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Italian Renaissance Art from Czech Collections
  • Language: en
  • Pages: 8

Italian Renaissance Art from Czech Collections

  • Type: Book
  • -
  • Published: 1996
  • -
  • Publisher: Unknown

None

Marionnettes du Musée national Prague : [exposition] Fondation Neumann, Gingins, 5.9. 1996 - 2.2. 1997
  • Language: fr
Central Europe
  • Language: en
  • Pages: 260

Central Europe

  • Type: Book
  • -
  • Published: 1996
  • -
  • Publisher: Unknown

CD-ROM zawiera treści przedstawione w książkach oraz informacje dodatkowe.

1996-1997 Directory
  • Language: en
  • Pages: 420

1996-1997 Directory

  • Type: Book
  • -
  • Published: 1996
  • -
  • Publisher: Unknown

None

Prague
  • Language: en
  • Pages: 390

Prague

This catalogue accompanies the Fall 2005 exhibition that celebrates the flowering of art in medieval Prague, when the city became not only an imperial but also an intellectual and artistic capital of Europe. Scholars trace the distinctly Bohemian art that developed during the reigns of Holy Roman Emperor Charles IV and his sons; the artistic achievements of master craftsmen; and the rebuilding of Prague Castle and of Saint Vitus' Cathedral. -- Metropolitan Museum of Art website.

Exhibiting Electricity
  • Language: en
  • Pages: 358

Exhibiting Electricity

  • Type: Book
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  • Published: 1997
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  • Publisher: IET

This unusual book traces the history of public and technical exhibitions, from their origins in the late 18th Century to present day, and, particularly, how they have reflected the progress of science and technology especially electrical technology). Not only does the author show how electrical innovation and manufacture have been presented to the wider public through this period, but he also shows how the exhibitions themselves have required technological advice.

The American Matisse
  • Language: en
  • Pages: 209

The American Matisse

  • Categories: Art

"In a career spanning over six decades, the New York art dealer Pierre Matisse (1900-1989) contributed substantially to the advancement of modern art. At his eponymous gallery on East Fifty-seventh Street, he showed several now legendary artists for the first time outside Europe. The collection--paintings, sculpture, and drawings by Balthus, Bonnard, Chagall, Derain, Dubuffet, Giacometti, Magritte, and the dealer's own father, Henri Matisse, among others--was donated to The Metropolitan Museum of Art in 2004 by the foundation established by his widow. These extraordinary artworks are presented with informative entries addressing the circumstances of each work's creation and the dealer's relationship to the artist. In the introduction, the story of Pierre Matisse's early struggles in New York is told for the first time and illustrated with previously unpublished archival photographs."--Provided by publisher.

The Cinema of Jan Švankmajer
  • Language: en
  • Pages: 264

The Cinema of Jan Švankmajer

  • Type: Book
  • -
  • Published: 2008
  • -
  • Publisher: Unknown

Previous ed.: published as Dark alchemy. Westport, Conn.: Greenwood, 1995.

Marionnettes du Musée national, Prague
  • Language: de
  • Pages: 70

Marionnettes du Musée national, Prague

  • Type: Book
  • -
  • Published: 1996
  • -
  • Publisher: Unknown

None

Czech Architecture and Its Austerity
  • Language: en
  • Pages: 308

Czech Architecture and Its Austerity

  • Type: Book
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  • Published: 2004
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  • Publisher: Prostor

Czech architecture evolved in a powerful cultural and historical environment that undoubtedly placed a greater emphasis on the conception of architectural forms than the various formal innovations that are seen around the world, innovations that all too frequently employ an approach akin to the design of car bodies while departing from the traditional notion of architecture. Certainly it does not strive to be exhibitionist. Contrary to that, in this country, architecture continues to be viewed as a traditional cultural discipline, and Czech austerity persists in expanding this cultural nature of architectural work rather than enthusiastically accepting as of yet insufficiently digested forms.