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Canan Tolon: Loss
Focusing on a single work from the Arter Collection in each title, Arter Close-Up Series offers an in-depth look at Canan Tolon’s work titled Loss (1988–2010), following Sarkis: Çaylak Sokak written by Emre Baykal and David Tudor & Composers Inside Electronics, Inc. (John Driscoll and Phil Edelstein): Rainforest V (variation 3) by Melih Fereli. The publication, which also draws on the display of the installation as part of the group exhibition Precaution (03/06/2021–20/02/2022) curated by Emre Baykal at Arter, features a comprehensive interpretive text written by Erdem Ceylan. In her installation Loss, Tolon gives another chance to her works that were damaged during the San Francisco ...
What Time Is It?
Arter initiates a new publication series, Arter Background, to accompany group exhibitions drawn from its collection, which holds more than 1,300 works of art as of 2019. This first book of the series accompanies one of the opening exhibitions of Arter’s new building, a collection-based group exhibition entitled What Time Is It?. Curated by Emre Baykal and Eda Berkmen, the exhibition is conceived around the concepts of memory, space and time. In the book, excerpts of texts selected around the ideas active in the curatorial process are complemented by new essays written specifically for this context, in line with Arter’s mission of encouraging artistic and cultural production. It thus fea...
With(Out) Trace: Interdisciplinary Investigations into Time, Space and the Body
This book, With(out) Trace: Inter-Disciplinary Investigations into Time, Space and the Body, unpacks many of the issues that surround the idea of trace: what we intentionally, an unintentionally, leave behind as well as how trace can help us to move forward. In particular this volume looks at how interdisciplinarity can suggest new ways of seeing and, subsequently, exploring interconnections between time, space and the body.
Resistance in Contemporary Middle Eastern Cultures
This study highlights the connections between power, cultural products, resistance, and the artistic strategies through which that resistance is voiced in the Middle East. Exploring cultural displays of dissent in the form of literary works, films, and music, the collection uses the concept of 'cultural resistance' to describe the way culture and cultural creations are used to resist or even change the dominant political, social, economic, and cultural discourses and structures either consciously or unconsciously. The contributors do not claim that these cultural products constitute organized resistance movements, but rather that they reflect instances of defiance that stem from their peculiar contexts. If culture can be used to consolidate and perpetuate power relations in societies, it can also be used as the site of resistance to oppression in its various forms: gender, class, ethnicity, and sexuality, subverting existing dominant social and political hegemonies in the Middle East.
Poetics of Slow Cinema
This book discusses slow cinema, a contemporary global production trend that has recently gained momentum in film theory and criticism. Slow films dispense with narrative progression in favour of a contemplative mood, which is stretched out to the extreme in order to impel viewers to confront cinematic temporality in all its undivided glory. Despite its critical reputation as an oblique mode of film practice, slow cinema continues to attract, challenge and provoke audiences. Focusing on filmmakers Béla Tarr, Tsai Ming-liang and Nuri Bilge Ceylan, this book identifies nostalgia, absurd humour and boredom as intrinsic dimensions of slow cinema and explores the ways in which these directors negotiate local filmmaking conventions with the demands of a global cinephile niche. As the first study to treat slow cinema both as an aesthetic style and as an institutional discourse, Poetics of Slow Cinema offers an illuminating perspective on the tradition’s historical genealogy and envisions it with a Janus-faced disposition in the age of digital technologies—lamenting at once the passing of difficult, ambiguous modernist film and capitalizing on the yearning for its absence.
Canan Tolon: Hasar
Her kitapta Arter Koleksiyonu’nda yer alan tek bir esere odaklanan Arter Yakın Plan dizisi, Emre Baykal’ın kaleme aldığı Sarkis: Çaylak Sokak ve Melih Fereli’nin imzasını taşıyan David Tudor ve Composers Inside Electronics, Inc. (John Driscoll ve Phil Edelstein): Yağmur Ormanı V (varyasyon 3)’ün ardından Canan Tolon’un Hasar (1988–2010) isimli yapıtına derinlemesine bir bakış sunuyor. Yerleştirmenin Arter’de Emre Baykal’ın küratörlüğünde gerçekleşen Tedbir başlıklı grup sergisindeki gösterimiyle (03/06/2021–20/02/2022) de bağ kuran yayın, Erdem Ceylan’ın kaleme aldığı kapsamlı bir yorumlama metni içeriyor. Tolon’un, 1989 San Franci...
Analyzing Workplace Deviance in Modern Organizations
Management leaders must constantly be prepared to correct the deviant behaviors of their employees and redirect the negative energy for the betterment of all. Ignoring this type of destructive behavior not only spoils the overall work environment for employees, but also risks the loss of quality, talented personnel. Analyzing Workplace Deviance in Modern Organizations is an essential reference source containing innovative research on best practices for adopting and implementing employee deviance remedial strategies. While highlighting topics including conflict resolution, cultural issues, and deviant behavior, this book is ideally designed for executives, managers, directors, business professionals, industry practitioners, human resources managers, policymakers, researchers, academicians, and students working in management, organizational behavior, human resources, and employee relations fields.
The Routledge Dictionary of Turkish Cinema
The first critical and analytical dictionary of Turkish Cinema, this book provides a comprehensive overview of Turkish cinema from its beginnings to the present day. Addressing the lacuna in scholarly work on the topic, this dictionary provides immense detail on a wide range of aspects of Turkish cinema including; prominent filmmakers, films, actors, screenwriters, cinematographers, editors, producers, significant themes, genres, movements, theories, production modes, film journals, film schools and professional organizations. Extensively researched, elaborately detailed and written in a remarkably readable style, the Routledge Dictionary of Turkish Cinema will be invaluable for film scholars and researchers as a reference book and as a guide to the dynamics of the cinema of Turkey.
Mimar.ist Sayı 65
Mimar.ist Sayı 65
Mekânsallık: Sanat Üretiminde Eşzamanlılık Durumu
Kant, Saf Aklın Eleştirisi'nde şöyle diyordu: "a priori bilginin ilkeleri olarak duyusal görünün iki saf biçimi vardır: mekân ve zaman". Deleuze, Kant'ın bu kavramsallaştırmasını, "beliren her şey zaman ve mekânın koşulları altında belirir" diye aktarır. Yalın bir deyişle, sanat nesnesinin de, zamansal ve mekânsal olmak üzere iki farklı gerçeklik tanımladığını söyleyebiliriz. Yapısal bir çözümleme, zamansal olanın, öğelerin zaman içindeki peş peşeliğine dayandığını, mekânsallığın ise öğelerin eşzamanlılığıyla gerçeklik kazandığını gösterir. Kısacası, zamansal olanın karşısında mekânsallık bir eşzamanlılık durumu/ola...
