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Mosaics of Friendship
In this volume, more than 20 art historians have each written an essay to commemorate the birthday of Eve Borsock, whose commentaries on contemporary portraiture continue to shape modern art criticism.
Messages in Mosaic
In this work, Eve Borsook--best known for her extensive work on fresco and mural painting--examines in detail the three great cycles of mosaic, focusing particularly on their arrangement and liturgical, even political significance. Produced within a sixty year span, the Norman royal mosaics form an unusually unanimous statement of the monarchy's view of itself, demonstrating the powerful way art, politics, theology, and ceremony merge.
The Final Curtain
Garlick finds in state funerals a form of theatrical performance that reinforces the established rule, can appeal to vast audiences, and has advantages over some other forms of theater because of the emotional potency of its circumstances. After setting out a general context of appropriate theory, he presents a number of examples, among them the Medici esequie, the Duke of Wellington, Abraham Lincoln, John F. Kennedy, and Princess Diana. Annotation copyrighted by Book News Inc., Portland, OR
Dressing Renaissance Florence
As portraits, private diaries, and estate inventories make clear, elite families of the Italian Renaissance were obsessed with fashion, investing as much as forty percent of their fortunes on clothing. In fact, the most elaborate outfits of the period could cost more than a good-sized farm out in the Mugello. Yet despite its prominence in both daily life and the economy, clothing has been largely overlooked in the rich historiography of Renaissance Italy. In Dressing Renaissance Florence, however, Carole Collier Frick provides the first in-depth study of the Renaissance fashion industry, focusing on Florence, a city founded on cloth, a city of wool manufacturers, finishers, and merchants, of...
Illuminating Luke: The infancy narrative in Italian Renaissance painting
Interdisciplinary study of how the infancy narrative in the Gospel of Luke is Portrayed in Italian Renaissance paintings.
The Companion Guide to Florence
`Richly informative, an admirable piece of historical writing -- offers lively interest wherever it is opened'YORKSHIRE POST
The Renaissance Portrait
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
Walking on the Water
This book explores the usefulness of the concept of "Wirkungsgeschichte" for New Testament interpretation by analysing Mt 14: 22-33 in the light of six works of art and a selection of nineteenth century theological texts.
Waterborne Pageants and Festivities in the Renaissance
As the first book-length study of waterborne festivities in Renaissance and early modern Europe, this collection of essays draws on a rich array of sources, many previously un-researched, to explore aspects of scenography, choreography, music, fashion, painting, sculpture, architecture, stage-and personnel-management and urban planning as evinced in spectacles staged on water. Bodies of water in all their variety are explored here: seas, rivers, fountains, lakes and canals and flooded improvised locations within or adjacent to great buildings all provided stages for elaborate and costly performances, utilising the particular qualities of water to reflect light and distort sound. The volume e...
To Cast the First Stone
The story of the woman taken in adultery features a dramatic confrontation between Jesus and the Pharisees over whether the adulteress should be stoned as the law commands. In response, Jesus famously states, “Let him who is without sin be the first to throw a stone at her.” To Cast the First Stone traces the history of this provocative story from its first appearance to its enduring presence today. Likely added to the Gospel of John in the third century, the passage is often held up by modern critics as an example of textual corruption by early Christian scribes and editors, yet a judgment of corruption obscures the warm embrace the story actually received. Jennifer Knust and Tommy Wass...
