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After many years of publishing journalistic and scholarly articles, Gert Niers decided to break away from this format and to apply to his writing a more personal style suitable for autobiography and memoirs. Arrived at Last is the story of his life in Germany after World War Two and then in America, the country of his choice. He tells his autobiography in an uncomplicated, colloquial fashion the way one would talk perhaps at a bar table surrounded by friends. This approach allows him to comment on many experiences and aspects of life. He also reminisces about his excursions into France, Belgium, and the Netherlands and later on about the many people he met in the German and German-Jewish community of New York City. Everything is seen from a very personal perspective, confession-style. Still the author has rendered historical facts as precisely and correctly as it was possible to him. His descriptions and conclusions are those of an experienced observer. His book is a contribution to minority and immigrant literature, but also a cultural commentary about life in Europe and the U.S.
Great literature is more often praised for compelling depictions of conflict and tragedy than for moving portrayals of happiness and well-being. This collection of verse brings together poems of felicity, capturing what it means to be well in the fullest sense. Presented in 14 thematic sections, these works offer inspiring readings on wisdom, self-love, ecstasy, growth, righteousness, love and lust, inspiration, oneness with nature, hope, irreverence, awe, the delights of the senses, gratitude and compassion, relation to the sacred, justice, and unity. At times elegant, at others blunt, these poems reflect on what it means to live a rich, fulfilling life.
This collection of essays that focuses on the women refugees of the Nazi period.
Aufbau—a German-language weekly, published in New York and circulated nationwide—was an essential platform for the generation of refugees from Hitler and the displaced people and concentration camp survivors who arrived in the United States after the war. The publication served to link thousands of readers looking for friends and loved ones in every part of the world. In its pages Aufbau focused on concerns that strongly impacted this community in the aftermath of World War II: anti-Semitism in the United States and in Europe, the ever-changing immigration and naturalization procedures, debates about the designation of Hitler refugees as enemy aliens, questions about punishment for the Holocaust and other Nazi crimes, the struggle for compensation and restitution, and the fight for a Jewish homeland. The book examines the columns and advertisements that chronicled the social and cultural life of that generation and maintained a detailed account of German-speaking cultures in exile. Peter Schrag is the first to present a definitive account of the influential publication that brought postwar refugees together and into the American mainstream.
Winner of the Isabella Gardner Poetry Award The Book of Goodbyes speaks to a certain deranged love that throws into question sex, legality, gender-politics, disability, and the end of an affair. The book shifts between lyric and narrative, hyper-realism and magical realism, fact and fiction, and is organized like a play with Act I, Intermission, Act II, and Curtain Call.
“In these 101 poems Norbert Krapf explores the richness of his ancestry . . . a book that confirms Krapf’s status as one of America’s finest living poets.” —Benjamin Hedin, author of Under the Spell A collaboration born of a shared love of music, photography, poetry, and Indiana, this book celebrates the history, literature, and art that informs the present and shapes our identity. Richard Fields’s black and white photos are evocative imaginings of Norbert Krapf’s poems, visual metaphors that extend and deepen their vision. Krapf’s poems pay tribute to poets from Homer and Virgil to Walt Whitman, Emily Dickinson, and Wendell Berry, and to singer-songwriters such as Woody Guth...
As the title implies, Jam features of wealth of poems driven by a distinct music resulting from Joe-Anne McLaughlin's studies in both jazz and blues. Propelled by strong rhythms and line breaks, McLaughlin's poems present a variety of characters trying to get by on the strength of "Waller's boogies / or Morton's rolls / Hot Lips' riffs / or Bessie's groans." An original and exciting voice, McLughlin's poems are introduced by award-winning poet and essayist Stephen Dunn. Joe-Anne McLaughlin is the author of The Banshee Diaries, published in Canada in 1998. Her poetry has appeared in Poetry, Ploughshares, The Georgia Review, and was included in the Puschart Prize Anthology VIII. She lives in Munnsville, New York.
Unprecedented in scope and critical perspective, American and the Germans presents an analysis of the history of the Germans in America and of the turbulent relations between Germany and the United States. The two volumes bring together research in such diverse fields as ethnic studies, political science, linguistics, and literature, as well as American and German History. Contributors are leading American and German scholars, such as Kathleen Neils Conzen, Joshua A. Fishman, Peter Gay, Harold Jantz, Günter Moltmann, Steven Muller, Theo Sommer, Fritz Stern, Herbert A. Strauss, Gerhard L. Weinberg, and Don Yoder. These scholars assess the ethnicity and acculturation of German-Americans from ...
Jewish Cattle Traders in the German Countryside, 1919–1939, explores the social and economic networks in which this group operated and the informal but durable bonds between Jewish cattle traders and farmers that not even incessant Nazi attacks could break. Stefanie Fischer combines approaches from social history, economic history, and sociology to challenge the longstanding cliché of the shady Jewish cattle dealer. By focusing on trust and social connections rather than analyzing economic trends, Fischer exposes the myriad inconsistencies that riddled the process of expelling the Jews from Germany. Jewish Cattle Traders in the German Countryside, 1919–1939, examines the complexities of relations between Jews and non-Jews who were engaged in economic and social exchange. In the process, Fischer challenges previous understandings of everyday life under Nazi rule and discovers new ways in which Jewish agency acted as a critical force throughout the exclusionary processes that took place in Hitler's Germany.
The magazine of world Jewish affairs.