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Holy Week
  • Language: en

Holy Week

  • Type: Book
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  • Published: 2013-03
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  • Publisher: Unknown

Handbook for following the traditional Latin Rite Holy Week ceremonies from Palm Sunday to Easter Sunday, with historical introduction by a key figure in turn-of-the-century liturgical historical studies.

The Mass
  • Language: en
  • Pages: 317

The Mass

This classic liturgical resource is organized as follows: Part I. The History of the Mass Chapter I. The Eucharist in the First Three Centuries § 1. Liturgical Fragments in the New Testament § 2. The Liturgy in the Apostolic Fathers § 3. The Liturgy in the Second Century § 4. The Fathers of the Third Century § 5. Liturgical Uniformity in the first three Centuries § 6. The Liturgy in the Early Church Orders § 7. The Liturgy in Apostolic Constitutions VIII § 8. Some Special Points § 9. Influence of Jewish Ritual Chapter II. The Parent Rites and Their Descendants § 1. The Development of the Parent Rites § 2. The Antiochene Rite § 3. Liturgies derived from Antioch § 4. The Alexandri...

Cult and Controversy
  • Language: en
  • Pages: 474

Cult and Controversy

Nathan Mitchell has written this book to enrich the Church's understanding of the many theologies and popular customs that have attached themselves to the eucharist over the last two thousand years.

A Sacred Kingdom
  • Language: en
  • Pages: 449

A Sacred Kingdom

  • Type: Book
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  • Published: 2011-11-07
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  • Publisher: CUA Press

Drawing on the records of nearly 100 bishops' councils spanning the centuries, alongside royal law, edicts, and capitularies of the same period, this study details how royal law and the very character of kingship among the Franks were profoundly affected by episcopal traditions of law and social order.

With Voice and Pen
  • Language: en
  • Pages: 537

With Voice and Pen

  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

Leo Treitler's seventeen classic essays trace the creation and spread of song (cantus), sacred and secular, through oral tradition and writing, in the European Middle Ages. The author examines songs in particular - their design, their qualities and character, their expressive meanings, and their adaptation to their communal and ritual roles - and explores the chances for, and the obstacles to, our understanding of traditions that were alive a thousand years ago. Ranging from c. 900 (when the written transmission of medieval songs began) to 1200, Treitler shows how the earlier, purely oral traditions can be examined only through the lens of what has been captured in writing, and focuses on the invention and uses of writing systems for representing these oral traditions. Each of these seminally influential essays has been revised to take account of recent developments, and is prefaced with a new introduction to highlight the historical issues. The accompanying CD contains performances of much of the music discussed.

The Spirit of God
  • Language: en
  • Pages: 313

The Spirit of God

  • Type: Book
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  • Published: 2018-01-05
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  • Publisher: CUA Press

Yves Congar was the most significant voice in Catholic pneumatology in the twentieth century. This new collection of short pieces makes his thought accessible to a broad range of readers – scholars, teachers, ecumenists and laity – and thus helps to ensure that an important theological voice, one that influenced many of the documents of the Second Vatican Council, continues to be heard. The Spirit of God brings together for the first time eight of Yves Congar’s previously untranslated writings on the Holy Spirit composed after Vatican II (from 1969 to 1985). Two of these selections offer general overviews of Congar’s pneumatology, a pneumatology based upon Scripture and the Tradition...

The Relationship Between the Church and the Theatre
  • Language: en
  • Pages: 453

The Relationship Between the Church and the Theatre

This work has grown out of the question regarding the negative relationship of the Church Fathers toward the Roman theatre and the apparent subsequent theatre vacuum of over 400 years (ca. 530 AD to 930 AD). This is considered to be the time which lies between the end of the Roman theatre and the appearance of the quem quaeritis tropes. This work moves between these two poles: on the one hand, between the polemics against the pagan Roman theatre which the Church Fathers described as a theatrum daemonicum and on the other hand, the appearances of dramatic-liturgical configurations in the Christian Church. This work attempts to connect these two opposite poles instead of separating them. This study begins with an examination of documents dealing with the patristic polemic. This is followed by an examination in chronological sequence of the development of the liturgical dramatic manifestations from Jerusalem to Amalarius of Metz. It also examines the allegorical method connected with this development. In conclusion the argument is maintained that aside the theatrum daemonicum, a theatrum infictitium et sapirituale is beginning to develop.

Theodulf of Orléans: Charlemagne's Spokesman against the Second Council of Nicaea
  • Language: en
  • Pages: 370

Theodulf of Orléans: Charlemagne's Spokesman against the Second Council of Nicaea

Who composed in Charlemagne's name the impressive treatise that repudiates the Acts of the Second Council of Nicaea (but which, in the end, the king prevented for religio-political reasons from circulating in his own day)? This series of essays explores in turn the liturgical background, the Latinity, attitudes towards images and the historical circumstances of the time, including relations between Charlemagne, the pope and Byzantium. Ann Freeman presents solid evidence for identifying Charlemagne's spokesman as Theodulf, a Visigoth and refugee from the Moorish invasions of Spain, and reveals the impressive extent of the learning he brought with him - which lead eventually to his appointment as Bishop of Orléans. The final and most up-to-date summary of the findings concerning Theodulf's authorship was presented in German in the introduction to her new edition of the Opus Caroli regis contra synodum (formerly known as the Libri Carolini); the original English version of this is now published here.

The Benedictine Gift to Music
  • Language: en
  • Pages: 242

The Benedictine Gift to Music

"The Benedictine Gift to Music illustrates how Gregorian chant, faithfully practiced each day for centuries by the Benedictines in monasteries and convents across Europe, developed into the complex polyphonic music we enjoy today. It details the outstanding contributions of the Benedictine musicians from the sixth-century Abbey of St. Benedict to the modern French Abbey of Solesmes." "For contemporary performers composers of sacred music, and those interested in singing Gregorian chant, The Benedictine Gift to Music explains the opportunity that chant provides to still the mind and enter in a meaningful way into the contemplative tradition of the Church."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved