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In 1996, Reality Street published Out of Everywhere, the first anthology of its kind of innovative poetry by women in North America and the British Isles. Here, 20 years later, is the long-awaited follow-up, including the following 44 poets: Sascha Akhtar, Amy De'Ath, Mei-mei Berssenbrugge, Andrea Brady, Lee Ann Brown, Elizabeth-Jane Burnett, Mairead Byrne, Jennifer Cooke, Corina Copp, Emily Critchley, Jean Day, Rachel Blau DuPlessis, Carrie Etter, Kai Fierle-Hedrick, Heather Fuller, Susana Gardner, Susan Gevirtz, Elizabeth James/Frances Presley, Lisa Jarnot, Christine Kennedy, Myung Mi Kim, Frances Kruk, Francesca Lisette, Sophie Mayer, Carol Mirakove, Marianne Morris, Erin Moure, Jennifer Moxley, Redell Olsen, Holly Pester, Vanessa Place, Sophie Robinson, Lisa Samuels, Kaia Sand, Susan M Schultz, Eleni Sikelianos, Zoe Skoulding, Juliana Spahr, Elizabeth Treadwell, Catherine Wagner, Carol Watts, Sara Wintz, Lissa Wolsak. A limited-edition CD of audio work by nine of these poets accompanies this anthology, and is available for sale separately, exclusively from the Reality Street website while stocks last."
Home, the latest collection from writer Emily Critchley, is part experimental confession, part elegiac plea. It is an exploration of the damage done by, in and to many different manifestations of 'home', with poetry about child abuse, wrongful imprisonment, #MeToo, borders, Brexit, 'our lost biophilia' and global warming, among other issues. It is also an attempt to work through the pieces of a broken family, a broken society and a broken planet, with whatever limited tools the poet can summon. Whatever shards of hope may be picked out of the wreckage are in the understanding that we must be capable of doing more than we think - as individuals and collectively - to write a different future for ourselves and those with whom we share, indeed create, 'home'. The collection dreams of a new 'binding ground' - something stabler beneath all our feet, and that a turning point, a 'being otherwise' may be under way.
For children seeking their first book of poetry, or adults looking to rediscover a language they have lost, this playful reimagining of an ABC book is for youngsters of all ages. Written for and dedicated to the authors' children, these poems are love letters to the English language, drawing on avant-garde poetic traditions to celebrate the sounds and imagery of letters and words as they emerge into meaning. Moving through the alphabet - each letter illustrated with a beautiful collage - this book is a journey through the foundations of our language.
Love / All That /& OK, an anti-confessional by experimental British poet Emily Critchley. This major new publication brings together a diverse range of work previously published in chapbooks since 2004, and includes new material from the sequences 'Poems for Luke', 'The Sonnets' and 'Poems for Other People'. REVIEWS 'Really intelligent, coquette, fuck-you work ... a space for a new kind of anti-misogynism in poetry.' Marianne Morris 'I think the project is high electrics and considerable. I particularly care for the frailty and edges of coherence loss. It's the intelligent frays that push under my thought and matter most.' Allen Fisher " Critchley's] writing addresses love and gender politics with surprising directness, albeit mostly through misdirection, and though the book is couched as an 'anti-confessional', it strikes me as more of a kind of ironic examination of the confessional mode and its place in women's poetry." Jon Stone, Dr Fulminare
"The World Speaking Back ... To Denise Riley is a transnational and transgenerational poetry anthology to celebrate the work, contribution, and influence of one of our major poets and foremost philosophers, Denise Riley. It includes work from ninety-four authors; each has gifted an individual contribution inspired by Riley's work in some form, be it in the fields of art history, political philosophy, poetics or creative writing; all are offered in tribute to the different spaces and ways in which Riley's work opens new possibilities for its readers. The book has been prepared as a surprise collective gift by the editors, Ágnes Lehóczky and Zoë Skoulding, and publisher, Boiler House Press. Announced to co-incide with her 70th birthday, it will be presented at an event in her honour in April. It is available here now for pre-order for friends and fans who would also like to 'give something back': proceeds will be donated to a charity of Riley's choosing." [présentation de l'éditeur].
Starting from the premise that philosophers' deaths have been as interesting as their lives, Simon Critchley looks at the strange circumstances in which some philosophers have died and then confronts the big themes - in this case, what 'a good death' means and how to live with the knowledge of death. The book consists of short entries on various philosophers, cataloguing the manner of their demises and linking this to their central ideas, from the Pre-Socratics to Rousseau, Kant and Nietzsche among many others. The book concludes with Critchley's thoughts on the ideal of the philosophical death as a way of denouncing contemporary delusions and sophistries, what Francis Bacon saw as the Idols of the Tribe, the Den, the Market-Place and the Theatre (incidentally, Bacon died in a particularly cold winter in London in 1626 from a cold contracted after trying to stuff a chicken with snow as an experiment in refrigeration).
We might think we are through with the past, but the past isn't through with us. Tragedy permits us to come face to face with the things we don't want to know about ourselves, but which still make us who we are. It articulates the conflicts and contradictions that we need to address in order to better understand the world we live in. A work honed from a decade's teaching at the New School, where 'Critchley on Tragedy' is one of the most popular courses, Tragedy, the Greeks and Us is a compelling examination of the history of tragedy. Simon Critchley demolishes our common misconceptions about the poets, dramatists and philosophers of Ancient Greece - then presents these writers to us in an unfamiliar and original light.
This book traces the eventful life of Seneca, the Roman philosopher, dramatist, essayist and rhetorician of the first century CE, who came from Spain to Rome, spent his youth in Egypt, was exiled to Corsica under Claudius but recalled after eight years, and rose to dizzying heights of wealth, power and social influence under Nero, before falling from favour and being forced to kill himself. The book analyzes the relationship of Seneca's life story to his literary self-fashioning, and the tensions between the external worlds of politics, consumerism, and social success, with the Stoic ideals of asceticism, virtue and self-control.