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"The purpose of this work is to produce as accurate as possible genealogy report centering on our Grandparents William S. Metcalf and Lida Budgett."--Page vii.
Toy ray guns conjure a wealth of meanings & associations. Their outlandish shapes & fanciful colors evoke fond childhood memories of Buck Rogers & Captain Video, of backyard spaceships that blasted off for the endless reaches of space. Toy ray guns are intended to protect us from our deepest fears of the dark unknown. The first toy ray guns were produced in the 1930s, part of the Buck Rogers craze that swept the U.S. This volume provides an intro. to the development of these toys, with vivid color photos of ray guns & their ephemera, such as ads, movie posters, comics, badges & buttons, up to the 1970s, when the toy space guns made in America, Europe & Japan were replaced by high-tech electronic ray guns made in China.
This WWII biography chronicles an American paratrooper’s harrowing role in Operation Market Garden and his heroic survival as a POW. During World War II, Gene Metcalfe served in the 82nd Airborne. After his recruitment into the military at Camp Grant, he trained with the 501st Paratroop Infantry Regiment at Camp Toccoa. It wasn’t until D-Day that he first arrived in England to join the 508th PIR. On September 17th, 1944, the 508th PIR embarked on Operation Market Garden to establish a salient in the Netherlands. Flying over Groesbeek Heights, just outside of Nijmegen, Holland, Metcalfe was among the first to jump into what swas thought to be an empty meadow. Instead, it was defended by German antiaircraft cannons. As he jumped into a hail of bullets he watched his plane roll over and plummet into the ground. Badly injured by a shell explosion, Gene was listed as Killed In Action and left for dead by his patrol. He became a POW held outside Munich, moved between various dieses-ridden camps. After a nearly successful escape attempt—he was captured within sight of the Swiss mountains—Gene was liberated by American troops in 1945.
America stocks its shelves with mass-produced goods but fills its imagination with handmade folk objects. In Pennsylvania, the "back to the city" housing movement causes a conflict of cultures. In Indiana, an old tradition of butchering turtles for church picnics evokes both pride and loathing among residents. In New York, folk-art exhibits raise choruses of adoration and protest. These are a few of the examples Simon Bronner uses to illustrate the ways Americans physically and mentally grasp things. Bronner moves beyond the usual discussions of form and variety in America's folk material culture to explain historical influences on, and the social consequences of, channeling folk culture into a mass society.
BLACK ENTERPRISE is the ultimate source for wealth creation for African American professionals, entrepreneurs and corporate executives. Every month, BLACK ENTERPRISE delivers timely, useful information on careers, small business and personal finance.
The performance of sacred song often involves the talents of cantors, chanters, precentors, and criers – also known as chantres, djaky, psalem-sbebniki, bazanim, prolopsalti, and muezzins. This book explores a unique class of musicians from a variety of perspectives to offer the first survey of its kind. Folklorists join with ethnomusicologists, cantors, and enthusiasts to illuminate the many facets of this rich, living tradition.
BLACK ENTERPRISE is the ultimate source for wealth creation for African American professionals, entrepreneurs and corporate executives. Every month, BLACK ENTERPRISE delivers timely, useful information on careers, small business and personal finance.