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The Life of Mahler
In this 1997 biography, Peter Franklin re-confronts the myth of Mahler and attempts to find the person behind the legends.
Experiencing Mahler
Experiencing Mahler surveys the symphonies and major song sets of Gustav Mahler, presenting them not just as artworks but as vivid and deeply felt journeys. Mahler took the symphony, perhaps the most tradition-bound genre in Western music, and opened it to the widest span of human experience. He introduced themes of love, nature, the chasmic depth of midnight, making peace with death, facing rebirth, seeking one’s creator, and being at one with God. Arved Ashby offers the non-specialist a general introduction into Mahler’s seemingly unbounded energy to investigate the elements that make each work an experiential adventure—one that has redefined the symphonic genre in new ways. In addition to the standard nine symphonies, Ashby discusses Das Lied von der Erde, the three most commonly heard song sets (the Lieder eines fahrenden Gesellen, Kindertotenlieder, and Rückert-Lieder), and the unfinished Tenth Symphony (in Cooke’s edition). Experiencing Mahler is a far-reaching and often provocative search for meaning in the music of one of the most beloved composers of all time.
Gustav Mahler
Alfred Mathis-Rosenzweig (1897-1948) was a Viennese musicologist and critic who studied at the universities of Budapest and Vienna. From 1933 he embarked on producing a large-scale study of Mahler but at the time of his death the manuscript was left unfinished. Although it was presumed lost until 1997, the unfinished typescript, written in German, had been deposited in the library of the Guildhall School of Music & Drama. In 2003, the School‘s Research Centre commissioned Jeremy Barham to prepare the first published edition of this important work, and his annotations and commentary add invaluable material to his translation of this historic document. Biographical material is used as a loose framework and platform for Mathis-Rosenzweig‘s profound examination of the environment within which Mahler‘s earlier music was embedded. This is an environment in which Wagner, Bruckner and Wolf feature prominently, and in which Mahler‘s music is viewed from the wider perspective of nineteenth-century German cultural domination and the subsequent rise of political extremism in the form of Hitlerite fascism.
Gustav Mahler
Translation of: Gustav Mahler: Der fremde Vertraute.
Mahler, Consciousness and Temporality
In company with only a few other composers, Mahler speaks to us directly about joy and finitude, courage and ordinariness, love and emptiness. In his music we are confronted with matters too momentous to grasp at once and too important to be allowed to slip away. This volume analyzes in detail four of Mahler's symphonies--the Third, Fifth, Eighth, and Ninth--to reveal the composer's musical processes as a vehicle for his ideas. Mahler's vision is set in context by comparison with phenomenologists of this century, particularly Husserl, Heidegger and Sartre, with the intention of deepening and refining our response to his music.
Mahler's Voices
Johnson considers how Mahler's body of music foregrounds the idea of artifice, construction and musical convention while also presenting itself as act of authentic expression and disclosure. This study of brings together a close reading of the renowned composer's music with wide-ranging cultural and historical interpretation.
The Mahler Companion
'the one-stop guide to Mahler -- a volume of essays covering the widest range of Mahlerian topics, designed both for the academic and serious amateur music-lover... The core of the compendium is its coverage of all the main works, carrying recent research, with plentiful musical examples and other illustrations.' -Andrew Green, Classical Music 08/11/1999'beautifully produced volume... a tribute that surveys the familiar with affectionate new insights... all the articles on Mahler's reception outside Austria, both during his life and after, make for fascinating reading.' -David Nice, BBC Music Magazine October 1999'The Mahler Companion constitutes a distinguished and fitting monument to Mitch...
Mahler
Theodor W. Adorno (1903-1969) goes beyond conventional thematic analysis to gain a more complete understanding of Mahler's music through the composer's character, his social and philosophical background, and his moment in musical history. A classic in German from 1960, MAHLER is presented here in a translation that captures the stylistic brilliance of the original.
Gustav Mahler
Recollections of Mahler written in 1936 by the composer's assistant conductor in Hamburg and at the Vienna Opera, plus Ernst Krenek's biographical sketch of Mahler and a new Introduction.
Under the Painted Eyes
The three novels of Under The Painted Eyes are set in the shadow of the great Himalayan Mountains and against the background tapestry of Nepal's fascinating history and rich culture. Fictional and historical characters live, love, fight and worship under the watching eyes of the Adi Buddha, which are painted on the torans of the Swayambhunath and the Bodnath and other ancient temples. The novels tell of romance and love over the centuries and the happiness and tragedy they bring. There are the golden-roofed pagodas and the exotic festivals, intrigue, war and massacre, and the abuse of power and finally the successful struggle for democracy in modern times.
