You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A single mother. An abandoned farmhouse. An epic battle with the northern wilderness. Broke and desperate, Molly Bannister accepts the ironclad condition laid down in her great-aunt’s will: to receive her inheritance, Molly must spend one year in an abandoned, off-the-grid farmhouse in the remote backwoods of northern Alberta. If she does, she will be able to sell the farm and fund her four-year-old daughter’s badly needed medical treatment. With grim determination, Molly teaches herself basic homesteading skills. But her greatest perils come from the brutal wilderness itself, from blizzards to grizzly bears. Will she and her child survive the savage winter? Will she outsmart the idealist young farmer who would thwart her plan to sell the farm? Not only their financial future, but their very lives are at stake. Only the journal written by Molly's courageous great-aunt, the land’s original homesteader, inspires her to struggle on.
A Toronto Star Bestseller! Rose, a Canadian intelligence officer in Britain in World War II, struggles with conflicting feelings about the war and a superior’s attention. Rose Jolliffe is an idealistic young woman living on a farm with her family in Saskatchewan. After Canada declares war against Germany in World War II, she joins the British Women’s Auxiliary Air Force as an aerial photographic interpreter. Working with intelligence officers at RAF Medmenham in England, Rose spies on the enemy from the sky, watching the war unfold through her magnifying glass. When her commanding officer, Gideon Fowler, sets his sights on Rose, both professionally and personally, her prospects look bright. But can he be trusted? As she becomes increasingly disillusioned by the destruction of war and Gideon’s affections, tragedy strikes, and Rose’s world falls apart. Rose struggles to rebuild her shattered life, and finds that victory ultimately lies within herself. Her path to maturity is a painful one, paralleled by the slow, agonizing progress of the war and Canada’s emergence from Britain’s shadow.
When Anthony Pennell received the Baroness's invitation, penned in the delicate foreign handwriting of Harriet Brandt, he accepted it at once. Being out of the season, he had no engagement for that evening, but he would have broken twenty engagements, sooner than miss the chance, so unexpectedly offered him, of meeting in an intimate family circle, the girl who appeared to have led his cousin Ralph's fancy astray. He pictured her to himself as a whitey-brown young woman with thick lips and rolling eyes, and how Ralph, who was so daintily particular where the beau sexe was concerned, could have been attracted by such a specimen, puzzled Anthony altogether. The knowledge that she had money struck him unpleasantly, for he could think of no other motive for Captain Pullen having philandered with her, as he evidently had done. At anyrate, the idea that there was the least chance of allying herself with their family, must be put out of her head, at once and for ever.
Broke and desperate, Molly Bannister accepts the ironclad condition laid down in her great-aunt's will: to receive her inheritance, Molly must spend one year in an abandoned, off-the-grid farmhouse in the remote backwoods of northern Alberta. If she does, she will be able to sell the farm and fund her four-year-old daughter's badly needed medical treatment. With grim determination, Molly teaches herself basic homesteading skills. But her greatest perils come from the brutal wilderness itself, from blizzards to grizzly bears. Will she and her child survive the savage winter? Will she outsmart the idealist young farmer who would thwart her plan to sell the farm? Not only their financial future, but their very lives are at stake. Only the journal written by Molly's courageous great-aunt, the land's original homesteader, inspires her to struggle on.
Brown demonstrates how Florentine thinkers used Lucretius—earlier and more widely than has been supposed—to provide a radical critique of prevailing orthodoxies. She enhances our understanding of the “revolution” in sixteenth-century political thinking and our definition of the Renaissance within newly discovered worlds and new social networks.
A rollicking historical novel set in turn-of-the-century Alberta about a young woman on the run from her abusive husband who uses a legal loophole to claim a homestead in the Wild West—perfect for fans of Outlawed and Giver of Stars. In 1905, Scottish newcomer Flora Craigie jumps from a moving train to escape her abusive husband. Desperate to disappear, she claims a homestead near Alix, Alberta, determined to start a new life for herself. She finds that her nearest neighbours are also female: a Welsh widow with three children; two American women raising chickens; and a Métis woman who makes a living by breaking in wild horses. While battling the harsh environment (and draconian local atti...
Winner of the CWA Historical Dagger Award The North-West Frontier, 1910. The screams of a wounded British officer abandoned at the bottom of a dark ravine are heard by a young Scottish subaltern. Ignoring the command to retreat back to base the Highlander sets out alone, with dagger in hand, to rescue his fellow officer from the Pathan tribesmen who are slowly torturing him to death. Over a dozen years later the backwash of this tragedy threatens to engulf Joe Sandilands. After a skirmish which results in the death of a Pathan prince and the taking of hostages, Joe is given seven days in which to identify, arrest and execute the killer before the frontier erupts into war. Drawing on all his courage and detective skills Joe must find out who the murderer is before more bloody deaths occur, the legacy of a bitter feud with its roots hidden deep in the past.
In this lavishly illustrated study, Belting deals with the double history of perspective, as a visual theory based on geometrical abstraction (in the Middle East) and as pictorial theory (in Europe). Florence and Baghdad addresses a provocative question that reaches beyond the realm of aesthetics and mathematics: What happens when Muslims and Christians look upon each other and find their way of viewing the world transformed as a result?
The Florentine musician Jacopo Peri (1561-1633) is known as the composer of the first operas--they include the earliest to survive complete, Euridice (1600), in which Peri sang the role of Orpheus. The recent discovery of a large number of private account books belonging to him and his family allows for a greater exploration of Peri's professional and personal life. Richard Goldthwaite, an economic historian, and Tim Carter, a musicologist, have done more, however, than write a biography: their investigation exposes the value of such financial documents as a primary source for an entire period. This record of Peri's wide-ranging investments and activities in the marketplace enables the first...