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This book is about the intersection of two evolving dance-historical realms—theory and practice—during the first two decades of the eighteenth century. France was the source of works on notation, choreography, and repertoire that dominated European dance practice until the 1780s. While these French inventions were welcomed and used in Germany, German dance writers responded by producing an important body of work on dance theory. This book examines consequences in Germany of this asymmetrical confrontation of dance perspectives. Between 1703 and 1717 in Germany, a coherent theory of dance was postulated that called itself dance theory, comprehended why it was a theory, and clearly, ration...
In 1864, a large metal hoard of copper, bronze and silver objects was discovered at Pile in the southern Swedish region of Scania. The hoard has been dated to the onset of the rich Nordic Bronze Age, and emerges as the earliest, finest and one of the largest of the Nordic sacrificial deposits of metalwork in or near water. The Metal Hoard from Pile in Scania, Sweden provides the first detailed documentation, scientific examination and historical interpretation of the assemblage. Around 2000 BCE the site of Pile was networked with places near and far in a manner that boosted the political economy of Southern Scandinavia, adding to an atmosphere of tensions and charge - and it made history. The chapters unfold as a 'history from beneath' beginning with place, Things and time and concluding with metals and the worlds that intersected in Pile at the threshold of the long Bronze Age.
This copiously annotated bibliography documents and examines the whole range of commentary on Strindberg's works and activity in many fields besides the plays for which he is internationally best known. These include his prose fiction and poetry, his work as an historian and natural historian, and his relationship to the other arts, most notably his painting. It is concerned with both lasting works of literary and dramatic criticism, as well as reviews of his books and plays in the theatre, and some more ephemeral material, all of this in several languages. Organised generically and by subject and individual work, the bibliography enables the reader to trace the changing impact of Strindberg...
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