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The late twentieth century has been marked by momentous political, economic, and social change throughout the Chinese world. Deeply rooted cultural assumptions and ancient visual traditions have been challenged by rapid modernization and conflicting global, ethnic, and local identities. Inside/Out: New Chinese Art was the first major international exhibition to explore the impact of these challenges on artists in the People's Republic of China, Hong Kong, Taiwan, and those of the 1980s Diaspora. The multifaceted exhibition and accompanying catalog encompass an extensive range of artistic forms, including installation, video, and performance art as well as more traditional media such as oils ...
This book is an unforgettable autobiographical portrait of the first woman curator and art critic in the Chinese contemporary art world.
This revised and expanded edition has been updated with the latest information, and has all-new sections on suncreen, eye treatments, and more. Do you really need a ten-step skincare regimen? Is that $100 eye cream worth it? What the heck are “actives” anyway? In this book, two professional chemists and beauty industry insiders tell all. “Victoria and Gloria have been a go-to resource for us over the years, and this book perfectly captures their skincare expertise. What a fun, smart read for beauty junkies and novices alike!” —BRITTANY BURHOP FALLON, Beauty Director of NewBeauty Magazine BEAUTIFUL SKIN MADE SIMPLE. (WITHOUT SPENDING A FORTUNE!) How do I even build a skincare routin...
Chinese art has experienced its most profound metamorphosis since the early 1950s, transforming from humble realism to socialist realism, from revolutionary art to critical realism, then avant-garde movement, and globalized Chinese art. With a hybrid mix of Chinese philosophy, imported but revised Marxist ideology, and western humanities, Chinese artists have created an alternative approach – after a great ideological and aesthetic transition in the 1980s – toward its own contemporaneity though interacting and intertwining with the art of rest of the world. This book will investigate, from the perspective of an activist, critic, and historian who grew up prior to and participated in the great transition, and then researched and taught the subject, the evolution of Chinese art in modern and contemporary times. The volume will be a comprehensive and insightful history of the one of the most sophisticated and unparalleled artistic and cultural phenomena in the modern world.
Taiwan's rapid socio-economic and political transformation has given rise to a gender-conscious middle class that is attempting to redefine the roles of women in society, to restructure relationship patterns, and to organize in groups outside the family unit. This book examines internal psychological processes and external societal processes as the feminist movement in Taiwan expands and new gender roles are explored. The contributors represent a cross section of different disciplines - history, anthropology, and sociology - and different generations of China/Taiwan scholars. They place the issues facing Taiwan's women's movement in social, political, and economic contexts. The book examines gender relations, the role of women in Chinese society, and issues related to women in China throughout history. Feminism and gender relations are also viewed from the context of film and literature. The authors look at the contemporary roles that women play in Taiwan's work force today, how the sexes perceive each other in the workplace, and more.
The late nineteenth and early twentieth centuries saw the turbulent end of China's imperial system, violent revolutionary movements, and the fraught establishment of a republican government. During these decades of reform and revolution, millions of far-flung "overseas Chinese" remained connected to Chinese domestic movements. This book uses rich archival sources and a new network approach to examine how reform and revolution in North American Chinatowns influenced political change in China and the transpacific Chinese diaspora from 1898 to 1918. Historian Zhongping Chen focuses on the transnational activities of Kang Youwei, Sun Yat-sen, and other politicians, especially their mobilization ...
The Dragon Concealed City had become a hotel waiter, a beautiful CEO who was as cold as an iceberg. a pure and cute nurse, a mature and charming career oneesan, and a peerless cold and charming killer.
This book is the first case study on Wenda Gu that systematically investigates the cultural and artistic context of his life and works, examining selected images of his artwork spanning from the late 1970s to the early 21st century. It is the first monograph to provide a comprehensive and profound study of a Chinese contemporary artist. In the 1980s, the School of Hermeneutics attempted to launch a discursive revolution. Vanguard artists believed that the visual art revolution was an integral part of the critique of culture because it tended to subvert and rebuild the cultural tradition at a discursive level. This book, using a case study on Wenda Gu as representative of Chinese avant-garde, investigates the centrality of culture in art, providing readers with insights on the origin, rationale and methodology of Chinese contemporary art.
At the time of Australian Federation in 1901, German immigrants constituted two per cent of the population of Victoria. This book examines how they settled, formed a communal infrastructure, and how they related to their Anglo-Celtic hosts. It is shown that their attempts to form a cohesive community failed, by investigating the role played by the Lutheran Church, German associations, community leaders, and the rift between rural and urban communities. The changing relationship between the British Empire, the German Reich and emerging Australian nationalism receives close attention. The book tests and then proves a hypothesis that rural communities were more resilient and better equipped to survive, while urban communities were not.