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Art of the Hellenistic Kingdoms
This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeo...
Carpe Diem
Carpe diem – 'eat, drink and be merry, for tomorrow we die!' – is a prominent motif throughout ancient literature and beyond. This is the first book-length examination of its significance and demonstrates that close analysis can make a key contribution to a question that is central to literary studies in and beyond Classics: how can poetry give us the almost magical impression that something is happening here and now? In attempting an answer, Robert Rohland gives equal attention to Greek and Latin texts, as he offers new interpretations of well-known poems from Horace and tackles understudied epigrams. Pairing close readings of ancient texts along with interpretations of other forms of cultural production such as gems, cups, calendars, monuments, and Roman wine labels, this interdisciplinary study transforms our understanding of the motif of carpe diem.
Museum Archetypes and Collecting in the Ancient World
Museum Archetypes and Collecting in the Ancient World offers a broad, yet detailed analysis of the phenomenon of collecting in the ancient world through a museological lens. In the last two decades this has provided a basis for exciting interdisciplinary explorations by archaeologists, art historians, and historians of the history of collecting. This compendium of essays by different specialists is the first general overview of the reasons why ancient civilizations from Archaic Greece to the Late Classical/Early Christian period amassed objects and displayed them together in public, private and imaginary contexts. It addresses the ranges of significance these proto-museological conditions gave to the objects both in sacred and secular settings.
A Companion to Ancient Epigram
A delightful look at the epic literary history of the short, poetic genre of the epigram From Nestor’s inscribed cup to tombstones, bathroom walls, and Twitter tweets, the ability to express oneself concisely and elegantly, continues to be an important part of literary history unlike any other. This book examines the entire history of the epigram, from its beginnings as a purely epigraphic phenomenon in the Greek world, where it moved from being just a note attached to physical objects to an actual literary form of expression, to its zenith in late 1st century Rome, and further through a period of stagnation up to its last blooming, just before the beginning of the Dark Ages. A Companion t...
Greek and Roman Small Size Sculpture
Considerations about size and scale have always played a central role within Greek and Roman visual culture, deeply affecting sculptural production. Both Greeks and Romans, in particular, had a clear notion of “colossality” and were able to fully exploit its implications with sculpture in many different areas of social, cultural and religious life. Instead, despite their ubiquitous presence, an equal and contrary categorization for small size statues does not seem to have existed in Greek and Roman culture, leading one to wonder what were the ancient ways of conceptualizing sculptural representations in a format markedly smaller than “life-size.” Even in the context of modern scholar...
Sacred Prostitution in the Ancient Greek World. From Aphrodite to Baubo to Cassandra and Beyond.
This book does not intend to demonstrate that Greeks and other ancient Mediterranean peoples, men and women, married and unmarried, sought and participated in sex for its own sake. That is, it is taken as obvious, a given, that they were able to separate sex for pleasure from sex for reproduction. There never were human beings who concerned themselves only with “fertility”. Neither, does this study seek to demonstrate that some ancient Greeks were willing to provide sexual services to partners in return for the receipt of nonsexual benefits. Again, this is self-evident. Nor does this study intend to show that the ancient Mediterranean world was familiar with individuals and enterprises t...
Music and Metamorphosis in Greco-Roman Thought
Examines questions raised, in antiquity and now, by mythical narratives about humans transforming into non-human musical beings.
Intervisuality
Intertextuality is a well-known tool in literary criticism and has been widely applied to ancient literature, with, perhaps surprisingly, classical scholarship being at the frontline in developing new theoretical approaches. By contrast, the seemingly parallel notion of intervisuality has only recently begun to appear in classical studies. In fact, intervisuality still lacks a clear definition and scope. Unlike intertextuality, which is consistently used with reference to the interrelationship between texts, the term ‘intervisuality’ is used not only to trace the interrelationship between images in the visual domain, but also to explore the complex interplay between the visual and the verbal. It is precisely this hybridity that interests us. Intervisuality has proved extremely productive in fields such as art history and visual culture studies. By bringing together a diverse team of scholars, this project aims to bring intervisuality into sharper focus and turn it into a powerful tool to explore the research field traditionally referred to as ‘Greek literature’.
Hellenistic Studies at a Crossroads
This volume is a collection of fifteen papers written by a team of international experts in the field of Hellenistic literature. In an attempt to reassess methods such as the detection of intertextual allusions or the general notion of neoteric poetics, the authors combine current critical trends (narratology, genre-theory, aesthetics, cultural studies) with a close reading of Hellenistic texts. Contributions address a wealth of topics in a variety of texts which include not only poems by the major Alexandrians but also prose works, epigrams, epigraphic material and scholia. Perspectives range from linguistic analysis to interdisciplinary studies, whereas post-classical literature is also seen against the background of the cultural and ideological contexts of the era. Besides reviewing preconceptions of Hellenistic scholarship, this volume aims at providing fresh insights into Hellenistic literature and aesthetics.
Herodotus and Hellenistic Culture
Priestley explores some of the earliest ancient responses to Herodotus' Histories from the early and middle Hellenistic period. Through discussions of contemporary discourse relating to the Persian Wars, geography, literary style, and biography, it nuances our understanding of how ancient readers reacted to and appropriated the Histories.
