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Virginia Woolf and the Nineteenth-Century Domestic Novel
In Virginia Woolf and the Nineteenth-Century Domestic Novel, Emily Blair explores how nineteenth-century descriptions of femininity saturate both Woolf's fiction and her modernist manifestos. Moving between the Victorian and modernist periods, Blair looks at a range of nineteenth- and early twentieth-century sources, including the literature of conduct and household management, as well as autobiography, essay, poetry, and fiction. She argues for a reevaluation of Woolf's persistent yet vexed fascination with English domesticity and female creativity by juxtaposing the novels of Elizabeth Gaskell and Margaret Oliphant, two popular Victorian novelists, against Woolf's own novels and essays. Blair then traces unacknowledged lines of influence and complex interpretations that Woolf attempted to disavow. While reconsidering Woolf's analysis of women and fiction, Blair simultaneously deepens our appreciation of Woolf's work and advances our understanding of feminine aesthetics.
How Emily Blair Got Her Fabulous Hair
Young Emily Blair is unhappy with her straight hair, until she finds just the right style for it.
These Modern Women
B B B In 1926 and 1927, the Nation published 17 anonymous essays by "women active in professional and public life."The editor's objective was "to discover the origin of their modern point of view toward men, marriage, children, and jobs." In her introduction, Elaine Showalter discusses the issues raised -- from alcoholism to celibacy, from mother-daughter relationships to politics -- and identifies and examines the lives of the authors, among whom are Crystal Eastman, Mary Austin, and Genevieve Taggard.
Into the Spotlight
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What Keeps us Here: Songs from The Other Side of Trauma
This anthology features authors from Anti-Heroin Chic Magazine focusing on trauma and healing.
Beloved Vows, Book 4
The year was 1912, but rumors of a war in Europe was the last thing on Blair MacGreagor’s mind. Engaged and hopelessly in love, she returned to America from the United Kingdom on the HMS Mauretania thinking only of planning her wedding. Yet, by the end of her first day on dry land, her whole world was turned upside down. In 1713, in order to secure his passage to America, Scotland’s Rory MacGreagor happily signed an indentured servant contract and boarded a tall ship. It wasn’t long before he suspected it was a decision he would come to regret.
Returning the Gift
What is a gift? What do gifts mean and do? Drawing on Marcel Mauss's 1925 essay, this volume studies novels, autobiographical texts, aesthetic treatises, and political writings by Virginia Woolf, Jean Rhys, Gertrude Stein, and H.D. to explore the idea of the gift in Modernist literature.
Current Catalog
Includes subject section, name section, and 1968-1970, technical reports.
The Life and Times of Mary, Dowager Duchess of Sutherland
This definitive biography depicts one Victorian woman’s struggle to stay afloat in a rising tide of prurient scandalmongering and snobbery. Could it be that this woman’s character and circumstances informed Oscar Wilde’s social comedies? She was the daughter of a leading Conservative Oxford don, vilified as an arrogant fortune-hunter. Her liaison dangereuse with a Duke resulted in ostracism by Queen Victoria’s cronies, as well as protracted, widely publicised legal disputes with his family. One battle put her in Holloway Gaol for six weeks. Her supporters, over time, included Disraeli, the Khedival family of Egypt, the de Lesseps, and Sir Albert Kaye Rollit (a promoter of women’s suffrage, later her third husband). Her life and that of her family drew in British and European colonialism, and even Reilly, the “Ace of Spies”. Various previously untapped letters, diaries and journals allow the reader to navigate through the sensationalist fog of the primarily Liberal press of her time. The book will appeal to anyone interested in Victorian and journalism history, and gender and celebrity studies.
Politics, Desire, and the Hollywood Novel
The story of what happens when a serious writer goes to Hollywood has become a cliché: the writer is paid well but underappreciated, treated like a factory worker, and forced to write bad, formulaic movies. Most fail, become cynical, drink to excess, and at some point write a bitter novel that attacks the film industry in the name of high art. Like many too familiar stories, this one neither holds up to the facts nor helps us understand Hollywood novels. Instead, Chip Rhodes argues, these novels tell us a great deal about the ways that Hollywood has shaped both the American political landscape and American definitions of romance and desire. Rhodes considers how novels about the film industr...
