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The Enchanted Screen
The Enchanted Screen: The Unknown History of Fairy-Tale Films offers readers a long overdue, comprehensive look at the rich history of fairy tales and their influence on film, complete with the inclusion of an extensive filmography compiled by the author. With this book, Jack Zipes not only looks at the extensive, illustrious life of fairy tales and cinema, but he also reminds us that, decades before Walt Disney made his mark on the genre, fairy tales were central to the birth of cinema as a medium, as they offered cheap, copyright-free material that could easily engage audiences not only though their familiarity but also through their dazzling special effects. Since the story of fairy tales...
Film and Fairy Tales
Far from a realm of pure fantasy helping people to escape harsh realities, fairy tales and the films that rooted themselves in their tropes and traditions played an integral role in formulating and expressing the anxieties of modernity as well as its potential for radical, magical transformation. In Film and Fairy Tales, Kristian Moen examines the role played by fairy tales in shaping cinema, its culture, and its discourse during its most formative years. Well-established by the feerie of the nineteenth century as popular entertainment and visual spectacle, the wonders of mutability offered by fairy tale fantasies in the early films of Melies situated cinema itself as a realm of enchantment ...
Fairy-Tale Films Beyond Disney
The fairy tale has become one of the dominant cultural forms and genres internationally, thanks in large part to its many manifestations on screen. Yet the history and relevance of the fairy-tale film have largely been neglected. In this follow-up to Jack Zipes’s award-winning book The Enchanted Screen (2011), Fairy-Tale Films Beyond Disney offers the first book-length multinational, multidisciplinary exploration of fairy-tale cinema. Bringing together twenty-three of the world’s top fairy-tale scholars to analyze the enormous scope of these films, Zipes and colleagues Pauline Greenhill and Kendra Magnus-Johnston present perspectives on film from every part of the globe, from Hayao Miyaz...
The Best Fairy Tales
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The Child in Film
Ghastly and ghostly children, 'dirty little white girls', the child as witness and as victim, have always played an important part in the history of cinema, as have child performers themselves. In exploring the disruptive power of the child in films made for an adult audience across popular films, including "Taxi Driver" and Japanese horror, and 'art-house' productions like "Mirror" and "Pan's Labyrinth", Karen Lury investigates why the figure of the child has such a significant impact on the visual aspects and storytelling potential of cinema.Lury's main argument is that the child as a liminal yet powerful agent has allowed filmmakers to play adventurously with cinema's formal conventions - with far-reaching consequences. In particular, she reveals how a child's relationship to time allows it to disturb and question conventional master-narratives. She explores too the investment in the child actor and expression of child sexuality, as well as how confining and conservative existing assumptions can be in terms of commonly held beliefs as to who children 'really are'.
The Stardom Film
Since the earliest days of the movie industry, Hollywood has mythologized itself through stories of stardom. A female protagonist escapes the confines of rural America in search of freedom in a western dream factory; an ambitious, conceited movie idol falls from grace and discovers what it means to embody true stardom; or a fading star confronts Hollywood’s obsession with youth by embarking on a determined mission to reclaim her lost fame. In its various forms, the stardom film is crucial to understanding how Hollywood has shaped its own identity, as well as its claim on America’s collective imagination. In the first book to focus exclusively on these modern fairy tales, Karen McNally tr...
The Complete Grimm's Fairy Tales
Once upon a time in a fairy tale world, There were magical mirrors and golden slippers;Castles and fields and mountains of glass,Houses of bread and windows of sugar.Frogs transformed into handsome Princes,And big bad wolves into innocent grandmothers.There were evil queens and wicked stepmothers;Sweethearts, true brides, and secret lovers. In the same fairy world, A poor boy has found a golden key and an iron chest, and " We must wait until he has quite unlocked it and opened the lid . . ." A classic collection of timeless folk tales by Grimm Brothers, Grimm' s Fairy Tales are not only enchanting, mysterious, and amusing, but also frightening and intriguing. Delighting children and adults alike, these tales have undergone several adaptations over the decades. This edition with black-and-white illustrations is a translation by Margaret Hunt.
127 Fairy Tales
Hans Christian Andersen (April 2, 1805 - August 4, 1875) was a Danish author and poet, most famous for his fairy tales. Among his best-known stories are "The Steadfast Tin Soldier", "The Snow Queen", "The Little Mermaid", "Thumbelina", "The Little Match Girl", "The Ugly Duckling" and "The Red Shoes". During Andersen's lifetime he was feted by royalty and acclaimed for having brought great enjoyment to a whole generation of children throughout Europe. His fairy tales have been translated into more than 150 languages and they continue to be published in millions of copies all over the world. His fairy tales have inspired the creation of numerous films, theater plays, ballets and film animations.
Fairy-Tale Films Beyond Disney
The fairy tale has become one of the dominant cultural forms and genres internationally, thanks in large part to its many manifestations on screen. Yet the history and relevance of the fairy-tale film have largely been neglected. In this follow-up to Jack Zipes’s award-winning book The Enchanted Screen (2011), Fairy-Tale Films Beyond Disney offers the first book-length multinational, multidisciplinary exploration of fairy-tale cinema. Bringing together twenty-three of the world’s top fairy-tale scholars to analyze the enormous scope of these films, Zipes and colleagues Pauline Greenhill and Kendra Magnus-Johnston present perspectives on film from every part of the globe, from Hayao Miyaz...
