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Feng Shui is a body of ancient Chinese knowledge that aims at creating a harmony between environment, buildings and people. It represented the most significant set of architectural theory and practice in Chinese history. Feng Shui knowledge reflected the traditional Chinese attitudes towards the natural and built environment. With a desire to improve the relationship between human and the environment, there is an increasing interest for architects, building professionals and other property practitioners to apply the concepts of Feng Shui in building design. As Feng Shui knowledge represents a holistic view in creating harmonized built environment, research into the application of Feng Shui to the built environment needs to be addressed.
Compiled in the early tenth century, the Kokinshū is an anthology of some eleven hundred poems that aimed to elevate the prestige of vernacular Japanese poetry at the imperial court. From shortly after its completion to the end of the nineteenth century, it was celebrated as the cornerstone of the Japanese vernacular poetic tradition. The composition of classical poetry, other later poetic forms such as linked verse and haikai, and vernacular Japanese literary writing in its entirety (including classic works such as Murasaki Shikibu’s Tale of Genji and Sei Shōnagon’s Pillow Book) all draw from the Kokinshū. This book offers an inviting and immersive selection of roughly one-third of t...
This is the first work to deal comprehensively with the historical and physical aspects of the Nagaoka palace and capital, which were constructed in the eighth century at the order of Kanmu Tennō, but abruptly abandoned after only ten years. New research and the information yielded by decades of excavation made possible this fresh reassessment of conventional theories of the construction and layout of Nagaoka, as well as the life and reign of its founder. It also examines the motivations behind Nagaoka's establishment and abandonment within the context of Kanmu's reign and personal convictions. In broader terms, this volume deals with the process of capital building in late eighth-century Japan, and the links between the Nara and Heian capitals.
Shugendō has been an object of fascination among scholars and the general public, yet its historical development remains an enigma. This book offers a provocative reexamination of the social, economic, and spiritual terrain from which this mountain religious system arose. Caleb Carter traces Shugendō through the mountains of Togakushi (Nagano Prefecture), while situating it within the religious landscape of medieval and early modern Japan. His is the first major study to view Shugendō as a self-conscious religious system—something that was historically emergent but conceptually distinct from the prevailing Buddhist orders of medieval Japan. Beyond Shugendō, his work rethinks a range of...
Kyoto was Japan’s political and cultural capital for more than a millennium before the dawn of the modern era. Until about the fifteenth century, it was also among the world’s largest cities and, as the eastern terminus of the Silk Road, it was a place where the political, artistic, and religious currents of Asia coalesced and flourished. Despite these and many other traits that make Kyoto a place of both Japanese and world historical significance, the physical appearance of the premodern city remains largely unknown. Through a synthesis of textual, pictorial, and archeological sources, this work attempts to shed light on Kyoto’s premodern urban landscape with the aim of opening up new...
This edited collection explores how graphic art and in particular Japanese manga represent Japanese history. The articles explore the representation of history in manga from disciplines that include such diverse fields as literary studies, politics, history, cultural studies, linguistics, narratology, and semiotics. Despite this diversity of approaches all academics from these respective fields of study agree that manga pose a peculiarly contemporary appeal that transcends the limitation imposed by traditional approaches to the study and teaching of history. The representation of history via manga in Japan has a long and controversial historiographical dimension. Thereby manga and by extensi...
The ideas that mark modern-day pragmatics are old, but did not start to get more systematically developed until the 1960s and 1970s. Still, the very recognition of pragmatics as a self-standing academic discipline is a product of the 1980s, not least made possible by the establishment of the International Pragmatics Association. One scholar in particular has devoted his life both to IPrA and to the discipline. This volume pays homage to Jef Verschueren on the occasion of his 60th birthday. It celebrates him for his long-standing dedication as Secretary General of IPrA and for his scholarly contributions to the field. We owe to Jef Verschueren the insight that the processes through which language users (do or do not) achieve understanding among each other in communication can only be fully comprehended if approached from a pragmatic perspective, i.e. if understanding is pragmaticized. The chapters in this book are written by scholars who, like Jef Verschueren, have played a key role in the genesis and development of the field, and who still actively contribute to its advancement today. Each author looks back, evaluates the present, and takes on new challenges.
Contests over heritage in Asia are intensifying and reflect the growing prominence of political and social disputes over historical narratives shaping heritage sites and practices, and the meanings attached to them. These contests emphasize that heritage is a means of narrating the past that demarcates, constitutes, produces, and polices political and social borders in the present. In its spaces, varied intersections of actors, networks, and scales of governance interact, negotiate and compete, resulting in heritage sites that are cut through by borders of memory. This volume, edited by Edward Boyle and Steven Ivings, and with contributions from scholars across the humanities, history, social sciences, and Asian studies, interrogates how particular actors and narratives make heritage and how borders of memory shape the sites they produce.
In Five Classics of Fengshui Michael Paton traces the theoretical development of this form of spiritual geography through full translations of major texts: the Burial Classic of Qing Wu, Book of Burial, Yellow Emperor’s Classic of House Siting, Twenty Four Difficult Problems, and Water Dragon Classic. This theoretical development is analysed through the lens of history, philosophy and sociology of science in an attempt to address Joseph Needham’s conundrum of the "great beauty of the siting" in traditional China being based of such a “grossly superstitious system” and to understand what part fengshui played in the environmental history of China.
Feng Shui is not all about tradition. The integration and harmony between the natural and built environments concerning modern architecture has long been discussed in Feng Shui, or more academically, Kan Yu. Based on Scientific Feng Shui for the Built Environment: Fundamentals and Case Studies published in 2011, this enhanced new edition has further taken into account the enhancements and new inputs in theories and applications. Emphasis is placed on two themes, sustainability and science. New case studies regarding sustainable design as viewed from a Feng Shui perspective, and integrated applications of different architectural models and their associations with Feng Shui concepts are added ...