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Miracles and Machines
An abundantly illustrated narrative that draws from the history of art, science, technology, artificial intelligence, psychology, religion, and conservation in telling the extraordinary story of a Renaissance robot that prays. This volume tells the singular story of an uncanny, rare object at the cusp of art and science: a 450-year-old automaton known as “the monk.” The walking, gesticulating figure of a friar, in the collection of the Smithsonian Institution’s National Museum of American History, is among the earliest extant ancestors of the self-propelled robot. According to legend connected to the court of Philip II of Spain, the monk represents a portrait of Diego de Alcalá, a hum...
Collection - Laboratory - Theater
This volume launches a new, eight-volume series entitled Theatrum Scientiarum on the history of science and the media which has arisen from the work of the Berlin special research project on "Performative Cultures" under the aegis of the Theatre Studies Department of the Free University. The volume examines the role of space in the constitution of knowledge in the early modern age. "Kunstkammern" (art and curiosities cabinets), laboratories and stages arose in the 17th century as instruments of research and representation. There is, however, still a lack of precise descriptions of the epistemic contribution made by material and immaterial space in the performance of knowledge. Therefore, the...
Beyond the Battlefield
This volume draws together an international team of scholars to explore the experience and significance of early modern European continental warfare from an interdisciplinary perspective. Individual essays add to the lively fields of War and Society and the New Military History by combining the history of war with political and diplomatic history, the history of religion, social history, economic history, the history of ideas, the history of emotions, environmental history, art history, musicology, and the history of science and medicine. The contributors address how warfare was entwined with European learning, culture, and the arts, but also examine the ties between warfare and ideas or ide...
Cosmos and Materiality in Early Modern Prague
In the seventeenth century Prague was the setting for a complex and shifting spiritual world. By studying the city's material culture, this book presents a bold alternative understanding of early modern religion in central Europe.
Faces of Community in Central European Towns
Concepts of visual communication form an explanatory framework for discussing the visual expressions of urban symbolic communication in urban life in towns in the center of Europe in the late medieval and early modern period, including the dramatic times of the Reformation and Counter-Reformation. This book examines the role of images and visual representation by concentrating on the varieties of symbolic communication in towns that made a range of relationships visual: the status and role of urban civic, professional, and religious communities and the relations between the town and its lord or powerful families and individuals. The geographical framework of this book is the region in the fo...
A House Divided
This book examines the intersection between religious belief, dynastic ambitions, and late Renaissance court culture within the main branches of Germany's most storied ruling house, the Wittelsbach dynasty. Their influence touched many shores from the "coast" of Bohemia to Boston.
Dürer and Beyond
"This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975."--Publisher's website.
Making Marvels
Featuring more than 150 treasures from several of the world’s most prestigious collections, Making Marvels explores the vital intersection of art, technology, and political power at the courts of early modern Europe. It was there, from the sixteenth through eighteenth centuries, that a remarkable outpouring of creativity and learning gave rise to exquisite objects that were at once beautiful works of art and technological wonders. By amassing vast, glittering collections of these ingeniously crafted objects, princes flaunted their wealth and competed for mastery over the known world. More than mere status symbols, however, many of these marvels ushered in significant advancements that have had a lasting influence on astronomy, engineering, and even international politics. Incisive texts by leading scholars situate these works within the rich, complex symbolism of life at court, where science and splendor were pursued with equal vigor and together contributed to a culture of magnificence.
The Cabinet of Curiosities
When Lukas Declercq is orphaned, his uncle summons him to Prague, a refuge for Europe's greatest alchemists and natural philosophers, offering to take him on as an apprentice. Uncle Anselmus is court physician to Rudolph II, the reclusive and unstable Emperor. He is also curator of Rudolph's bizarre Cabinet of Curiosities, a series of vast rooms stuffed with wonders and scientific marvels such as a nail from Noah's Ark, phoenix feathers and monstrous freaks of nature, which fascinate Lukas. As Rudolph retreats further into his fantasy world, the threat of rebellion hangs in the air. Dorantes, a diplomat from Spain, comes with his daughter, Celestina, on a mission from Philip II to persuade R...
