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Learning through Images in the Italian Renaissance
For the affluent merchant class of fifteenth-century Florence, the education of future generations was a fundamental matter. Together with texts, images played an important role in the development of the young into adult citizens. In this book, Federico Botana demonstrates how illustrated manuscripts of vernacular texts read by the Florentine youth facilitated understanding and memorisation of basic principles and knowledge. They were an important means of acquiring skills then considered necessary to gain the respect of others, to prosper as merchants, and to participate in civic life. Botana focuses on illustrated texts that were widely read in Quattrocento Florence: the Fior di virtù (a moral treatise including a bestiary), the Esopo volgarizzato (Aesop's Fables in Tuscan), the Sfera by Goro Dati (a poem on cosmology and geography), and mathematical manuals known as libri d'abbaco. He elucidates, in light of original sources and medieval and modern cognitive theory, the mechanisms that empowered illustrations to transmit knowledge in the Italian Renaissance.
The Economics of the Manuscript and Rare Book Trade, Ca. 1890-1939
An introduction to the economics of the rare book and manuscript trade in the half-century before the second world war.
The Works of Mercy in Italian Medieval Art (c.1050-c.1400)
This is the first monograph on the medieval Italian representations of the corporal and spiritual Works of Mercy, the fourteen basic categories of almsdeeds conceived by the scholastics. This is a genuinely interdisciplinary study: Federico Botana has painstakingly dissected frescoes, panel paintings, miniatures, and sculptures of the Works of Mercy to shed new light on fundamental aspects of medieval society. These depictions reveal how communities took care of their needy, in some instances beyond what can be gleaned in written sources. Most of all, they contribute to our understanding of medieval confraternal piety. For Church reformers and the Mendicant Orders, the Works of Mercy served ...
The Family As Basic Social Unit
The Family as Basic Social Unit provides a theologically rooted account of the family's social roles and responsibilities. As a basic social unit, the family is both internally social and socially interdependent with other social communities. Reflecting on the family's internally social character, Schemenauer proposes that Catholic social teaching applies to family interactions. He analyzes household labor using papal teaching on work and sibling violence with more recent theological analysis of peacemaking, and he argues that families can complete works of mercy when they feed hungry and care for sick family members. In the second part of the volume, Schemenauer describes the social interde...
Visual Cultures of Foundling Care in Renaissance Italy
The social problem of infant abandonment captured the public?s imagination in Italy during the fifteenth century, a critical period of innovation and development in charitable discourses. As charity toward foundlings became a political priority, the patrons and supporters of foundling hospitals turned to visual culture to help them make their charitable work understandable to a wide audience. Focusing on four institutions in central Italy that possess significant surviving visual and archival material, Visual Cultures of Foundling Care in Renaissance Italy examines the discursive processes through which foundling care was identified, conceptualized, and promoted. The first book to consider t...
Provenance and Possession
A thought-provoking study of how knowledge of provenance was not transferred with enslaved people and goods from the Portuguese trading empire to Renaissance Italy In the fifteenth and sixteenth centuries, Renaissance Italy received a bounty of "goods" from Portuguese trading voyages—fruits of empire that included luxury goods, exotic animals and even enslaved people. Many historians hold that this imperial "opening up" of the world transformed the way Europeans understood the global. In this book, K.J.P. Lowe challenges such an assumption, showing that Italians of this era cared more about the possession than the provenance of their newly acquired global goods. With three detailed case st...
The Making of Lay Religion in Southern France, c. 1000-1350
What was Christianity like for ordinary people between the turn of the millennium and the coming of the Black Death? What changed and what continued, in their experiences, habits, feelings, hopes, and fears? How did they know themselves to be Christians, and indeed to be good Christians? This book answers those questions through a focus on one specific region — southern France — across a particularly fraught period of history, one beset by the changes wrought by the Gregorian reforms, the spectre of heresy, the violence of crusade, the coming of inquisition, and the pastoral revolution associated with the Fourth Lateran Council (1215). Using an array of different historical documents, Jo...
The Middle Ages
The Middle Ages (c.500-1500) includes a thousand years of European history. In this Very Short Introduction Miri Rubin tells the story of the times through the people and their lifestyles. Including stories of kingship and Christian salvation, agriculture and trade, Rubin demonstrates the remarkable nature and legacy of the Middle Ages.
A History of Ambiguity
Ever since it was first published in 1930, William Empson’s Seven Types of Ambiguity has been perceived as a milestone in literary criticism—far from being an impediment to communication, ambiguity now seemed an index of poetic richness and expressive power. Little, however, has been written on the broader trajectory of Western thought about ambiguity before Empson; as a result, the nature of his innovation has been poorly understood. A History of Ambiguity remedies this omission. Starting with classical grammar and rhetoric, and moving on to moral theology, law, biblical exegesis, German philosophy, and literary criticism, Anthony Ossa-Richardson explores the many ways in which readers ...
Images-within-Images in Italian Painting (1250-1350)
The rebirth of realistic representation in Italy around 1300 led to the materialization of a pictorial language, which dominated Western art until 1900, and it dominates global visual culture even today. Paralleling the development of mimesis, self-reflexive pictorial tendencies emerged as well. Images-within-images, visual commentaries of representations by representations, were essential to this trend. They facilitated the development of a critical pictorial attitude towards representation. This book offers the first comprehensive study of Italian meta-painting in the age of Giotto and sheds new light on the early modern and modern history of the phenomenon. By combining visual hermeneutic...
