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A History of Italian Cinema
  • Language: en
  • Pages: 702

A History of Italian Cinema

  • Type: Book
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  • Published: 2009-10-12
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  • Publisher: A&C Black

A History of Italian Cinema is the only comprehensive and up-to-date book on the subject available anywhere, in any language >

Inspiring Fellini
  • Language: en
  • Pages: 250

Inspiring Fellini

Federico Fellini is considered one of the greatest cinematic geniuses of our time, but his films were not produced in isolation. Instead, they are the results of collaborations with some of the greatest scriptwriters of twentieth-century Italy. Inspiring Fellini re-examines the filmmaker’s oeuvre, taking into consideration the considerable influence of his collaborations with writers and intellectuals including Pier Paolo Pasolini, Ennio Flaiano, Tullio Pinelli, and Andrea Zanzotto. Author Federico Pacchioni provides a portrait of Fellini that is more complex than one of the stereotypical solitary genius, as he has been portrayed by Fellini criticism in the past. Pacchioni explores the dynamics of Fellini’s cinematic collaborations through analyses of the writers’ independently produced works, their contributions to the conceptualization of the films, and their conversations with Fellini himself, found in public and private archival sources. This book is an invaluable resource in the effort to understand the genesis of Fellini’s artistic development.

The Image of the Puppet in Italian Theater, Literature and Film
  • Language: en
  • Pages: 131

The Image of the Puppet in Italian Theater, Literature and Film

With the advancement of cybernetics, avatars, animation, and virtual reality, a thorough understanding of how the puppet metaphor originates from specific theatrical practices and media is especially relevant today. This book identifies and interprets the aesthetic and cultural significance of the different traditions of the Italian puppet theater in the broader Italian culture and beyond. Grounded in the often-overlooked history of the evolution of several Italian puppetry traditions – the central and northern Italian stringed marionettes, the Sicilian pupi, the glove puppets of the Po Valley, and the Neapolitan Pulcinella – this study examines a broad spectrum of visual, cinematic, literary, and digital texts representative of the functions and themes of the puppet. A systematic analysis of the meanings ascribed to the idea and image of the puppet provides a unique vantage point to observe the perseverance and transformation of its deeper associations, linking premodern, modern, and contemporary contexts.

Portrait of the Artist and His Mother in Twentieth-Century Italian Culture
  • Language: en
  • Pages: 267

Portrait of the Artist and His Mother in Twentieth-Century Italian Culture

The power exercised by the mother on the son in Mediterranean cultures has been amply studied. Italy is a special case in the Modern Era and the phenomenon of Mammismo italiano is indeed well known. Scholars have traced this obsession with the mother figure to the Catholic cult of the Virgin Mary, but in fact, it is more ancient. What has not been adequately addressed however, is how Mammismo italiano has been manifested in complex ways in various modern artistic forms. Portrait of the Artist and His Mother in Twentieth-Century Italian Culture focuses on case studies of five prominent creative personalities, representing different, sometimes overlapping artistic genres (Luigi Pirandello, Pie...

A Companion to Federico Fellini
  • Language: en
  • Pages: 576

A Companion to Federico Fellini

A groundbreaking academic treatment of Fellini, provides new, expansive, and diverse perspectives on his films and influence The Wiley Blackwell Companion to Federico Fellini presents new methodologies and fresh insights for encountering, appreciating, and contextualizing the director’s films in the 21st century. A milestone in Fellini scholarship, this volume provides contributions by leading scholars, intellectuals, and filmmakers, as well as insights from collaborators and associates of the Italian director. Scholarly yet readable essays explore the fundamental aspects of Fellini’s works while addressing their contemporary relevance in contexts ranging from politics and the environmen...

A History of Italian Cinema
  • Language: en
  • Pages: 292

A History of Italian Cinema

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Spaghetti Westerns
  • Language: en
  • Pages: 267

Spaghetti Westerns

Since the silent days of cinema, Westerns have been one of the most popular genres, not just in the United States but around the world. International filmmakers have been so taken by westerns that many directors have produced versions of their own, despite lacking access to the American West. Nowhere has the Western been more embraced outside of the United States than Italy. In the 1960s, as Hollywood heroes like John Wayne and Randolph Scott were aging, Italian filmmakers were revitalizing the western, securing younger American actors for their productions and also making stars of homegrown talent. Movies directed and produced by Italians have been branded “spaghetti westerns”—a genre...

Independent Stardom
  • Language: en
  • Pages: 237

Independent Stardom

During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure. Through extensive, original archival research, In...

Moments in Indonesian Film History
  • Language: en
  • Pages: 371

Moments in Indonesian Film History

This book explores Indonesian cinema, focusing on moments of unique creativity by Indonesian film artists who illuminate important but less-widely-known aspects of their multi-dimensional society. It begins by exploring early 1950s ‘Indonesian neorealist films’ of the Perfini group, which depict the ethos and emerging moral issues of the period of struggle for independence (1945–49). It continues by discussing four audacious political allegories produced in four discrete political eras—including the Sukarno, Suharto and Reformasi periods. It also surveys the main approaches to Islam in both popular cinema and auteur films during the Suharto New Order. One chapter celebrates the popular songs and B-movies of the Betawi comedian, Benyamin S, which dramatize the experience of the poor in ‘modernizing’ Jakarta. Another examines persisting Third World dimensions of Indonesian society as critiqued in two experimental features. The concluding chapter highlights innovation in a renewed Indonesian cinema of the post-Suharto Reformasi period (1999–2020), including films by an unprecedented generation of women writer-directors

Italian Film in the Present Tense
  • Language: en
  • Pages: 356

Italian Film in the Present Tense

For observers of the European film scene, Federico Fellini’s death in 1993 came to stand for the demise of Italian cinema as a whole. Exploring an eclectic sampling of works from the new millennium, Italian Film in the Present Tense confronts this narrative of decline with strong evidence to the contrary. Millicent Marcus highlights Italian cinema’s new sources of industrial strength, its re-placement of the Rome-centred studio system with regional film commissions, its contemporary breakthroughs on the aesthetic front, and its vital engagement with the changing economic and socio-political circumstances in twenty-first-century Italian life. Examining works that stand out for their forma...