You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This publication celebrates a career spanning nearly 30 years, in which Fathi Hassan has won an international following for his vibrant, colourful and kinetic paintings. The artist frequently experiments with Arabic script and plays with the symbols, textures and calligraphy of his Nubian heritage.
In the summer of 2009, as she was covering the popular uprisings in Tehran for the New York Times, Iranian journalist Nazila Fathi received a phone call. "They have given your photo to snipers," a government source warned her. Soon after, with undercover agents closing in, Fathi fled the country with her husband and two children, beginning a life of exile. In The Lonely War, Fathi interweaves her story with that of the country she left behind, showing how Iran is locked in a battle between hardliners and reformers that dates back to the country's 1979 revolution. Fathi was nine years old when that uprising replaced the Iranian shah with a radical Islamic regime. Her father, an official at a ...
Poetry. GREAT GUNS, the much-anticipated first collection by Farnoosh Fathi, is a kaleidoscopic tour de force of raw lyricism. Its poems' speakers balance intense moments of humor and introspection as they go out into wilderness in search of truth and community.
Exiting war explores a particular 1918–20 ‘moment’ in the British Empire’s history, between the First World War’s armistices of 1918, and the peace treaties of 1919 and 1920. That moment, we argue, was a challenging and transformative time for the Empire. While British authorities successfully answered some of the post-war tests they faced, such as demobilisation, repatriation, and fighting the widespread effects of the Spanish flu, the racial, social, political and economic hallmarks of their imperialism set the scene for a wide range of expressions of loyalties and disloyalties, and anticolonial movements. The book documents and conceptualises this 1918–20 ‘moment’ and its characteristics as a crucial three-year period of transformation for and within the Empire, examining these years for the significant shifts in the imperial relationship that occurred and as laying the foundation for later change in the imperial system.
Shari'a, Inshallah shows how people have used shari'a to struggle for peace, justice, and human rights in Somalia and Somaliland.
The book locates questions of languages, genre, textuality and canonicity within a historical and theoretical framework that foregrounds the emergence of modern nationalism in Egypt. The ways in which the cultural discourses produced by twentieth century Egyptian nationalism created a space for both a hegemonic and counter-hegemonic politics of language, class and place that inscribed a bifurcated narrative and social geography, are examined. The book argues that the rupture between the village and the city contained in the Egyptian nationalism discourse is reproduced as a narrative dislocation that has continued to characterize and shape the Egyptian novel in general and the village novel in particular. Reading the village novel in Egypt as a dynamic intertext that constructs modernity in a local historical and political context rather than rehearsing a simple repetition of dominant European literary-critical paradigms, this book offers a new approach to the construction of modern Arabic literary history as well as to theoretical questions related to the structure and role of the novel as a worldly narrative genre.
Visit Bahrain, Baghdad and the restored Babylon, walk through the Friday Souk, see the Kuwait Towers up close, sit for a while in the gardens of the Grand Mosque and spend time in a dark and inviting coffee house. Listen to Bloodshot Jim and the story of his loss, ride the night train with Major Adnan and his one thousand men and read an eyewitness account of cold-blooded murder. Meet Slippery Sam, The Arrow and The Platypus, Ned O'Brien and his bits of chalk, David the Waiter and Con the Monk, Big John Manzoni, Cassandra Franklin and Douglas Jay, Patrick 'The Omniscient One' Alexander and Nickel Ass and his colts. They're all here, the crafty and the open, the wise and silly, the pompous and the unassuming, the considerate and the careless, and John Flanagan's a born storyteller.
With a historical overview by Elvira Mascolo