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Siren Song
Fawzia Afzal-Khan's book is an important and timely feminist intervention in the study of classical music and a cogent challenge to the prevailing antisecular orthodoxy in the academy. In this complex and sensitive study...of the careers of artistes like Malka Pukhraj, Roshanara Begum, Reshma, and of the newer music and musical space offered by Coke Studio, Afzal-Khan shows us the multiple ways in which women performers negotiated and continue to negotiate their way through the numerous challenges thrown their way in the wake of the partitioning of the subcontinent and the multiple demands placed on them.
Lahore With Love
Cover Design by Lauren Modica
Cultural Imperialism and the Indo-English Novel
This is a provocative piece of scholarship, and it engages an intriguing aspect of postcolonial writing.-Choice "Fawzia Afzal-Khan's excellent book could stand as a reply to those hostile critics who today attack 'multiculturalism' for reductively politicizing literature. In her trenchant discussion, Afzal-Khan shows just how complex the politics of 'liberation' can be for colonial and postcolonial novelists." -Gerald Graff, University of Chicago"Afzal-Khan's study is a major new contribution to the related fields of Indian writing in English and post-colonial literatures. Focused primarily on four Indian novelists, its arguments and conclusions are of vital importance to our understanding o...
Shattering the Stereotypes
In the wake of September 11th. Muslim women in the West found themselves more marginalized than ever by a panicked discourse that did little to promote a true understanding of Islam or the Islamic world. Here. in this ambitious volume that includes essays. poetry, fiction, memoir, plays, and artwork, Muslim women speak for themselves, revealing a complexity of experience and thought that escapes most Western portrayals. Islam is, as editor Fawzia Afzal-Khan puts it only "one spoke in the wheel of our lives." In Shattering the Stereotypes. essays by such writers as Ayesha Jalal, the Pakistani-American historian, poems by award-winning poets including Sucheir Hammad and Nathalie Handal, and a selection of short fiction and plays that are not just ethnically but attitudinally diverse, together make a more rounded portrait of what it is to be a Muslim woman in the 21st century.
A Critical Stage
Starting with examining the reasons why theatre failed to take root and develop in Pakistan, this book studies the critical role played by alternative or parallel theatre in the civil society of Pakistan. This theatre is seen as a vanguard of intellectuals and cultural activists, concerned not only with producing plays, but also with developing theatre as a tool both of conscientization over repressive norms and customs, and of resistance to oppressive state policies, thus broadening the scope of the term theatre to encompass the notion of theatre-in-development. This book argues that secular alternative theatre in Pakistan since the late twentieth century is a locus of cultural conflict, wh...
And the World Changed
The only English-language anthology by Pakistani women published in the United States, And the World Changed goes beyond the sensational headlines to reveal the stories of Pakistani women. Immigrants and refugees, travelers and explorers, seasoned authors and fresh voices, the twenty-five writers in this volume are as dynamic and diverse as their stories. Sixty years have passed since the Partition of India, and it’s clear that Pakistani writers have established their own literary tradition to record the stories of their communities. Famed novelist Bapsi Sidhwa portrays a Pakistani community in Houston, Texas, still struggling to heal from the horrors of Partition. In Uzma Aslam Khan’s t...
Comic Performance in Pakistan
This book explores comic performance in Pakistan through the vibrant Indo-Muslim tradition of the Punjabi bhānd which now holds a marginal space in contemporary weddings. With irreverent repartee, genealogical prowess, a topsy-turvy play with hierarchies and shape shifting, the low-status bhānd jostles space in otherwise rigid class and caste hierarchies. Tracing these negotiations in both historical and contemporary sites, the author unfolds a dynamic performance mode that travels from the Sanskrit jester and Sufi wise fool, into Muslim royal courts and households, weddings, contemporary carnivalesque and erotic popular Punjabi theatre and satellite television news. Through original historical and ethnographic research, this book brings to life hitherto unexplored territories of Pakistani popular culture and Indo-Muslim performance histories.
The Pre-occupation of Postcolonial Studies
The Pre-Occupation of Postcolonial Studies contains essays by both leading figures and younger scholars engaged in the field of postcolonial studies. In this state-of-the-field reader, editors Fawzia Afzal-Khan and Kalpana Seshadri-Crooks have created a dynamic forum for contributors from a variety of theoretical and disciplinary vantage points to question both the limits and the limitations of postcolonial thought. Since it burst on the academic scene as the "hot" new disciplinary field during the final decade of the twentieth century, postcolonial studies has faced criticism from those who question its "troubling" trajectories, its sometimes suspect epistemological and pedagogical methods,...
Poets for Palestine
A collection of poems and prints predominately by self-identified Palestinian poets living in the United States.
Pakistan’s Blasphemy Laws
Under the guise of Islamic law, the prophet Muhammad’s Islam, and the Qur’an, states such as Pakistan, Afghanistan, Egypt, Saudi Arabia, and Bangladesh are using blasphemy laws to suppress freedom of speech. Yet the Prophet never tried or executed anyone for blasphemy, nor does the Qur’an authorize the practice. Asserting that blasphemy laws are neither Islamic nor Qur‘anic, Shemeem Burney Abbas traces the evolution of these laws from the Islamic empires that followed the death of the Prophet Muhammad to the present-day Taliban. Her pathfinding study on the shari’a and gender demonstrates that Pakistan’s blasphemy laws are the inventions of a military state that manipulates disco...
