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As if Marguerite Duras wrote Convenience Store Woman--a beautiful, unexpected novel from a debut French-Korean author
From the author of Winter in Sokcho, which won the 2021 National Book Award for Translated Literature. The days are beginning to draw in. The sky is dark by seven in the evening. I lie on the floor and gaze out of the window. Women's calves, men's shoes, heels trodden down by the weight of bodies borne for too long. It is summer in Tokyo. Claire finds herself dividing her time between tutoring twelve-year-old Mieko in an apartment in an abandoned hotel and lying on the floor at her grandparents: daydreaming, playing Tetris, and listening to the sounds from the street above. The heat rises; the days slip by. The plan is for Claire to visit Korea with her grandparents. They fled the civil war ...
This coming of age novel by the acclaimed Belgian author is “a disarmingly simple yet deeply complex study of a mother-daughter relationship” (The Washington Post). One of the Washington Post’s 50 Notable Works of fiction in 2018 Marie is the prettiest girl in her provincial high school, and dating the most popular boy in town. She is the envy of all her peers—and she loves it. But when she gives birth to Diane, things begin to change. Diane steals the hearts of all who meet her, inciting nothing but jealousy in her mother. This is Diane’s story. Young and brilliant, she grows up learning about life through her relationships with other women: her best friend, the sweet Élisabeth; her mentor, the selfish Olivia; her sister, the beloved Célia; and, of course, her mother. It is a story about the baser sentiments that often animate human relations: rivalry, jealousy, distrust. Revered throughout Europe, Belgian novelist Amélie Nothomb has won numerous prizes, including the French Academy’s Grand Prix. In Strike Your Heart, she offers a telling adult fable about womanhood and the mother-daughter bond.
Picture two people, young and in love. Picture them being separated from one another. Picture them keeping their love alive through letters. So far, so simple. Now imagine they've not just been separated geographically, but also historically. Imagine that their love and letters now defy time and place, life and death. By now you realize that this novel is unique. And, when you learn how it has made Russian literary-prize history, and has to-date been sold in twenty-two languages, you begin to sense just how unique...
Quintessential Anne Serre—this restless, prowling novel explores love as a form of greed, and confused need as one shape of bereftness Anna has been living happily for twenty years with loving, sturdy, outgoing Guillaume when she suddenly (truly at first sight) falls in love with Thomas. Intelligent and handsome, but apparently scarred by a terrible early emotional wound, he reminds Anna of Jude the Obscure. Adrift and lovelorn, she tries unsuccessfully to fend off her attraction, torn between the two men. “How strange it is to leave someone you love for someone you love. You cross a footbridge that has no name, that’s not named in any poem. No, nowhere is a name given to this bridge, and that is why Anna found it so difficult to cross.” Anne Serre offers here, in her third book in English, her most direct novel to date. The Beginners is unpredictable, sensual, exhilarating, oddly moral, perverse, absurd—and unforgettable.
WINNER • 2022 PULITZER PRIZE IN HISTORY Finalist • National Book Award for Nonfiction Best Books of the Year • TIME, Smithsonian, Boston Globe, Kirkus Reviews The Pulitzer Prize-winning history that transforms a single event in 1722 into an unparalleled portrait of early America. In the winter of 1722, on the eve of a major conference between the Five Nations of the Haudenosaunee (also known as the Iroquois) and Anglo-American colonists, a pair of colonial fur traders brutally assaulted a Seneca hunter near Conestoga, Pennsylvania. Though virtually forgotten today, the crime ignited a contest between Native American forms of justice—rooted in community, forgiveness, and reparations...
“The queer memoir you’ve been waiting for”—Carmen Maria Machado Grace Lavery is a reformed druggie, an unreformed omnisexual chaos Muppet, and 100 percent, all-natural, synthetic female hormone monster. As soon as she solves her “penis problem,” she begins receiving anonymous letters, seemingly sent by a cult of sinister clowns, and sets out on a magical mystery tour to find the source of these surreal missives. Misadventures abound: Grace performs in a David Lynch remake of Sunset Boulevard and is reprogrammed as a sixties femmebot; she writes a Juggalo Ghostbusters prequel and a socialist manifesto disguised as a porn parody of a quiz show. Or is it vice versa? As Grace fumbles toward a new trans identity, she tries on dozens of different voices, creating a coat of many colors. With more dick jokes than a transsexual should be able to pull off, Please Miss gives us what we came for, then slaps us in the face and orders us to come again.
Anguille is a 17-year-old girl who leaves her rock on the archipelago of Comoros to lose herself at sea. She drifts between two states of mind and between two islands 'in a hollow maze', evoking her memories so as to forget nothing and so as to delay the inevitable outcome. Confronted with the pressing immediacy of imminent death, Anguille recounts the story of her whole life in one long, sustained breath, in a series of brief couplets. But what Anguille recounts, in an assured voice which heralds a shipwreck, is also something other than her life - something much deeper below the ground, or rather the sea, which has to do with the species and what is immemorial. It is the story of a fight for survival in which everyone becomes a predator. A story told in a single sentence, A Girl Called Eel is a memorial, a reckoning, and a powerful narrative imbued with a prevailing sense of urgency.
They got married ten days ago. They haven't had sex yet and they don't intend to. As it turned out, the only way to make their parents get off their backs about trying to "find someone" was actually finding somone--with whom to put marriage for show. Mutsuki is stictly gay and has a boyfriend, while Shoko is a clinical case of emotional instability who's in no shape for a relationship. They've each found in the other a perfect partner for a sham marriage. Since the conspirators' parents know of their own child's undesirability, but not the spouse's, the union manages to please them. And while the newlyweds hope, in their own way, to live happily ever after, they inevitably come face t o face with the fact that no marriage real or staged, is a fairy tale.
Jen Beagin’s funny, moving, fearless debut novel introduces an unforgettable character, Mona—almost 24, cleaning houses to get by, emotionally adrift. Handing out clean needles to drug addicts, she falls for a recipient who proceeds to break her heart in unimaginable ways. She decamps to Taos, New Mexico, for a fresh start, where she finds a community of seekers and cast-offs. But they all have one or two things to teach her—the pajama-wearing, blissed-out New Agers, the slightly creepy client with peculiar tastes in controlled substances, the psychic who might really be psychic. Always just under the surface are her memories of growing up in a chaotic, destructive family from which she’s trying to disentangle herself. The story of her journey toward a comfortable place in the world and a measure of self-acceptance is psychologically acute, often surprising, and entirely human.