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Gold Under the Bridge
Meredita and her family's life story represents that of the many families the author has known at Quirino Aveneu Bridge and in other places in Manila. Affected by their untiring, endless attempts to get out of poverty or deal with it to survive, the author tried to capture all these details from what Mercedita's family chose to share over the years. The interaction was based on a relationship shaped by events an NGO volunteer organized in the community, like a street library and monthly fora. This book takes the position that the poorest are first and foremost human beings, essential partners in the fight against poverty more than they are problems to be solved.
Artisans of Peace Overcoming Poverty
"Artisans of Peace Overcoming Poverty" introduces partners in peace-building whose efforts are rarely recognised. Volume 3 recounts how young people in the Central African Republic continued organising Street Libraries with children throughout the civil war that began in 2013. In the United Kingdom, Switzerland, and elsewhere, living in poverty are victimised by stereotypes and feared as a source of violence; but the greatest violence is done to them. Their participatory research leads to a new understanding about the choices people make to end the silence surrounding this violence and work towards peace.For almost sixty years, ATD Fourth World has sought out people in the most serious situa...
Ce que la Danse m'a dit ...
Le parcours d'un spectateur "fou" de Danse, devenu agent d'artistes, directeur artistique et maintenant dramaturge... En collaboration avec Manuel Legris, directeur du Ballet de La Scala de Milan et Patrick De Bana, ancien soliste du Lausanne-Béjart Ballet. Dramaturgies : Cléopâtre-Ida Rubinstein (2013) Théâtre des Champs-Elysées à Paris. Apollon (2014) Spring Festival Tokyo. Sacre du Printemps (2015) Opéra de Novossibirsk en Russie. Quatre nominations aux Golden Mask Awards de Moscou. Farewell Waltz (2015) Grand Théâtre de Shanghaï, pour les étoiles Isabelle Guérin et Manuel Legris. Echoes of Eternity (2015) Shanghaï Ballet. Rain Before it Falls... (2016) Bolchoï - Moscou pour Zvetlana Zakharova. Le Corsaire (2016) Ballet de l'Opéra de Vienne, Ballet de Vilnius (2018), Opéra National de Varsovie (2020). Sylvia (2018) Ballet de l'Opéra de Vienne, Scala de Milan (2019). Call of The Steppe (2020) Astana Opera Ballet - Kazakhstan. Des milliers de spectacles, de rencontres, des rendez-vous manqués, des moments inoubliables... Une sorte de dictionnaire d'un amoureux de la Danse et des Artistes, en forme d'hommage et de gratitude.
L'Avant-scène
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Rowing News
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Le Dernier commanditaire du Moyen Âge. L'amiral de Graville
Amiral de France à partir de 1487, Louis Malet de Graville (vers 1440-1516) est un oublié de l'histoire. Ce riche seigneur à la longue carrière politique est pourtant l’un des piliers des cours de Louis XI, de Charles VIII et de Louis XII. Mieux, c’est l’un des commanditaires laïcs les plus actifs de cette longue fin du Moyen Âge pendant ...
A Civil Society
A Civil Society explores the struggle to initiate women as full participants in the masonic brotherhood that shared in the rise of France's civil society and its "civic morality" on behalf of women's rights. As a vital component of the third sector during France's modernization, freemasonry empowered women in complex social networks, contributing to a more liberal republic, a more open society, and a more engaged public culture. James Smith Allen shows that although women initially met with stiff resistance, their induction into the brotherhood was a significant step in the development of French civil society and its "civic morality," including the promotion of women's rights in the late nineteenth century. Pulling together the many gendered facets of masonry, Allen draws from periodicals, memoirs, and archival material to account for the rise of women within the masonic brotherhood in the context of rapid historical change. Thanks to women's social networks and their attendant social capital, masonry came to play a leading role in French civil society and the rethinking of gender relations in the public sphere.
Annuaire 1977-1978
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