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Federico Fellini
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Inspiring Fellini
Introduction A Not So Solitary Genius: Traversing Authorial Politics and Methodological Anxieties An Ambiguous Adherence: Esotericism in Fellini?s Work and Collaborations 1 Tullio Pinelli Neutralizing Tragedy: A Pattern from La strada On A Metaphysical Fellowship: Transcending Christianity Nothing but Images: La voce della luna 2 Ennio Flaiano Frivolously Yours: The Public Dispute over Authorship The Self as Monster: Satire and Compassion in La dolce vita A Light in the Night: Negotiating Epiphany from I vitelloni to 8 1/2 3 Bernardino Zapponi The Script as Collage: The Unbound Notebooks of the 1970s Popular Culture and Neurosis: Toby Dammit and Beyond 4 The Poets An Organic Mind: Brunello Rondi from La dolce vita to Provad?orchestra You Are My Labyrinth: The Poetic Brotherhood with Pier Paolo Pasolini Eroticism as Dream and Nightmare: A Dialogue with Brunello Rondi Remembering Corporality: Tonino Guerra in Amarcord and E la nave va Maternal Pre-grammaticality: Pasolini, Guerra, and Zanzotto Conclusion Notes Bibliography Index
Nietzsche on Time and History
In 1885 Nietzsche insisted that from now on philosophy was only acceptable ‘as the most general form of history, as an attempt somehow to describe Heraclitean becoming and to abbreviate it into signs.’ Taking this remark as a starting point, the aim of this volume is to examine the intricate relationship between Nietzsche’s philosophy of time and his philosophy of history. The questions that arise include: What are the new conceptions of time that Nietzsche has to offer? What kind of historian was Nietzsche himself? What kinds of temporalized histories and historicized philosophies did he write or fail to write? This collection of essays, written by fourteen academics including eminent figures such as John Richardson, Raymond Geuss, Lawrence J. Hatab, and Andrea Orsucci, constitute essential reading for specialists of Nietzsche, and will also appeal to a larger audience of intellectual historians, philosophers and others who are interested in the development of modern thought.
Vita di Totò
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Who's who in Germany
Vols. for 1956- include a separately paged section: Directory of organizations, associations and institutions.
Contemporary Italian Filmmaking
Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a counter-tradition in Italian filmmaking that she defines `humoristic'. She delineates a `Pirandellian genealogy' in Italian cinema, literature, and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the `new generation, ' such as Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe Tornatore. A celebrated figure of th...
Vita di Totò
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Fellini '70
Un saggio che analizza i capolavori degli anni '70 girati dal maestro riminese, alla luce degli stravolgimenti politico-culturali che esplosero nel decennio e che portarono Fellini ad un drastico ripensamento creativo della sua visione poetica.
The Journey of G. Mastorna
Federico Fellini’s script for perhaps the most famous unmade film in Italian cinema, The Journey of G. Mastorna (1965/6), is published here for the first time in full English translation. It offers the reader a remarkable insight into Fellini’s creative process and his fascination with human mortality and the great mystery of death. Written in collaboration with Dino Buzzati, Brunello Rondi, and Bernardino Zapponi, the project was ultimately abandoned for a number of reasons, including Fellini’s near death, although it continued to inhabit his creative imagination and the landscape of his films for the rest of his career. Marcus Perryman has written two supporting essays which discuss the reasons why the film was never made, compare it to the two other films in the trilogy La Dolce Vita and 81⁄2, and analyze the script in the light of It’s a Wonderful Life and Fredric Brown’s sci-fi novel What Mad Universe. In doing so he opens up an entire world of connections to Fellini’s other films, writers and collaborators. It should be essential reading for students and academics studying Fellini’s work.
