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Poetic Song Verse
Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock—biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies—to examine the development of a relatively new literary genre dubbed by the authors as “poetic song verse.”...
The Cambridge Companion to the Literature of the American South
This Companion maps the dynamic literary landscape of the American South. From pre- and post-Civil War literature to modernist and civil rights fictions and writing by immigrants in the 'global' South of the late-twentieth and twenty-first centuries, these newly commissioned essays from leading scholars explore the region's established and emergent literary traditions. Touching on poetry and song, drama and screenwriting, key figures such as William Faulkner and Eudora Welty, and iconic texts such as Gone with the Wind, chapters investigate how issues of class, poverty, sexuality and regional identity have textured Southern writing across generations. The volume's rich contextual approach highlights patterns and connections between writers while offering insight into the development of Southern literary criticism, making this Companion a valuable guide for students and teachers of American literature, American studies and the history of storytelling in America.
Hunting Men
In Hunting Men, poet Dave Smith reasserts the validity of poetry in our times. With eloquence, grace, and a searching intelligence, Smith illuminates both poems and poets. Believing that "great poetry cannot be divorced from an intimate, organic link to place," he builds a compelling case for the importance of southern poets. Like the hunters who taught Smith as a young man patience, observation, and willingness to rely on his senses, he leads readers on an expedition through a specific poetic place with a sure sense of direction and destination.Beginning with a discussion of southern poetry that seeks to define the form and its value for a global readership, the first of the book's three se...
The Early Poetry of Charles Wright
This companion covers Charles Wright's first two trilogies, Country Music (1982) and The World of the Ten Thousand Things (1990), providing biographical details, information on Wright's sources and influences, and historical notes. It pays special attention to the way that Wright's poems work together and the links that are formed between them. While each poem is given its own commentary, the author argues that they work together in a concentrated whole to document a man's spiritual journey.
Charles Wright in Conversation
Because Charles Wright occupies a large space in contemporary American poetry, it is only natural that his readers over the years have wanted to engage him in conversation and discover more about his career and inspirations. In this collection of richly detailed interviews conducted between 1979 and 2006, Wright eloquently discusses a range of topics, including the beginning of his poetic career in Italy, his experiences at the University of Iowa, the American and European influences on his work, contemporary poets he admires, his place in Southern literature, the art of translating poetry, and such formal matters as his lineation and rhythmic phrasing, his use of syllabics, and the development of his characteristic style. An extensive bibliography of writings by and about Wright supplements the interviews.
I'm Just Dead, I'm Not Gone
I'm Just Dead, I'm Not Gone chronicles Jim Dickinson's extraordinary life in the Memphis music scene of the fifties and sixties and how he went on to play with and produce a rich array of artists, including Aretha Franklin, the Rolling Stones, Ry Cooder, Duane Allman, Arlo Guthrie, and Albert King. With verve and wit, Dickinson (1941–2009) describes his trip to Blind Lemon's grave on the Texas flatlands as a college student and how that encounter inspired his return to Memphis. Back home, he looked up Gus Cannon and Furry Lewis, began staging plays, cofounded what would become the annual Memphis Blues Festival, and started recording. The blues, Elvis, and early rock 'n' roll compelled Dick...
The Literary Afterlives of Simone Weil
The French philosopher-mystic-activist Simone Weil (1909–1943) has drawn both passionate admiration and scornful dismissal since her early death and the posthumous publication of her writings. She has also provoked an extraordinary range of literary writing focused on not only her ideas but also her person: novels, nonfiction, and especially poetry. Given the challenges of Weil’s ethic of self-emptying attention, what accounts for her appeal, especially among women writers? This book tells the story of some of Weil’s most dedicated—and at points surprising—literary conversation partners, exploring why writers with varied political and religious commitments have found her thought an...
Elements
Elements: The Novels of James Dickey draws upon previously undiscussed manuscripts and notes to articulate Dickey's fictional vision as it appears in his three published novels, while also examining his early unpublished fiction and post deliverance screenplays. The book's thesis follows Dickey's philosophical and verbal theorgy for his published fiction (the practice of merging), illustrating the multifaceted and layered manner in which it functions, encompassing protagonist and environment and reader and text. Just as Ed Gentry, Joel Cahill, and Muldrow assume the essence of their respective environments, the reader is subtly asked to become a part of the text while retaining cognitive independence "to blend in the place your're in, but with a mind to do something" (To the White Sea 273). Having explored the connective qualities of Dickey's published novels, the book's final chapter turns to a summary of Dickey's unpublished and largely unknown fiction. Discussing a novel manuscript, four short stories, three screenplays, and five screenplay prospecti, the chapter seeks to summarize these heretofore undiscussed works while also tracing their similarities with the published texts.
Performing Drama/dramatizing Performance
Examines how the intertwining paths of avant-garde theater and mainstream drama work to produce provocative new forms
The New Georgia Encyclopedia Companion to Georgia Literature
Georgia has played a formative role in the writing of America. Few states have produced a more impressive array of literary figures, among them Conrad Aiken, Erskine Caldwell, James Dickey, Joel Chandler Harris, Carson McCullers, Flannery O'Connor, Jean Toomer, and Alice Walker. This volume contains biographical and critical discussions of Georgia writers from the nineteenth century to the present as well as other information pertinent to Georgia literature. Organized in alphabetical order by author, the entries discuss each author's life and work, contributions to Georgia history and culture, and relevance to wider currents in regional and national literature. Lists of recommended readings ...
