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Keepers of the Motherland is the first comprehensive study of German and Austrian Jewish women authors. Dagmar Lorenz begins with an examination of the Yiddish author Glikl Hamil, whose works date from the late-seventeenth and early eighteenth centuries, and proceeds through such contemporary writers as Grete Weil, Katja Behrens, and Ruth Kl_ger. Along the way she examines an extraordinary range of distinguished authors, including Else Lasker-Sch_ler, Rosa Luxemburg, Nelly Sachs, and Gertrud Kolmar. ø Although Lorenz highlights the author?s individualities, she unifies Keepers of the Motherland with sustained attention to the ways in which they all reflect upon their identities as Jews and ...
"Alter 1945, Jewish writing in German was almost unimaginable - and then only in reference to the Shoah. Only in the 1980s, after a period of mourning, silence, and processing of the trauma, did a new Jewish literature evolve in Germany and Austria. This volume focuses on the re-emergence of a lively Jewish cultural scene in the German-speaking countries and the various cultural forms of expression that have developed around it. Topics include current debates such as the emergence of a post-Waldheim Jewish discourse in Austria and Jewish responses to German unification and the Gulf wars. Other significant themes addressed are the memorialization of the Holocaust in Berlin and Vienna, the use...
In Making German Jewish Literature Anew, Katja Garloff traces the emergence of a new Jewish literature in Germany and Austria from 1990 to the present. The rise of new generations of authors who identify as both German and Jewish, and who often sustain additional affiliations with places such as France, Russia, or Israel, affords a unique opportunity to analyze the foundational moments of diasporic literature. Making German Jewish Literature Anew is structured around a series of founding gestures: performing authorship, remaking memory, and claiming places. Garloff contends that these founding gestures are literary strategies that reestablish the very possibility of a German Jewish literatur...
The first book to examine multicultural visual art in Germany, discussing more than thirty contemporary artists and arguing for a cosmopolitan Germanness. With Turks, Jews, and Other Germans in Contemporary Art, Peter Chametzky presents a view of visual culture in Germany that leaves behind the usual suspects--those artists who dominate discussions of contemporary German art, including Gerhard Richter, Anselm Kiefer, and Rosemarie Trockel--and instead turns to those artists not as well known outside Germany, including Maziar Moradi, Hito Steyerl, and Tanya Ury. In this first book-length examination of Germany's multicultural art scene, Chametzky explores the work of more than thirty German a...
The contributors address a range of issues, including the controversial building of a mosque in Cologne & pressure experienced by German Jews to reconnect with a religion that their forebears cast off sometimes more than a century ago.
A powerful performance text that illuminates incidents of anti-immigrant violence in contemporary Germany. Between 1998 and 2007 a series of killings in Germany, disdainfully styled "doner murders" by the media, were attributed by German police to internecine rivalries among immigrants. The victims included eight citizens of Turkish origin, a Greek citizen, and a German policewoman. Not until 2011 did the German public learn not only that the police had ignored signs pointing to the real perpetrators, a neo-Nazi group called the National Socialist Underground, but also that important files, possibly containing evidence implicating state agencies, had disappeared from the archives of Federal ...
The profound political and social changes Germany has undergone since 1989 have been reflected in an extraordinarily rich range of contemporary writing. Contemporary German Fiction focuses on the debates that have shaped the politics and culture of the new Germany that has emerged from the second half of the 1990s onwards and offers the first comprehensive account of key developments in German literary fiction within their social and historical context. Each chapter begins with an overview of a central theme, such as East German writing, West German writing, writing on the Nazi past, writing by women and writing by ethnic minorities. The authors discussed include Günter Grass, Ingo Schulze, Judith Hermann, Christa Wolf, Christian Kracht and Zafer Senocak. These informative and accessible readings build up a clear picture of the central themes and stylistic concerns of the best writers working in Germany today.
After many years of publishing journalistic and scholarly articles, Gert Niers decided to break away from this format and to apply to his writing a more personal style suitable for autobiography and memoirs. Arrived at Last is the story of his life in Germany after World War Two and then in America, the country of his choice. He tells his autobiography in an uncomplicated, colloquial fashion the way one would talk perhaps at a bar table surrounded by friends. This approach allows him to comment on many experiences and aspects of life. He also reminisces about his excursions into France, Belgium, and the Netherlands and later on about the many people he met in the German and German-Jewish community of New York City. Everything is seen from a very personal perspective, confession-style. Still the author has rendered historical facts as precisely and correctly as it was possible to him. His descriptions and conclusions are those of an experienced observer. His book is a contribution to minority and immigrant literature, but also a cultural commentary about life in Europe and the U.S.
Whether in poetry, fiction, radio drama or sound installations, Esther Dischereit's work represents a unique departure in recent European writing: a distinctive, off-beat syntax of German-Jewish intimacy with the fractured consciousness and deeply rutted cultural landscape of today's Germany. Sometimes a Single Leaf, mirroring the development of Esther Dischereit's poetry across three decades, includes selections from three of her books as well as a sampling of more recent, uncollected poems. It is her first book of poetry in English translation. In the words of her translator: "Esther Dischereit's poetry offers a visceral pathography of post-war continuities, spectres, amnesia and trauma. H...