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Peripheral Insider
With increased mobility and transnational interaction worldwide, internationalism in contemporary visual art is no longer exclusively a western issue. Contemporary visual art includes works by expatriate artists who have settled in the west, as well as artists outside the west reflecting on everyday events in a globalized world. Peripheral Insider examines the conditions of expatriate artists from various angles: the historical and colonial roots of the issue, positions among theorists dealing with expatriate artists in the west, the role of established art institutions, and examples of recent developments in the field. Peripheral Insider argues that expatriate art or internationalism in visual art is a phenomenon with a specific history, closely related to colonial and post-colonial experiences. The contributors elucidate the book's main theme on various theoretical levels and set forth their analyses of a number of issues relevant to new interpretations of "the post-colonial agenda."
Xenotropism and the Awakening of Literary Expatriatism through Writing Memoirs
Although there have been many discussions about challenges faced by individuals going through East to West migrations, there are few literary accounts about those moving from the West to the East. Yet these migrations are becoming more frequent now due to advances in technology and the fact that a writer’s work can now involve an increasingly global audience. One way of expressing these challenges is through writing memoirs. Xenotropism and the Awakening of Literary Expatriatism through Writing Memoirs exemplifies the craft of memoirs written while living in a foreign country and explains how this is different from writing from home. The book is a theoretical analysis of xenotropism based ...
John White Alexander and the Construction of National Identity
Moreover, it provides a broad picture of the historical, political, cultural, and aesthetic context in which Alexander's works in particular, and those of his cosmopolitan colleagues in general, were produced and discussed."--BOOK JACKET.
The Routledge Companion to African Diaspora Art History
This is an authoritative companion that is global in scope, recognizing the presence of African Diaspora artists across the world. It is a bold and broad reframing of this neglected branch of art history, challenging dominant presumptions about the field. Diaspora pertains to the global scattering or dispersal of, in this instance, African peoples, as well as their patterns of movement from the mid twentieth century onwards. Chapters in this book emphasize the importance of cross-fertilization, interconnectedness, and intersectionality in the framing of African Diaspora art history. The book stresses the complexities of artists born within, or living and working within, the African continent...
Going Dutch
This volume investigates the place of Dutch history and Dutch-derived culture in America over the last four centuries. It considers how the Dutch have fared in America, and it explores how American conceptions of Dutchness have developed, from Henry Hudson's historic voyage to Manhattan in 1609 through the rise of Dutch design at the turn of the twenty-first century. Essays probe a rich array of topics: Dutch themes in American arts and letters; the place of Dutch paintings in American collections; shifting American interests in Dutch art, literature, and architecture; the experience of Dutch immigrants in America; and the Dutch Reformed Church in America. Going Dutch presents a much needed overview of the Dutch-American experience from its beginnings to the present. Contributors include: Julie Berger Hochstrasser, Willem Frijhoff, Joyce D. Goodfriend, Hans Krabbendam, Joseph Manca, Nancy T. Minty, Mark A. Peterson, Christopher Pierce, Judith Richardson, Louisa Wood Ruby, Benjamin Schmidt, Robert Schoone-Jongen, Annette Stott, Tity de Vries, and Dennis P. Weller.
