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"Originally published in Great Britain by Persephone Books"--Title page verso.
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WITH A FOREWORD BY EDMUND DE WAAL, AUTHOR OF THE HARE WITH AMBER EYES SET IN THE ASHES OF POST–SECOND WORLD WAR VIENNA, A POWERFUL, SUBTLE NOVEL OF EXILES RETURNING HOME FIFTEEN YEARS AFTER FLEEING HITLER'S DEADLY REIGN Vienna is demolished by war, the city an alien landscape of ruined castles, a fractured ruling class, and people picking up the pieces. Elisabeth de Waal's mesmerizing The Exiles Return is a stunningly vivid postwar story of Austria's fallen aristocrats, unrepentant Nazis, and a culture degraded by violence. The novel follows a number of exiles, each returning under very different circumstances, who must come to terms with a city in painful recovery. There is Kuno Adler, a ...
This beloved account about an intrepid young Englishman on the first leg of his walk from London to Constantinople is simply one of the best works of travel literature ever written. At the age of eighteen, Patrick Leigh Fermor set off from the heart of London on an epic journey—to walk to Constantinople. A Time of Gifts is the rich account of his adventures as far as Hungary, after which Between the Woods and the Water continues the story to the Iron Gates that divide the Carpathian and Balkan mountains. Acclaimed for its sweep and intelligence, Leigh Fermor’s book explores a remarkable moment in time. Hitler has just come to power but war is still ahead, as he walks through a Europe soon to be forever changed—through the Lowlands to Mitteleuropa, to Teutonic and Slav heartlands, through the baroque remains of the Holy Roman Empire; up the Rhine, and down to the Danube. At once a memoir of coming-of-age, an account of a journey, and a dazzling exposition of the English language, A Time of Gifts is also a portrait of a continent already showing ominous signs of the holocaust to come.
The Real Politics of the Horn of Africa delves into the business of politics in the turbulent, war-torn countries of north-east Africa. It is a contemporary history of how politicians, generals and insurgents bargain over money and power, and use of war to achieve their goals. Drawing on a thirty-year career in Sudan, Ethiopia, Eritrea and Somalia, including experience as a participant in high-level peace talks, Alex de Waal provides a unique and compelling account of how these countries’ leaders run their governments, conduct their business, fight their wars and, occasionally, make peace. De Waal shows how leaders operate on a business model, securing funds for their ‘political budgetsâ...
From the author of the bestselling phenomenon The Hare with Amber Eyes As you may have guessed by now, I am not in your house by accident. I know your street rather well. The Camondos lived just a few doors away from Edmund de Waal's forebears. Like de Waal's family, they were part of belle époque high society. They were also targets of anti-Semitism. Count Moïse de Camondo created a spectacular house filled with art for his son to inherit. Over a century later, de Waal explores the lavish rooms and detailed archives and, in a haunting series of letters addressed to Camondo, he tells us what happened next. 'Illuminating... A wonderful tribute to a family and to an idea' Guardian 'Letters to Camondo immerses you in another age... Dazzling' Financial Times
"In Black Garden, Thomas de Waal tells the full story of this tragic quarrel and its aftermath for the first time. He travels the length and breadth of Armenia and Azerbaijan, talking to veterans, refugees and the inhabitants of ruined towns and villages. He recreates the story of the descent into conflict of two former Soviet neighbors, its disastrous consequences and the confused efforts of the "Great Powers" - Russia, France and the United states - to bring peace to the Caucasus."--BOOK JACKET.
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Published to mark the display of library of exile at the British Museum, this beautifully produced new book reflects on the themes raised by de Waal's thought-provoking work of art. A preface by Booker Prize-nominated author Elif Shafak reflects on the importance of literature and its capacity to transcend language and borders. The introduction from Hartwig Fischer, Director of the British Museum, positions the artwork within the wider context of the Museum's collection, highlighting the dialogue between objects from across time and throughout history and the contemporary. Finally, de Waal concentrates on the work itself, its journey to the British Museum via Venice and Dresden, and its future role in the foundation of the New University Library in Mosul.
‘Addictively compelling’ The Times ‘A joy to read’ Maggie O’Farrell