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Analyzes how chroniclers of the First Crusade attempted to represent the enterprise as a "holy war." Focuses on accounts of miracles, especially the intervention of saints in the battle of Antioch; explores how the chroniclers related the crusade to biblical events.
Remembering the Crusades and Crusading examines the diverse contexts in which crusading was memorialised and commemorated in the medieval world and beyond. The collection not only shows how the crusades were commemorated in the twelfth and thirteenth centuries, but also considers the longer-term remembrance of the crusades into the modern era. This collection is divided into three sections, the first of which deals with the textual, material and visual sources used to remember. Each contributor introduces a particular body of source material and presents case studies using those sources in their own research. The second section contains four chapters examining specific communities active in ...
Depicting the Holy War examines the impact that crusades in the Middle East had on societies in western Europe through the analysis of a heretofore largely ignored type of source: mural paintings. In this book, Elizabeth Lapina analyzes five programs of mural paintings from the early twelfth to the late thirteenth century in what is today France and England—in Hardham, Berzé-la-Ville, Poncé-sur-le-Loir, Cressac, and Tour Ferrande. These images provide rare sources of information about attitudes toward crusades in locations that have produced next to no written evidence about the subject, such as rural parishes. Four of the murals are found in ecclesiastical structures, themselves sacred ...
The history of influence of the old testamentary Maccabees is the focus of the essays collected in this book, which extend thematically and chronologically from the cult of martyrs in late antiquity to the time of the modern wars of liberation.
This is the first translation of the Hystoria de via or ‘Monte Cassino Chronicle,’ one of the few surviving crusader sources from Southern Italy, where it was probably compiled (partly from known sources) between the 1130s and 1140s. The chronicle’s original sections offer new and fresh insight on the knowledge and reception of the First Crusade in Southern Italy, and the devotional and pilgrimage practices which surrounded it. The introduction contextualises the chronicle in the environment which produced it, discussing the historiographical tradition at Montecassino, the likely sources for the Hystoria, and its significance as an original source. The introduction also comments extens...
In the 88 years between its establishment by the victorious armies of the First Crusade and its collapse following the disastrous defeat at Hattin, the Latin Kingdom of Jerusalem was the site of vibrant artistic and architectural activity. As the crusaders rebuilt some of Christendom's most sacred churches, or embellished others with murals and mosaics, a unique and highly original art was created. Focusing on the sculptural, mosaic, and mural cycles adorning some of the most important shrines in the Kingdom (such as the Church of the Holy Sepulchre, The Basilica of the Annunciation, and the Church of the Nativity), this book offers a broad perspective of Crusader art and architecture. Among...
In A Pious Belligerence Uri Zvi Shachar examines one of the most contested and ideologically loaded issues in medieval history, the clash between Christians, Muslims, and Jews that we call the Crusades. He does so not to write about the ways these three groups waged war to hold onto their distinct identities, but rather to think about how these identities were framed in relation to one another. Notions of militant piety in particular provided Muslims, Christians, and Jews paths for thinking about both cultural boundaries and codependencies. Ideas about holy warfare, Shachar contends, were not shaped along sectarian lines, but were dynamically coproduced among the three religions. The final d...
Mapping Medieval Identities in Occitanian Crusade Song focuses on two twelfth-century musical-poetic practices of southern France - the sacred Aquitanian versus and the vernacular troubadour lyric - and newly interprets them within their shared context of the early Crusades.
The works of Titus Flavius Josephus ben Matthias on biblical history and the Jewish war were read and studied throughout the Latin west during the Middle Ages. Each generation of Christian scholars had to contend with the Jewish writer’s text, reputation, and content. This volume demonstrates the complex relationship between Josephus’ legacy and his readers who sought to make use of that legacy across the period of 500 to 1300. Contributors include: Carson Bay, Susan Edgington, Anthony Ellis, Paul C. Hilliard, Karen M. Kletter, Justin Lake, Richard M. Pollard, Graeme Ward, and Julian Yolles.
Crusades covers the seven hundred years from the First Crusade (1095-1102) to the fall of Malta (1798) and draws together scholars working on theatres of war, their home fronts and settlements from the Baltic to Africa and from Spain to the Near East and on theology, law, literature, art, numismatics and economic, social, political and military history. Routledge publishes this journal for The Society for the Study of the Crusades and the Latin East. Particular attention is given to the publication of historical sources - narrative, homiletic and documentary - but studies and interpretative essays are welcomed too. Crusades also incorporates the Society's Bulletin. The editors are Professor Jonathan Phillips, Royal Holloway, University of London, UK; Iris Shagrir, The Open University of Israel; Professor Benjamin Z. Kedar, Hebrew University of Jerusalem, Israel; and Nikolaos G. Chrissis, Democritus University of Thrace, Greece.