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Crossing the Lines of Caste
Crossing the Lines of Caste offers a cultural-historical analysis of the legends of Visvamitra, a sage who is said to have used his ascetic power to change his caste and become a Brahmin. It reveals how and why mythological culture has played an active role in the construction of Brahmin social power for more than three thousand years.
Behind Kṛṣṇa’s Smile
Behind Kṛṣṇa's Smile offers a wholly original perspective on the celebrated Bhagavadgītā, or "Song of God." The book investigates Kṛṣṇa's hint of laughter (prahasann iva) in Bhagavadgītā 2.10, which is generally understood to be the turning point of the famous poem, signaling the outpouring of his grace and teaching to Arjuna. Remarkably, it is from this verse that Śaṅkara and other leading theologians begin to write their commentaries. In addition to exploring the momentousness of Kṛṣṇa's hint of laughter and its impact on the poem's central teachings, Behind Kṛṣṇa's Smile provides a crucial interpretation of Kṛṣṇa's prahasann iva in the Vedānta commentarial tradition, from Śaṅkara up to modern times. The book also considers the meanings of the stock phrase prahasann iva in the larger epic framework of the Mahābhārata and Rāmāyaṇa. Moreover, the book offers the first comprehensive review of the significance of Kṛṣṇa's smile in Kṛṣṇaite iconography and literature, demonstrating that there is a unified canon bringing together the literary and performative dimensions of Kṛṣṇa’s hint of laughter.
Reviving and Re-Writing Ethics in Social Research For Commoning the Community
In the continuously changing field of social sciences, ethical considerations in anthropological studies pose unprecedented challenges. The book Reviving and Re-Writing Ethics in Social Research For Commoning the Community embarks on a transformative journey, moving beyond historical analysis to address pressing contemporary questions about the norms governing anthropological study. Who guards the guardians? What ethical challenges does the modern era pose for anthropological sciences? These are the critical questions explored in this comprehensive exploration of the ethical landscape of social research. As the ethical foundations of social research shift with political, intellectual, and so...
Choreonarratives
Choreonarratives, a collection of essays by classicists, dance scholars, and dance practitioners, explores the uses of dance as a narrative medium. Case studies from Greek and Roman antiquity illustrate how dance contributed to narrative repertoires in their multimodal manifestations, while discussions of modern and contemporary dance shed light on practices, discourses, and ancient legacies regarding the art of dancing stories. Benefitting from the crossover of different disciplinary, historical, and artistic perspectives, the volume looks beyond current narratological trends and investigates the manifold ways in which dance can acquire meaning, disclose storyworlds ranging from myths to individual life-stories, elicit the narratees’ responses, and generate powerful narratives of its own. Together, the eclectic approaches of Choreonarratives rethink dance’s capacity to tell, enrich, and inspire stories. Contributors are Sophie M. Bocksberger, Iris J. Bührle, Marie-Louise Crawley, Samuel N. Dorf, Karin Fenböck, Susan L. Foster, Laura Gianvittorio-Ungar, Sarah Olsen, Lucia Ruprecht, Karin Schlapbach, Danuta Shanzer, Christina Thurner, Yana Zarifi-Sistovari, Bernhard Zimmermann
On Dreams and the East
Jung’s landmark seminar on the symbolism of yoga and its applications to dream analysis In the summer of 1933, C. G. Jung conducted a seminar in Berlin attended by a large audience of some 150 people, including several Jewish Jungians who would soon leave Germany. Hitler had begun consolidating his position as dictator and these students were distressed at Jung’s recent decision to accept the presidency of a German professional psychotherapy society that was rapidly becoming Nazified and purged of Jews. On Dreams and the East makes these seminar sessions widely available for the first time, offering tantalizing insights into Jung’s evolving understanding of yoga and the realization of ...
Indic Manuscript Cultures through the Ages
This collection of essays explores the history of the book in pre-modern South Asia looking at the production, circulation, fruition and preservation of manuscripts in different areas and across time. Edited by the team of the Cambridge-based Sanskrit Manuscripts Project and including contributions of the researchers who collaborated with it, it covers a wide range of topics related to South Asian manuscript culture: from the material dimension (palaeography, layout, decoration) and the complicated interactions of manuscripts with printing in late medieval Tibet and in modern Tamil Nadu, to reading, writing, editing and educational practices, from manuscripts as sources for the study of reli...
The Natyasastra and the Body in Performance
The Natyasastra is the deep repository of Indian performance studies. It embodies centuries of performance knowledge developed in South Asia on a range of conceptual issues and practical methodologies of the body. The composition of the Natyasastra is attributed to Sage Bharatha, and dates back to between 200 BC and AD 200. Written in Sanskrit, the text contains 6000 verse stanzas integrated in 36 chapters discussing a wide range of issues in theatre arts, including dramatic composition; construction of the playhouse; detailed analysis of the musical scales; body movements; various types of acting; directing; division of stage space; costumes; make-up; properties and musical instruments. As a discourse on performance, the Natyasastra is an extensive documentation of terminologies, concepts and methodologies. This book presents 14 scholarly essays exploring the Natyasastra from the multiple perspectives of Indian performance studies--epistemological, aesthetic, scientific, religious, ethnological and practical.
Defending God in Sixteenth-Century India
This book is the first in-depth study of the Śaiva oeuvre of the celebrated polymath Appaya Dīkṣita (1520-1593). Jonathan Duquette documents the rise to prominence and scholarly reception of Śivādvaita Vedānta, a Sanskrit-language school of philosophical theology which Appaya single-handedly established, thus securing his reputation as a legendary advocate of Śaiva religion in early modern India. Based to a large extent on hitherto unstudied primary sources in Sanskrit, Duquette offers new insights on Appaya's early polemical works and main source of Śivādvaita exegesis, Śrīkaṇṭha's Brahmamīmāmsābhāṣya; identifies Appaya's key intellectual influences and opponents in hi...
Awakening a Living World on a Kūṭiyāṭṭam Stage
Kūṭiyāṭṭam, an ancient form of Sanskrit theater from Kerala, was traditionally performed only in temples by members of two temple assistant castes. Today, however, it has spread to other castes and to venues outside temples. It is a fantastically complex, sophisticated, layered performance, toiling at amassing and perfecting ways of materializing a world where gods, demons, and mythical heroes live, bringing the audience into these other realities. Taking an anthropological approach, Awakening a Living World on a Kūṭiyāṭṭam Stage explores how Kūṭiyāṭṭam uses cultural dynamics, gleaned from temple ritual and theater, to remove the distinctions between mundane reality a...
The Ring of Truth and Other Myths of Sex and Jewelry
In The Ring of Truth, Wendy Doniger expertly unfolds the cultural and historical significance of rings and other kinds of circular jewelry through timeless stories taken from mythology, religious traditions, and literature. Each chapter, like a separate charm on a charm bracelet, considers a different constellation of stories, linked by a common cluster of meanings: the mutual imitation of real and fake, legal and illegal, marital and extra-marital jewelry; the circular form of rings and bracelets, miming the circle of eternity, which persists in the face of human ephemera
