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The Culture of Japanese Fascism
This bold collection of essays demonstrates the necessity of understanding fascism in cultural terms rather than only or even primarily in terms of political structures and events. Contributors from history, literature, film, art history, and anthropology describe a culture of fascism in Japan in the decades preceding the end of the Asia-Pacific War. In so doing, they challenge past scholarship, which has generally rejected descriptions of pre-1945 Japan as fascist. The contributors explain how a fascist ideology was diffused throughout Japanese culture via literature, popular culture, film, design, and everyday discourse. Alan Tansman’s introduction places the essays in historical context...
The Spirit of 1914
This book, first published in 2000, is a systematic analysis of German public opinion at the outbreak of the Great War and the first treatment of the myth of the 'spirit of 1914', which stated that in August 1914 all Germans felt 'war enthusiasm' and that this enthusiasm constituted a critical moment in which German society was transformed. Jeffrey Verhey's powerful study demonstrates that the myth was historically inaccurate. Although intellectuals and much of the upper class were enthusiastic, the emotions and opinions of most of the population were far more complex and contradictory. The book further examines the development of the myth in newspapers, politics and propaganda, and the propagation and appropriation of this myth after the war. His innovative analysis sheds light on German experience of the Great War and on the role of political myths in modern German political culture.
Disorientations
Exploring the fraught processes of Spaniards' efforts to formulate a national identity - from the Enlightenment to the present - this book focuses on the nation's Islamic-African legacy, disputing the received wisdom that Spain has consistently rejected its historical relationship to Muslims and Africans.
World War I and Propaganda
World War I and Propaganda offers a new look at a familiar subject. The contributions to this volume demonstrate that the traditional view of propaganda as top-down manipulation is no longer plausible. Drawing from a variety of sources, scholars examine the complex negotiations involved in propaganda within the British Empire, in occupied territories, in neutral nations, and how war should be conducted. Propaganda was tailored to meet local circumstances and integrated into a larger narrative in which the war was not always the most important issue. Issues centering on local politics, national identity, preservation of tradition, or hopes of a brighter future all played a role in different forms of propaganda. Contributors are Christopher Barthel, Donata Blobaum, Robert Blobaum, Mourad Djebabla, Christopher Fischer, Andrew T. Jarboe, Elli Lemonidou, David Monger, Javier Pounce,Catriona Pennell, Anne Samson, Richard Smith, Kenneth Andrew Steuer, María Inés Tato, and Lisa Todd.
An Accidental Masterpiece
The Complex History of a Building With the temporary exhibition pavilion of the German Reich at the 1929 International Exposition in Barcelona, Mies van der Rohe designed an architectural icon, but also a controversial monument of the way the Weimar Republic portrayed itself. The building is one of the most unusual success stories in the history of architecture: Despite its short existence, its reputation grew steadily in the following decades, thanks in part to magnificent photographs. It was soon considered the constructed manifesto of the Modern Age, and its spatial and "ideational" ambitions were called "a milestone of Modern architecture." This comprehensively, broadly researched book portrays the building’s complex history and its political entanglement—up to and including its reconstruction according to van der Rohe’s plans at the original site between 1983 and 1986. Presumably the most important and influential architectural icon of the 20th century, uniquely documented and depicted On the occasion of the 50th anniversary of Mies’ death and the Bauhaus centenary Many never before published photographs from archives in the US, Germany and Spain
Physical Characteristics of Early Films as Aids to Identification
Any archivists who have held a piece of fi lm in their hands, wondering how to go about identifying it, recognize the true value of fi lm preservationist Harold Brown's work. In 1967 Brown delivered a pioneering lecture on the identification of early films at the annual Congress of the International Federation of Film Archives (FIAF) in East Berlin. Years of working with Britain's National Film Archive collections, and the close examination of thousands of nitrate prints of the silent period, made Brown a leading authority on early fi lm identification, and an unsurpassed model of methodological consciousness in the archival field. In 1990, FIAF published Brown's Physical Characteristics of ...
El falso documental
El falso documental ha pasado de ser una producción anecdótica a convertirse en una categoría cinematográfica reconocida por el gran público. Aunque su popularidadactual es incuestionable, no se trata de una forma nueva, sino que podemos rastrearla desde el inicio del cinematógrafo. Este libro recopila algunos de los títulos más emblemáticos, buscando a través de su estudio las características y la estructura que lo definen como modelo documental.En sus páginas se mantiene que todo fake puede ser estudiado no solo por los códigos tradicionalmente adscritos a los relatos de realidad que parasita, sino también por el contexto de su producción, su recepción y por la actitud mantenida por el texto. Alguno de los aspectos que mejor definen el falso documental es su falta de vocaciónde engaño y su insistencia en retratar los medios de comunicación de una manera subversiva.
Bulletin de la Société Néophilologique
Includes music.
A Companion to Spanish Cinema
A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives. Presents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives Offers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the field Combines a thorough and insightful study of a wide spectrum of topics and issues with in-depth textual analysis of specific films Explores Spanish cinema’s cultural, artistic, industrial, theoretical and commercial contexts pre- and post-1975 and the notion of a “national” cinema Canonical directors and stars are examined alongside understudied directors, screenwriters, editors, and secondary actors Presents original research on image and sound; genre; non-fiction film; institutions, audiences and industry; and relations to other media, as well as a theoretically-driven section designed to stimulate innovative research
A Companion to Spanish Cinema
This volume offers a detailed chronological account of the history of Spanish cinema.
