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Landmarks Revisited
The Vekhi (Landmarks) symposium (1909) is one of the most famous publications in Russian intellectual and political history. Its fame rests on the critique it offers of the phenomenon of the Russian intelligentsia in the period of crisis that led to the 1917 Russian Revolution. It was published as a polemical response to the revolution of 1905, the failed outcome of which was deemed by all the Vekhi contributors to exemplify and illuminate fatal philosophical, political, and psychological flaws in the revolutionary intelligentsia that had sought it. Landmarks Revisited offers a new and comprehensive assessment of the symposium and its legacy from a variety of disciplinary perspectives by leading scholars in their fields. It will be of compelling interest to all students of Russian history, politics, and culture, and the impact of these on the wider world.
Russian Science Fiction Literature and Cinema
The first collection of essays devoted to the rich tradition of Russian science fiction on the page and the screen from a variety of disciplinary perspectives. A resource for classroom instruction as well as research, it provides a comprehensive overview of science fiction's important role in Russian society, politics, technology, and culture.
Red Commanders
One of the largest and most feared military forces in the world, the Red Army was a key player in advancing the cause of Soviet socialism. Rising out of revolutionary-era citizen militias, it aspired to the greatness needed to confront its Cold War adversaries but was woefully unprepared to change with the times. In this first comprehensive study of the Soviet officer corps, Roger Reese traces the history of the Red Army from Civil War triumph through near-decimation in World War II and demoralizing quagmire in Afghanistan to the close scrutiny it came under during Gorbachev's reform era. Reese takes readers inside the Red Army to reconstruct the social and institutional dynamics that shaped...
Borders of Socialism
This fascinating book argues that in Russia the relations between culture and nation, art and life, commodity and trash, often diverged from familiar Western European or American versions of modernity. The essays show how public and private overlapped and shaped each other, creating new perspectives on individuals and society in the Soviet Union.
