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Historic Tales of Arlington, Texas
Even before its immense population surge, Arlington never dreamed small. In the 1930s, Arlington Downs attracted thousands to its state-of-the-art horse racing facility. Just three decades later, Six Flags Over Texas opened, cementing a reputation as an entertainment destination. The hubbub of the stadiums and shopping complexes that followed often obscured other parts of the community's rich heritage, including far-reaching contributions to the disability rights movement. The city suffered growing pains as well, such as the demise of college football and the deadly 1892 train depot shootout that ended the town's lawless period. Join Evelyn Barker, along with Davis McCown, Leslie Wagner and Trevor Engel, for the forgotten details of Arlington's dynamic past.
Legendary Locals of Arlington, Texas
The people of Arlington have always had a can-do spirit. There's Carrie Rogers, the society matron who became marshal; Tillie Burgin, who changed the face of social services in Arlington; and Tom Vandergriff, the boy mayor who stayed on the job for 26 years. When educational opportunities were deemed inadequate, Edward E. Rankin and other leading citizens founded and supported a school that grew into the University of Texas at Arlington. Before there was the 1990 Americans with Disabilities Act, Jim Hayes opened the eyes of Arlington leaders to the difficulties of navigating the University of Texas at Arlington and the city in a wheelchair. Never willing to be overshadowed by Dallas or Fort Worth, their larger neighbors to the east and west, Arlington residents embraced industry and progress, and their enterprising spirit attracted the notice of the nation. Today, the city boasts major businesses and attractions--General Motors, Six Flags, the Texas Rangers, and the Dallas Cowboys--and continues to grow thanks to the aspirations of its people.
The Million Dollar Quartet
Million Dollar Quartet’ is the name given to recordings made on Tuesday December 4, 1956 in the Sun Record Studios in Memphis, Tennessee. The recordings were of an impromptu jam session among Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash.The events of the session. Very few participants survive. Includes interviews with the drummer and the sound engineer. A detailed analysis of the music played – and its relevance to subsequent popular music. The early lives and careers of the quartet – where they were in 1956. Relevant social and economic factors which meant that a massive audience of young people were keenly looking for a new kind of music they could call their own. The “reunions” of surviving members of the quartet. The emergence of the tapes, first on bootleg and then on legitimate CDs. The genesis of the stage show and its reception – the enduring appeal of the music.
Wagner Without Fear
Do you cringe when your opera-loving friends start raving about the latest production of Tristan? Do you feel faint just thinking about the six-hour performance of Parsifal you were given tickets to? Does your mate accuse you of having a Tannhäuser complex? If you're baffled by the behavior of Wagner worshipers, if you've longed to fathom the mysteries of Wagner's ever-increasing popularity, or if you just want to better understand and enjoy the performances you're attending, you'll find this delightful book indispensable. William Berger is the most helpful guide one could hope to find for navigating the strange and beautiful world of the most controversial artist who ever lived. He tells y...
Principles of Contract at Law and in Equity
This classic treatise on the principles of contract law in England is a must-read for law students and practitioners alike. Written by one of the most renowned scholars of contract law, this book provides a thorough analysis of the validity of agreements and the legal obligations they give rise to, both at common law and in equity. It covers topics such as offer and acceptance, consideration, privity of contract, and more. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
