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Between Text and Tradition
New insights into Pietro d’Abano’s unique approach to translations The commentary of Pietro d’Abano on Bartholomew’s Latin translation of Pseudo-Aristotle's Problemata Physica, published in 1310, constitutes an important historical source for the investigation of the complex relationship between text, translation, and commentary in a non-curricular part of the corpusAristotelicum. As the eight articles in this volume show, the study of Pietro’s commentary not only provides valuable insights into the manner in which a commentator deals with the problems of a translated text, but will also bring to light the idiosyncrasy of Pietro’s approach in comparison to his contemporaries and ...
“A Pearl of Powerful Learning”: The University of Cracow in the Fifteenth Century
Winner of The Polish Institute of Arts and Sciences of America's 2018 Oskar Halecki Award and Winner of the Early Slavic Studies Association 2016 Book Prize The first fully developed history of the University of Cracow in this period in over a century, “A Pearl of Powerful Learning.” The University of Cracow in the Fifteenth Century places the school in the context of late medieval universities, traces the process of its foundation, analyzes its institutional growth, its setting in the Polish royal capital, its role in national life, and provides a social and geographical profile of students and faculty. The book includes extended treatment of the content of intellectual life and accompl...
Magister Jacobus de Ispania, Author of the Speculum musicae
The Speculum musicae of the early fourteenth century, with nearly half a million words, is by a long way the largest medieval treatise on music, and probably the most learned. Only the final two books are about music as commonly understood: the other five invite further work by students of scholastic philosophy, theology and mathematics. For nearly a century, its author has been known as Jacques de Liège or Jacobus Leodiensis. ’Jacobus’ is certain, fixed by an acrostic declared within the text; Liège is hypothetical, based on evidence shown here to be less than secure. The one complete manuscript, Paris BnF lat. 7207, thought by its editor to be Florentine, can now be shown on the basi...
A World in a Grain of Sand
Many people around the world accept the possibility of telepathy or clairvoyance. Very rarely, however, has anyone been able to demonstrate these psychic faculties with enough accuracy and reliability to produce significant results in repeated experimentation. An exception to this was the Polish engineer and industrialist Stefan Ossowiecki. Ossowiecki (1877-1944) is perhaps the most gifted psychic ever to come under the scrutiny of researchers. He demonstrated a range and quality of clairvoyance that no one has exceeded, at least under experimental controls. Equally important, he was eager to learn more about his talent and allowed a variety of researchers to use him in experiments. Anecdotal accounts of his talent abounded, but it was the controlled observations of investigators in experiments conducted in Paris and Warsaw that confirmed his gift. For the first time, this book brings to English-speaking researchers and the public detailed accounts of the crucial experiments carried out with Ossowiecki, which produced compelling evidence of paranormal cognition.
The Motet in the Late Middle Ages
A unique capacity of measured polyphony is to give precisely fixed places not only to musical notes, but also to individual words in relation to them and each other. The Motet in the Late Middle Ages offers innovative approaches to the equal partnership of music and texts in motets of the fourteenth century and beyond, showcasing the imaginative opportunities afforded by this literal kind of intertextuality, and yielding a very different narrative from the common complaint that different simultaneous texts make motets incomprehensible. As leading musicologist Margaret Bent asserts, they simply require a different approach to preparation and listening. In this book, Bent examines the words an...
Music as Concept and Practice in the Late Middle Ages
'Music as Concept and Practice in the Late Middle Ages' is an entirely new addition to the New Oxford History of Music series rather than a revision of the volume's predecessor published in 1960. It takes account not only of the developments in late-medieval music scholarship during the latter decades of the twentieth century, but also of the experience gained through significant changes in the performance practice of the late-medieval repertory witnessed during this period. All the chapters include areas of discussion whose coverage in the series hitherto has been either wholly lacking or, at best, marginal: Muslim and Jewish musical traditions of the Middle Ages, late-medieval office chant...
Sung Birds
Is birdsong music? The most frequent answer to this question in the Middle Ages was resoundingly "no." In Sung Birds, Elizabeth Eva Leach traces postmedieval uses of birdsong within Western musical culture. She first explains why such melodious sound was not music for medieval thinkers and then goes on to consider the ontology of music, the significance of comparisons between singers and birds, and the relationship between art and nature as enacted by the musical performance of late-medieval poetry. If birdsong was not music, how should we interpret the musical depiction of birdsong in human music-making? What does it tell us about the singers, their listeners, and the moral status of secula...
The Media of Secular Music in the Medieval and Early Modern Period (1100–1650)
This book brings a new perspective to secular music sources from the Middle Ages and early modernity by viewing them as media communication tools, whose particular features shape the meaning of their contents. Ranging from the eleventh to seventeenth centuries, and across countries and genres, the chapters offer innovative insights into the historical relationship between music and its presentation in a wide variety of media. The lens of media enables contributors to expand music history beyond notated music manuscripts and instruments to include images, furniture, luxury items, and other objects, and to address uniquely visual and material aspects of music sources in books and literature. Drawing together an international group of contributors, the volume pays close attention to the medial and material dimensions of musical sources, considering them as multifaceted objects that not only contain but also determine the nature of the music they transmit. Transforming our understanding of musical media, this volume will be of interest to scholars of musicology, art history, and medieval and early modern cultures.
Muzyka wobec rewolucji druku. Przemiany w kulturze muzycznej XVI wieku
Książka jest próbą całościowego spojrzenia na znaczenie wynalazku druku dla kultury muzycznej XVI wieku. Po zarysowaniu historii wczesnego drukarstwa muzycznego, jego podstaw technologicznych, finansowych i społecznych autor charakteryzuje kształtujący się wówczas rynek wydawnictw nutowych. Wskazuje na zależność zawartości i zewnętrznej postaci druków od warunków ekonomicznych, omawia przejawy rywalizacji między oficynami oraz przedstawia krąg protektorów edycji muzycznych. Typografia przyczyniła się do wzrostu alfabetyzacji muzycznej, umożliwiła unifikację europejskiego repertuaru, pogłębiając zarazem różnice między poszczególnymi gatunkami i stylami muzyczn...
