition' inherited by Byzantine writers, the features that Byzantine authors imitated and absorbed, are regarded as standing in the way of understanding the true meaning of the text and, furthermore, of contaminating the reliability of ...
Imagining the Byzantine Past
The first comparative, cross-cultural study of medieval illustrated histories that engages in a direct, confrontational dialogue with Byzantine historical memory.
The Bronze Horseman of Justinian in Constantinople
Biography of the medieval Mediterranean's most cross-culturally significant sculptural monument, the tallest in the pre-modern world.
Byzantium/Modernism
Byzantium/Modernism features contributions by fourteen international scholars and brings together a diverse range of interdisciplinary essays on art, architecture, theatre, film, literature, and philosophy, which examine how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture. Particular attention is given to intercultural dialogues between the former dominions of the Byzantine Empire, with a special focus on Greece, Turkey, and Russia, and the artistic production of Western Europe and America. Together, these essays invite the reader to think critically and theoretically about the dialogic interchange between Byzantium and modernism and to consider this cross-temporal encounter as an ongoing and historically deep narrative, rather than an ephemeral or localized trend. Contributors are Tulay Atak, Charles Barber, Elena Boeck, Anthony Cutler, Rico Franses, Dimitra Kotoula, Marie-José Mondzain, Myroslava M. Mudrak, Robert S. Nelson, Robert Ousterhout, Stratis Papaioannou, Glenn Peers, Jane A. Sharp and Devin Singh.
Framing Mary
Despite the continued fascination with the Virgin Mary in modern and contemporary times, very little of the resulting scholarship on this topic extends to Russia. Russia's Mary, however, who is virtually unknown in the West, has long played a formative role in Russian society and culture. Framing Mary introduces readers to the cultural life of Mary from the seventeenth century to the post-Soviet era. It examines a broad spectrum of engagements among a variety of people—pilgrims and poets, clergy and laity, politicians and political activists—and the woman they knew as the Bogoroditsa. In this collection of well-integrated and illuminating essays, leading scholars of imperial, Soviet, and...
History as Literature in Byzantium
Although perceived since the 16th century as the most impressive literary achievement of Byzantine culture, historical writing nevertheless remains little studied as literature. This book, devoted to literary interpretations of Byzantine historical writing and analyses of pictorial narratives, illustrates how analyses of texts and images from the 6th to the 14th century work hand in hand with an evaluation of the work as a document of historical value.
Witness Literature in Byzantium
This book analyzes Byzantine examples of witness literature, a genre that focuses on eyewitness accounts written by slaves, prisoners, refugees, and other victims of historical atrocity. It focuses on such episodes in three nonfictional texts – John Kaminiates’ Capture of Thessaloniki (904), Eustathios of Thessaloniki’s Capture of Thessaloniki (1186), and Niketas Choniates’ History (ca. 1204–17) – and the three extant twelfth-century Komnenian novels to consider how the authors’ positions as both eyewitness and victim require an interpretive method that distinguishes witness literature from other kinds of writing about the past. Drawing on theoretical developments in the fields of Holocaust and Genocide Studies (such as Giorgio Agamben’s homo sacer and Michel Foucault’s biopolitics) and comparisons with modern examples (Elie Wiesel’s Night and Primo Levi’s If This is a Man), Witness Literature emphasizes the affective, subjective, and experiential in medieval Greek historical writing.
The Eloquence of Art
Professor Henry Maguire's publications transformed the way art historians approach medieval art. In this volume, twenty-three of his colleagues and friends have contributed papers in his honour, resulting in studies that reflect the broad range of his scholarly interests.
Documentary Sources on the History of Rus ́ Metropolitanate
Edited and curated by the renowned medievalist Andrei Pliguzov, Documentary Sources on the History of Rus ́ Metropolitanate is a rich resource for any reader interested in the controversies and preoccupations of the Orthodox hierarchy and the clergy throughout the Rus ́ metropolitanate up to the early modern period.
