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A shape-shifter arrives at Tokyo harbour in human form, set to embark on an unstoppable rampage through the city’s train network… A young woman is accompanied home one night by a reclusive student, and finds herself lured into a flat full of eerie Egyptian artefacts… A man suspects his young wife’s obsession with picnicking every weekend in the city’s parks hides a darker motive… At first, Tokyo appears in these stories as it does to many outsiders: a city of bewildering scale, awe-inspiring modernity, peculiar rules, unknowable secrets and, to some extent, danger. Characters observe their fellow citizens from afar, hesitant to stray from their daily routines to engage with them....
A mother constantly dreams of a passionate and all-consuming past affair, of which nothing now remains but her daughter, as the two travel through Japan and through life, love and the terrible pain of loss.
Nightshift is a story of obsession set in London’s liminal world of nightshift workers. When twenty-three-year-old Meggie meets distant and enigmatic Sabine, she recognizes in her the person she would like to be. Giving up her daytime existence, her reliable boyfriend, and the trappings of a normal life in favour of working the same nightshifts as Sabine could be the perfect escape for Meggie. She finds a liberating sense of freedom in indulging her growing preoccupation with Sabine and plunges herself into another existence, gradually immersing herself in the transient and uncertain world of the nightshift worker. Dark, sexy, frightening, Nightshift explores ambivalent female friendship, sexual attraction and lives that defy easy categorization. London’s stark urban reality is rendered other-worldly and strange as Meggie’s sleep deprivation, drinking and fixation with Sabine gain a momentum all of their own. Can Meggie really lose herself in her trying to become someone else? A novel of obsession and desire, Kiare Ladner’s Nightshift is a beautiful and moving debut which asks profound questions about who we are and if we can truly escape ourselves.
They got married ten days ago. They haven't had sex yet and they don't intend to. As it turned out, the only way to make their parents get off their backs about trying to "find someone" was actually finding somone--with whom to put marriage for show. Mutsuki is stictly gay and has a boyfriend, while Shoko is a clinical case of emotional instability who's in no shape for a relationship. They've each found in the other a perfect partner for a sham marriage. Since the conspirators' parents know of their own child's undesirability, but not the spouse's, the union manages to please them. And while the newlyweds hope, in their own way, to live happily ever after, they inevitably come face t o face with the fact that no marriage real or staged, is a fairy tale.
Appeared on best of the year lists from The New York Times, The Guardian, and more! Winner of The Cartoonist Studio Prize for Best Print Comic of the Year! Grass is a powerful antiwar graphic novel, telling the life story of a Korean girl named Okseon Lee who was forced into sexual slavery for the Japanese Imperial Army during the Second World War—a disputed chapter in twentieth-century Asian history. Beginning in Lee’s childhood, Grass shows the lead-up to the war from a child’s vulnerable perspective, detailing how one person experienced the Japanese occupation and the widespread suffering it entailed for ordinary Koreans. Keum Suk Gendry-Kim emphasizes Lee’s strength in overcoming...
Glimpsing an elderly man leading his blind daughter on a pilgrimage, Junoshin Kakiri, a ‘ronin’ or freelance samurai, swiftly kills him with a sword. Asked why he murdered such an innocent, Junoshin shares his concerns about the growing ‘Harahuhi Tou’ (Belly-shaking Party) cult to which the man was devoted, a fear which rapidly spreads through the Kuroae clan. Shuzen Oura, the warlike leader of half this kingdom, soon hires Junoshin to destroy the cult but his studious power rival, Tatewaki Naito, cunningly pays the mercenary samurai to usurp Oura on his behalf. Set in Edo-period Japan, ‘Punk Samurai Slash Down’ follows the power struggles which entangle Junoshin within the Kuroae clan, polarizing the kingdom between an academic leader unable to fight and an unlearned martial arts expert.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Ben and Miko’s relationship is in trouble. He’s a struggling filmmaker, she works for a local film festival, and in various ways, they’re both searching for something else. When he’s not managing a derelict movie theater, Ben spends his time obsessing over unavailable blonde women, watching Criterion Collection DVDs, and eating in diners with his best friend Alice, a grad student with a serial dating habit. When Miko moves to New York for an internship, Ben begins to explore what he thinks he wants, throwing himself headfirst into new relationships, unfamiliar surroundings, and uncharted emotional territory. Equal parts comedy and drama, Shortcomings explores the complexities of cult...
The sound of a trumpet across a Japanese mountain valley leads a young man to befriend a mysterious stranger. During repeated visits to the cave where the stranger has set up home, the young man learns about his past – in the mines, villages and ports of the region. The stranger’s hilarious, bawdy and touching narratives captivate the young man, but he begins to doubt their veracity. Finally, as the young man decides his own fate, the full truth about the stranger is revealed. ‘Tales from a Mountain Cave’ is a translation of Hisashi Inoue’s highly popular ‘Shinshaku Tono Monogatari’ (新釈遠野物語), set in the Kamaishi area of Iwate Prefecture, Northeast Japan. Kamaishi was devastated by the tsunami of March 2011, and royalties on sales of this book will be donated to post-tsunami community support projects.