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BEAUTY AND VIOLENCE.
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Beauty and Violence
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Paul Binnie
In this ground breaking book the career and work of contemporary woodblock print artist Paul Binnie (b. 1967) is presented, Binnie;s complete Japanese prints are illustrated in colour and many other reference photographs are provided as well, ensuring that the reader is given an insight into his working methods and his sources of inspiration. The in-depth esays provide the context of the more than 100 prints Binnie has nmade to date. An indispensable book for all those interested in 20th century Japanese wodblock prints and the very newest prints being created today.
Beauty & Violence
Catalogue of an exhibition held at the Van Gogh Museum, Amsterdam, Apr. 17-June 28, 1992, the Kunstmuseum Dusseldorf, Sept. 6-Oct. 18, 1992, and the Philadelphia Museum of Art, Dec. 19, 1992-Mar. 14, 1993.
A Woman's Weapon
This text presents an examination of Murasaki Shikibu's 11th-century classic The Tale of Genji. The author explores the role of possessing spirits from a female viewpoint, and considers how the male protagonist is central to determining the role of these spirits.
Moon
Using werewolves and Wernher von Braun, Stonehenge and the sex lives of sea corals, aboriginal myths, and an Anglican bishop in this new book, the author weaves variegated information into a glimpse of Earth's closest celestial neighbor, whose mere presence inspires us to wonder what might be out there. Going beyond the discoveries of contemporary science, he presents a cultural assessment of our complex relationship with Earth's lifeless, rocky satellite. As well as offering an engaging perspective on such age old questions as "What would Earth be like without the moon?" he surveys the moon's mythical and religious significance and provokes existential soul searching through a lunar lens, i...
East-West Montage
"East-West Montage possesses a unique vision that promises to push discussions of globalization, cultural production, ethnic identity, and bodily metaphors in powerful new directions. Ma is to be praised for his sound scholarship and innovative interpretations. Indeed where others specialize in either the collection of details or the unpacking of text, Ma weaves a strong analytic exegesis rooted in thorough research." —Richard King, Washington State University Approximately twelve hours’ difference lies between New York and Beijing: The West and the East are, literally, night and day apart. Yet East-West Montage crosscuts the two in the manner of adjacent filmic shots to accentuate their...
Imaging Disaster
Imaging Disaster is a rich social history of Japan’s Great Kanto Earthquake of 1923. Drawing on a kaleidoscopic range of images from the fine arts, magazines, cartoons, and other popular sources, Gennifer Weisenfeld has produced an original study of this catastrophic event from an art historical perspective. —Jonathan Reynolds, Barnard College Imaging Disaster is an exhaustive and illuminating study of the visual culture generated by Japan’s most devastating natural disaster. Comprehensive in scope—covering photography, cinema, painting, postcards, sketches, urban planning, and even scientific models—Weisenfeld makes a compelling point that the massive profusion of visual representations that followed the quake must itself be considered an integral part of this tragic historical event.—Seiji Lippit, UCLA
