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This book provides a rich and cutting-edge analysis of one of the most prominent literary groups in Latin America: the Mexican Crack Writers. The first part explores the history of the group and its relation to the Latin American literary tradition, while the second part is devoted to the critical analysis of the works of each of the authors: Ricardo Chávez Castañeda, Ignacio Padilla, Pedro Ángel Palou, Eloy Urroz and Jorge Volpi. The volume is further enriched by the inclusion, in the appendix, of the two manifestos of the group: the Crack Manifesto and the Crack Postmanifesto (1996-2016). It will be of great interest to students and scholars focusing on contemporary Latin American literature.
A series of comic events engulf a university town.
Contemporary Latin America presents the epochal political, economic, social, and cultural changes in Latin America over the last 40 years and comprehensively examines their impact on life in the region, and beyond. Provides a fresh approach and a new interpretation of the seismic changes of the last 40 years in Latin America Introduces major themes from a humanistic and universal perspective, putting each subject in a context that readers can understand and relate to Focuses on ‘Ibero-America'--Brazil and the eighteen countries that were formerly Spanish possessions- while offering valuable comparative views of the non-Iberian areas of the Caribbean Emphasizes the global, regional and national dimensions of the region's recent past
"An unnamed man travels to Shanghai, ostensibly on vacation, but finds himself increasingly unmoored from his life and identity. Caught in a jet-lag reality, he stumbles from adventure to adventure, allowing himself to be led not by sense or instinct but by the onrush of experience, until a call from home jars him back into his life, with all of its own confusions." "In Running Away, the Chaplinesque slapstick of Jean-Philippe Toussaint's acclaimed early works The Bathroom and Camera is replaced by an ever-unfolding fabric of coincidences and misapprehensions, both particularly modern and utterly real. The mature Toussaint shows himself to be no less ingenious an inventor of existential dilemmas, but with a new, surprising tenderness, and a deepened concern for the inexpressible immediacy and sensuality of human experience." --Book Jacket.
Utopian Dreams, Apocalyptic Nightmares traces the history of utopian representations of the Americas, first on the part of the colonizers, who idealized the New World as an earthly paradise, and later by Latin American modernizing elites, who imagined Western industrialization, cosmopolitanism and consumption as a utopian dream for their independent societies. Carlos Fuentes, Homero Aridjis, Carmen Boullosa, and Alejandro Morales utilize the literary genre of dystopian science fiction to elaborate on how globalization has resulted in the alienation of indigenous peoples and the deterioration of the ecology. This book concludes that Mexican and Chicano perspectives on the past and the future ...
"One of the most remarkable books of contemporary Mexican literature, The Obstacles is the story of young writers coming of age in a world dominated entirely by their own fictions. It tells, in alternating chapters, the stories of two teenagers, Ricardo and Elias, who are characters in each others' novels. Ricardo lives in Mexico City with his mother, who is mourning the recent death of her husband. Elias, an orphan, lives in Las Remoras, a town on the Baja Peninsula that has been invented and meticulously imagined by Ricardo. Blurring our notions of reality and fiction, Eloy Urroz takes the reader into a world where characters invent characters and challenge their creators. And the book's conclusion--in which a surprising connection between Ricardo and Elias is revealed--shows that not even fiction can be controlled in a world of such incredible unpredictability."--Publisher's website.
Here, Unt rather blasphemously weaves this national icon and her Latvian doctor husband into a postmodern tale of vampires and a mysterious trip to Leningrad.
The first anthology of its kind, I Am of the Tribe of Judah: Poems from Jewish Latin America brings together poetry from the Mexican border to the tip of South America. Originally written in Spanish, Portuguese, Yiddish, Ladino, Casteidish, and Hebrew, these poems have been translated into English, many for the first time, by a group of prize-winning translators. This multilingual collection looks at the tradition across more than five hundred years, featuring poems that exalt being Jewish, whether Ashkenazi or Sephardic, and poems that express humor and satire. Conversely, there are poems in response to anti-Semitism and poems of exile, of protest, and of the Holocaust. In a different mode, there are wondrous poems on mysticism and Kabbalah. The book includes an insightful introduction and historical background by world-renowned literary and social critic Ilan Stavans, professor at Amherst College.
"This bitterly funny memoir reads like an expose of the power structures in America's higher-education system: who's got it, how they're abusing it, what everyone else is willing to do to get it, and the social cost of doing educational business this way. We follow our protagonist, Kassie, as the academic world reshapes her life, her worse secrets and most humiliating mistakes revealing deep problems of race, class, gender, and sexuality. We watch as she alienates her family by hanging her "snobbish" nose over books; as she embarks on an adulterous affair with her instructor; as she comes to terms with her racist attitudes towards her own inner-city students; and as she abandons her principles for the sake of her career."--BOOK JACKET.
In THE MORNING SIDE OF THE HILL, Ezra E. Fitz’ debut novella, he asks readers: What if you anted up and kicked in everything you had on a belief, a hope, a dream, on faith, and you lost? This is one of the questions facing Willie and Mo, the two insecure, incomplete protagonists that was inspired by – and is an homage to – William Faulkner’s classic novel The Wild Palms. Like Faulkner’s novel, it unfolds in two parallel stories told in alternating chapters that subtly illuminate one another. In the first, set in uptown Manhattan, a disillusioned graduate student who’s just a little too familiar with the neighborhood drug dealer and a lonely woman appears doomed to a disastrous en...