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Something out of nothing
Within the context of a discussion of trends in folk art research, the author describes the social significance of the art of George Cockayne and provides a catalogue of his work described in his own words.
Unpacking Culture
Tourist art production is a global phenomenon and is increasingly recognized as an important and authentic expression of indigenous visual traditions. These thoughtful, engaging essays provide a comparative perspective on the history, character, and impact of tourist art in colonized societies in three areas of the world: Africa, Oceania, and North America. Ranging broadly historically and geographically, Unpacking Culture is the first collection to bring together substantial case studies on this topic from around the world.
1981-1982 guide to departments of sociology, anthropology and archaeology in universities and museums in Canada / Annuaire 1981-1982 des départements de sociologie, d'anthropologie et d'archéologie des universités et des musées du Canada
Prepared for the Canadian Sociology and Anthropology Association and the Canadian Ethnology Society, this is the third guide providing detailed information on 76 departments and 1,427 individual scholars for university departments of sociology, anthropology and archaeology in Canada.
Media and the Transformation of Religion in South Asia
This volume explores the effects of the religious transformation taking place in India as sacred symbols assume the shapes of media images. Lifted from their traditional forms and contexts, many religious symbols, beliefs, and practices are increasingly refracted through such media as god posters, comic books, audio recordings, and video programs. The ten original essays here examine the impact on India's traditional social and cultural structures of printed images, audio recordings, film, and video. Contributors: Lawrence A. Babb, Steve Derné, John Stratton Hawley, Stephen R. Inglis, John T. Little, Philip Lutgendorf, Scott L. Marcus, Frances W. Pritchett, Regula Burckhardt Qureshi, H. Daniel Smith, and Susan S. Wadley.
The King and the Clown in South Indian Myth and Poetry
The author discusses the tragi-comic aspect of Chola kingship in relation to other Indian expressions of comedy, such as the Vidiisaka of Sanskrit drama, folk tales of the jester Tenali Rama, and clowns of the South Indian shadow-puppet theaters. The symbolism of the king emerges as part of a wider range of major symbolic figures--Brahmins, courtesans, and the tragic" bandits and warrior-heroes. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Assu of Cape Mudge
Harry Assu, a chief of the Lekwiltok -- the southernmost tribe of the Kwagiulth Nation -- was born in 1905 in Cape Mudge, Quadra Island, British Columbia. His father was Billy Assu, one of the most renowned chiefs of the Northwest, who led his people from a traditional way of life into modern prosperity. As well as being a family chronicle, Harry Assu's recollections tell the little-known story of the Lekwiltok from legendary times to the present. Drawing on the oral traditions of his people, he narrates the story of the 'Great Flood' which gave sacred sanction to territories settled by them. Hand-drawn and historical maps illustrate his account of coastal alliances and raids by other tribes...
Semiotica
None
This Other Eden
By its very nature, folk art is hilarious, cranky, homely, beautiful or just plain charming, and appeals to almost everyone. Over the years, folk artists across Canada have produced an inventive and eclectic array of objects to decorate their homes, yards and gardens, creating their own personal Edens. This delightful book displays the wide range of folk art that decorates yards across the nation: whirligigs of loggers sawing, sea gulls flying, anglers casting, planes flying; weather vanes of improbable roosters and elegant horses and even surprised beavers; bird houses of fantastical and flamboyant architecture; lawn ornaments and yard sculptures of whimsical ducks, frogs, fish and other creatures; as well as original interpretations of family groupings, mythic figures and national icons such as Mounties. The accompanying text by Phil Tilney explores the history of folk art and its various forms, the story of the development of Canadian yard art and the place of gardens as a re-creation of Eden in classical, medieval and renaissance times in Europe as well as in Asia and Canada.
From the Heart
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The 1930s
"On the heels of the Roaring Twenties, the 1930s, which spanned from the economic crisis of 1929 to the outbreak of the Second World War, was a dark decade. Beyond similiar governmental, mechanisms, these regimes shared an ideology: the will to create what they called the "New Man."" "This decade began with a more or less innocent dream of the theme of the original egg, germination, the harmonious growth of a fabric both biological and social, but ended with the nightmarish discovery of the corpses in the concentration camps by the armies of liberation in 1945."--BOOK JACKET.
