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The Clasicos Chicanos/Chicano Classics series is intended to ensure the long-term accessibility of deserving works of Chicano literature and culture that have become unavailable over the years or that are in imminent danger of becoming inaccessible. Each of the volumes includes an introduction contextualizing the work within Chicano literature and a bibliography of works by and about the author. The series is designed to be a vehicle that will help in the recuperation of Raza literary history and permit the continued experience and enjoyment of our literature by both present and future generations of readers. In this updated and expanded collection of interrelated stories, Portillo Trambley dares again to create a new vision for Chicanas. Through bold acts they gain freedom, like Clotilde in The Paris Gown, who descends naked to greet the guests at her betrothal party and so escapes her impending arranged marriage. In a hostile world such women find hope and the strength to begin healing themselves and their community.
These plays explore different facets of the human experience: the dilemma of the mojado, human vulnerabilities in the search for a way to overcome death, the alienation of the Hispanic family amidst economic hardships and personal crises, and the existential conflicts of Mexico's most celebrated feminist thinker, Sor Juana Ines de la Cruz.
The sole novel of beloved Chicana author Estela Portillo Trambley, Trini is the epic story of one girl's journey across borders and into womanhood. Born in the rural region of the Tarahumara (Raramuri) people in Mexico, Trini shares her family's struggle to squeeze a living out of her beautiful but inhospitable land. But she is sustained by the rich traditions of her Mestiza heritage, the adopted traditions of the Tarahumara, and by her own intelligence and spirit. As a young woman, she crosses into the United States to pursue her dreams of independence and land ownership. Trini is a novel distinguished by the richness and beauty of its language and by its rare depiction of life in the Borderlands in the 1940s and 1950s. Most remarkable of all is its portrait of a sensitive and courageous young Chicana woman, whose quiet heroism resonates from every page. Here restored to print with a new foreword, this early novel of the Mexican American experience is bound to take its rightful place among contemporary classics of multicultural American literature.
A unique comparative study of immigrant and diaspora literatures in America
Ends of Assimilation examines how Chicano literature imagines the conditions and costs of cultural change, arguing that its thematic preoccupation with assimilation illuminates the function of literature. John Alba Cutler shows how mid-century sociologists advanced a model of assimilation that ignored the interlinking of race, gender, and sexuality and characterized American culture as homogeneous, stable, and exceptional. He demonstrates how Chicano literary works from the postwar period to the present understand culture as dynamic and self-consciously promote literature as a medium for influencing the direction of cultural change. With original analyses of works by canonical and noncanonical writers--from Am rico Paredes, Sandra Cisneros, and Jimmy Santiago Baca to Estela Portillo Trambley, Alfredo V a, and Patricia Santana--Ends of Assimilation demands that we reevaluate assimilation, literature, and the very language we use to talk about culture.
Latinx hypersexualized lovers or kingpin predators pulsate from our TVs, smartphones, and Hollywood movie screens. Tweets from the executive office brand Latinxs as bad-hombre hordes and marauding rapists and traffickers. A-list Anglo historical figures like Billy the Kid haunt us with their toxic masculinities. These are the themes creatively explored by the eighteen contributors in Decolonizing Latinx Masculinities. Together they explore how legacies of colonization and capitalist exploitation and oppression have created toxic forms of masculinity that continue to suffocate our existence as Latinxs. And while the authors seek to identify all cultural phenomena that collectively create redu...
Decolonial Voices brings together a body of theoretically rigorous interdisciplinary essays that articulate and expand the contours of Chicana and Chicano cultural studies.
Gilb has created more than a literary anthology--this is a mosaic of the cultural and historical stories of Texas Mexican writers, musicians, and artists.
This book, first published in 2000, was the first since Jorge Huerta's earlier study Chicano Theater: Themes and Forms to explore the diversity and energy of Chicano theatre. Huerta takes as his starting point 1979, the year Luis Valdez's play, Zoot Suit, was produced on Broadway. Huerta looks at plays by and about Chicana and Chicanos, as they explore, through performance, the community and its identity caught between the United States and Mexico. Through informative biographies of each playwright and analyses of their plays, Huerta offers an accessible introduction to this important aspect of American theatre and culture. Overall, Huerta establishes a pattern of theatrical activity that is closely linked with both Western European traditions of realism and an indigenous philosophy seen in contemporary Chicano culture. The book contains photographs from key productions and will be invaluable to students, scholars and general theatregoers.
A collection of essays, stories, poems, plays and novels representing the breadth of Chicano/a literature from 1965 to 1995. The anthology highlights major themes of identity, feminism, revisionism, homoeroticism, and internationalism, the political foundations of writers such as Gloria Anzaldua, Lorna Dee Cervantes, Luis Valdes, Gary Soto, and Sergio Elizondo. The selections are offered in Spanish, English, and Spanglish text without translation and feature annotations of colloquial and regional uses of Spanish. Lacks an index. Annotation copyrighted by Book News, Inc., Portland, OR