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The Hippocratic Corpus comprises some sixty medical works of varying length, style and content. Collectively, this is the largest surviving body of early Greek prose. As such, it is an invaluable resource for scholars and students not only of ancient medicine but also of Greek life in general. Hippocrates lived in the age of Socrates and most of the treatises seem to originate in the classical period. There is, however, no consensus on Hippocratic attribution. The Hippocratic Corpus examines the works individually under the broad headings: content - each work is summarised for the reader comment - the substance and style of each work is discussed context is provided not just in relation to t...
The Hippocratic Corpus comprises some sixty medical works of varying length, style and content. Collectively, this is the largest surviving body of early Greek prose. As such, it is an invaluable resource for scholars and students not only of ancient medicine but also of Greek life in general. Hippocrates lived in the age of Socrates and most of the treatises seem to originate in the classical period. There is, however, no consensus on Hippocratic attribution. The ‘Hippocratic’ Corpus examines the works individually under the broad headings: content - each work is summarised for the reader comment - the substance and style of each work is discussed context is provided not just in relatio...
First published in 1975, this book places Elizabeth Gaskell amongst the major novelists of the nineteenth-century. It considers how she has sometimes been overlooked, or admired for very few of her works, or for reasons that are not in fact central to her art. W. A. Craik looks at Gaskell’s full-length novels with three main purposes: to analyse her development as a novelist, her achievements, and the nature of her very original work; to see what she owes to earlier novelists, what she learns from them, and how far she is an innovator; and to put her in relation to those other novelists who write on similar themes with comparable aims. This book establishes Elizabeth Gaskelll’s excellence in comparison with her peers by demonstrating how far she extended the possibilities of the novel, both in materials and techniques.
This is a new edition, with translation, introduction and commentary, of the Hippocratic treatise On Glands. Through a close analysis of both content and expression, the text is interpreted and situated in the wider context of ancient medical writing.
Accessible and up-to-date introduction to the legacy of Hippocrates, the man and the writings attributed to him.
This book presents a new edition, with translation, introduction and commentary, of two short medical texts, both transmitted in the Hippocratic Corpus but surely neither by the historical Hippocrates. The two works differ considerably in nature and origins: On Sight (Part 1) is a sketchy surgical manual on eye afflictions, perhaps originating in the African continent, and On Anatomy (Part 2) is an allusive account of basic human anatomy, perhaps originating in north Greece. Each text is interpreted in its own right and in the wider context of Hippocratic and other medical writing. Both content and language are closely analysed. The conclusions reached impact on important questions relating to the origin, constitution and dissemination of the Hippocratic Corpus.
Explores Euripides' use of monody, or solo actor's song, to express emotion and develop character in his late tragedies.
Pharmakon: Plato, Drug Culture, and Identity in Ancient Athens examines the emerging concern for controlling states of psychological ecstasy in the history of western thought, focusing on ancient Greece (c. 750-146 BCE), particularly the Classical Period (c. 500-336 BCE) and especially the dialogues of the Athenian philosopher Plato (427-347 BCE). Employing a diverse array of materials ranging from literature, philosophy, medicine, botany, pharmacology, religion, magic, and law, Pharmakon fundamentally reframes the conceptual context of how we read and interpret Plato's dialogues. Michael A. Rinella demonstrates how the power and truth claims of philosophy, repeatedly likened to a pharmakon,...
This first in-depth account of Euripides' relationship with the visual arts demonstrates how frequently the tragedian used language to visual effect, whether through allusion or actual references to objects, motifs built around real or imaginary objects, or the use of technical terminology.