Welcome to our book review site go-pdf.online!

You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.

Sign up

Pop Impressions Europe/USA
  • Language: en
  • Pages: 140

Pop Impressions Europe/USA

Essay by Wendy Weitman.

Structure and Surface
  • Language: en
  • Pages: 112

Structure and Surface

The innovative aesthetics and practices of Japanese textile designers have had an impact on fabrics, fashion and interior design throughout the world. Many examples are illustrated here with details of materials and techniques used.

Small Scale, Big Change
  • Language: en
  • Pages: 141

Small Scale, Big Change

Published to accompany the exhibition held at the Museum of Modern Art, New York, 28 Sept. 2010-3 Jan. 2011.

Envisioning Architecture
  • Language: en
  • Pages: 270

Envisioning Architecture

The first in a series of books that will showcase works from The Museum of Modern Art's superlative holdings in the fields of architecture and design, this text features a range of drawings by great architects such as Frank Lloyd Wright and Alvar Aalto.

The Changing of the Avant-garde
  • Language: en
  • Pages: 200

The Changing of the Avant-garde

  • Type: Book
  • -
  • Published: 2002
  • -
  • Publisher: Unknown

Featuring 165 expertly reproduced visionary architectural drawings from The Museum of Modern Art's Howard Gilman Archive, this collection brings together a selection of idealized, fantastic and utopian architectural drawings.

Drawing from the Modern
  • Language: en
  • Pages: 236

Drawing from the Modern

Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Mar. 30-Aug. 29, 2005.

Artists in Exile
  • Language: en
  • Pages: 273

Artists in Exile

  • Categories: Art

An unprecedented survey of artists in exile from the 19th century through the present day, with notable attention to Asian, Latin American, African American, and female artists This timely book offers a wide-ranging and beautifully illustrated study of exiled artists from the 19th century through the present day, with notable attention to individuals who have often been relegated to the margins of publications on exile in art history. The artworks featured here, including photography, paintings, drawings, prints, and sculpture, present an expanded view of the conditions of exile--forced or voluntary--as an agent for both trauma and ingenuity. The introduction outlines the history and percept...

An Atlas of Drawings
  • Language: en
  • Pages: 236

An Atlas of Drawings

This publication approaches MoMA's incomparable drawings collection from a new direction, presenting works not by date but by specific sequences of forms. It suggests that the meaning of a work of art depends not only on its own internal structures but also on relationships to other works.

In & Out of Amsterdam
  • Language: en
  • Pages: 174

In & Out of Amsterdam

  • Categories: Art

During the 1960s & 1970s, Amsterdam was a nexus of intense art activities, drawing artists from all over the world. 'In & Out Of Amsterdam' presents more than 120 works - including works on paper, installations, photographs & films - by artists who were part of this remarkable creative culture.

Forming Abstraction
  • Language: en
  • Pages: 392

Forming Abstraction

  • Categories: Art

Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.