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"Traces the relations of architecture and urbanism to forms of human unsettlement and territorial insecurity during the 1960s and 70s"--Dust jacket.
La fine del mondo has been produced by Marco Fusinato, Felicity D. Scott and Mark Wasiuta on the occasion of their contribution to the section Monditalia at the 14th International Architecture Exhibition of la Biennale di Venezia, June 7 to November 23, 2014. Their installation, also titled La fine del mondo, is comprised of this print document along with sensor-triggered audio-visual components depicting related records from Turin's Piper Club and three Milanese centri sociali: Leoncavallo, Cox18, and Virus. The images and archival documents presented herein have been prepared with the assistance of, and in collaboration with, Andrea Membretti, Pietro Derossi, Elena Hileg Iannuzzi, and Marco Philopat.
Excommunication was the medieval churchâs most severe sanction, used against people at all levels of society. It was a spiritual, social, and legal penalty. Excommunication in Thirteenth-Century England offers a fresh perspective on medieval excommunication by taking a multi-dimensional approach to discussion of the sanction. Using England as a case study, Felicity Hill analyzes the intentions behind excommunication; how it was perceived and received, at both national and local level; the effects it had upon individuals and society. The study is structured thematically to argue that our understanding of excommunication should be shaped by how it was received within the community as well as ...
Viennese émigré architect Bernard Rudofsky (1905-1988) is most frequently recalled for curating "Architecture without Architects," the famous 1964 photography exhibition of vernacular, preindustrial structures at the Museum of Modern Art in New York. Far from simply a romantic or nostalgic invocation of cultures lost to industrial modernity, Rudofsky's exhibition drew on decades of speculations about modern architecture and urbanism, particularly their semantic, technological, institutional, commercial, and geopolitical influences. Focusing on Rudofsky's encounters with Japan in the 1950s--he described postwar Japan as a "rear-view mirror" of the American way of life--architectural historian Felicity D. Scott revisits the architect's readings of the vernacular both in the United States and Japan, which resonate with his attempts to imagine architecture and cities that refused to communicate in a normative sense. In a contemporary world saturated with visual information, Rudofsky's unconventional musings take on a heightened resonance. Critical Spatial Practice 7 Edited by Nikolaus Hirsch, Markus Miessen Featuring artwork by Martin Beck
Have you ever sat with someone as they were dying and wished that you could make it a better experience? Helping others face death with dignity and positivity is an act of profound kindness that also helps give the caregiver a chance to come to terms with this critical moment in our life’s journey. Felicity Warner reveals her guide to the unique experience of death in A Safe Journey Home, based on years of experience in hospice care. This essential guide will tell you all you need to know to help a loved one or friend to die gently and with dignity once medicine has reached its limits. You can honour their experience and nurture it, by giving them all your attention, kindness and love. Accompanied by beautiful illustrations that will act as a comfort to all those experiencing death or bereavement, this book is a powerful guide to a subject that affects us all.
What do you say when you wake up to find your bedroom in a terrible mess? 'It wasn’t me, Mum, it was a Three-Headed Aldebaran Dust Devil?' Try saying that - and see how far you get! Honestly, all I wanted was a quiet day at school. Instead, I got soaked in Hawaii, visited a planet halfway across the galaxy, and accidentally set a killer wombat loose!
Felicity Scott traces an alternative genealogy of the postmodern turn in American architecture, focusing on a set of experimental practices and polemics that emerged in the late 1960s and early 1970s.
A peaceful narrowboat holiday. What could possibly go wrong? Stella doesn't want to hire a narrowboat. She'd much rather be in The Maldives, but her husband Alex has other ideas. Nancy escapes onto the canals when her brilliant music career implodes. She's going back to her roots, but things have changed - maybe too much. Dawn is investigating the most unusual crime in her policing career - committed on the Grand Union Canal under the English summer sun. Trouble, is the victim denies it was even a crime. Join Stella, Nancy and Dawn on their epic journeys into the heart of England's canal network. In this tale of deceit, revenge, self-discovery and boating mishaps, they find friends in the most unlikely places and discover that the canals are not always as tranquil as they appear...
The latest gripping domestic drama from the author of The Move and The People at Number 9... Moving in together. What could go wrong? ‘Sharp, dark and brilliantly twisty’ OK!
Hippie Modernism: The Struggle for Utopia accompanies an exhibition of the same title examining the art, architecture and design of the counterculture of the 1960s and early 1970s. The catalogue surveys the radical experiments that challenged societal and professional norms while proposing new kinds of technological, ecological and political utopia. It includes the counter design proposals of Victor Papanek and the anti-design polemics of Global Tools; the radical architectural visions of Archigram, Superstudio, Haus Rucker Co and ONYX; the media-based installations of Ken Isaacs, Joan Hills and Mark Boyle and Helio Oiticica and Neville D'Almeida; the experimental films of Jordan Belson, Bru...