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This is a work of fiction. A novel based on a foundation of certain firm probabilities. The reader never knows if he has reached the end. He is unwilling to leave the Kingdom; he is unwilling to forget Princess Rajeswary; he does not want to leave the company of the ascetic Vishnushatry; he is willing to remain spellbound by the lectures of Professor Arjun and Catherine; he wants to visit the North Woods to have a glimpse of the majestic Promi Sierra; he wants to see how Suryawarma’s sword blazes. He wants to return again and again to the chapters that are so adorable and so realistic. He is caged within the pages… No, this is not a novel. It is a visit to an extraordinarily enchanting place. The stories are intertwined cohesively to present the story of a small civilization, and there is a shade of mystery! The kingdom of Promipur is a wealthy and advanced kingdom—advanced in terms of human progression in the absolute sense. At the conclusion, the reader is unwilling to keep the book down, wishing only that what happens at the end ought not to have happened.
5 years have passed after the sensational case of BAT ISLAND MASSACRES had been solved by the BLOODHOUNDS comprised by siblings, Melwyn, Anil and Anita Fernandes, in the city of Vasco-a-Gama, Goa, where the illustrious PINTO family members were victims of these massacres. Suddenly, the city of Vasco is once again rocked by a series of extremely brutal murders of the remainder of PINTO family members who had survived the earlier carnage. This shocks the entire police machinery and the state! This case comes to be popularly known as the ‘VASCO DA GAMA SLAUGHTERS’. As the BLOODHOUNDS once again take over the case and dig deeper and deeper, it becomes more and more baffling for them, as they...
One summer in 1973, a beautiful baby girl named Bella St. Patrick came into the world. Her grandfather held her proudly and then suddenly had a heart attack and died. It was then her Granny became the “Father” figure to their family. From her humble beginnings, Granny planted her own roots and grew a new strong Family Tree. She taught her granddaughter every value she had and Bella would need it, for her path would be strewn with challenges. At 5, she would find her mother bloodied on the floor. At 6, she would suffer the devastating lifelong effects from sexual abuse. At 16, she would fall in love with a wholesome sweet boy who became a drug dealer. At 25, she would build her dream house to have a loving husband and children, only to have that dream shattered. Gallons of “Gin and Lemon Drops” led to no home and “homelessness” at 50. Join Bella in her journey from the bottomless pit to discovering her own true self and finding her “Real Home” lies within. A story of Love, Hope, Respect & Courage that celebrates your own True Self..
Our global environment is crumbling and we find ourselves in the midst of what looks to be a 6th mass extinction event, brought on as a result of our determination to maintain a growth based economy on a finite planet. There is a way forward, but we must first understand the damage we have done to our spaceship Earth and how our social environment has conditioned us into behaviour patterns which are not conducive to maintaining a healthy biosphere or society. Those understandings lead to a self evident train of thought which encourages us to move decisively away from Capitalism and toward an economy based on sharing and fairness.
Sketches of Democracy is a captivating book that chronicles the first year in the life of a new urban high school. Based on journal entries and educational literature, this booktraces the author’s challenging journey toward creating a democratic community of learners within a tangle of socio-economic and political issues. An experienced public school teacher and university educator, DeLorenzo brings a unique perspective to the teaching/learning process. Her poignant anecdotal stories, along with information from authoritative sources, provide a narrative that is deeply reflective and affecting. This book is a must-read for teachers, teacher candidates, and teacher educators who share a passion for teaching those on the margins of society.
Prior to the East India Company’s establishment in India in 1661, Islamic law was widely applied by the Mughal Empire. But as the Company’s power grew, it established a court system intended to limit Islamic law. Following the Great Rebellion of 1857, the decentralized Islamic legal system was replaced with a new standardized system. Islamic Law on Trial interrogates the project of juridical colonization and demonstrates that alongside—and despite—the violent displacement of Muslim legal sovereignty, Muslims were able to engage with and even champion Islamic law from inside the colonial judiciary. The outcome of their work was a paradoxical legal terrain that appeared legitimate to both Muslim practitioners and English colonizers. Sohaira Siddiqui challenges long-standing assumptions about Islamic law under British rule, the ways in which colonial power displaced preexisting traditions, and how local Muslim elites navigated the new institutions imposed upon them.
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"A bibliography of some works relating to the Huguenot refugees, whence they came, where they settled": v. 1, pp. [130-149].
Digital media histories are part of a global network, and South Asia is a key nexus in shaping the trajectory of digital media in the twenty-first century. Digital platforms like Facebook, WhatsApp, and others are deeply embedded in the daily lives of millions of people around the world, shaping how people engage with others as kin, as citizens, and as consumers. Moving away from Anglo-American and strictly national frameworks, the essays in this book explore the intersections of local, national, regional, and global forces that shape contemporary digital culture(s) in regions like South Asia: the rise of digital and mobile media technologies, the ongoing transformation of established media ...
The 1970s was a pivotal decade in the Indian social, cultural, political and economic landscape: the global oil crisis, wars with China and Pakistan in the previous decade, the Bangladesh war of 1971, labour and food shortages, widespread political corruption, and the declaration of the state of Emergency. Amidst this backdrop Indian cinema in both its popular and art/parallel film forms flourished. This exciting new collection brings together original research from across the arts and humanities disciplines that examine the legacies of the 1970s in India’s cinemas, offering an invaluable insight into this important period. The authors argue that the historical processes underway in the 1970s are important even today, and can be deciphered in the aural and visual medium of Indian cinema. The book explores two central themes: first, the popular cinema’s role in helping to construct the decade’s public culture; and second, the powerful and under-studied archive of the decade as present in India’s popular cinemas. This book is based on a special issue of South Asian Popular Culture.