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"Memoir of Chaim Leib Weinberg, prominent member of the late 19th and early 20th century Philadelphia Jewish anarchist community, translated from the original Yiddish"--Provided by publisher.
This book studies the ways in which the assessment of being or not being ‘respectable’ has been applied to women in the UK in the past one hundred and fifty years. Mary Evans shows how the term ‘respectable’ has changed and how, most importantly, the basis of the ways in which the respectability of women has been judged has shifted from a location in women’s personal, domestic and sexual behaviour to that of how women engage in contemporary forms of citizenship, not the least of which is paid work. This shift has important social and political implications that have seldom been explored: amongst these are the growing marginalisation of the validation of the traditional care work of...
Scarlet and Black documents the history of Rutgers's connection to slavery, which was neither casual nor accidental--nor unusual. Like most early American colleges, Rutgers depended on slaves to build its campuses and serve its students and faculty. The contributors offer this history as a usable one--to strengthen Rutgers and help direct its course for the future.
For many Americans, nuns and sisters are the face of the Catholic Church. Far more visible than priests, Catholic women religious teach at schools, found hospitals, offer food to the poor, and minister to those in need. Their work has shaped the American Catholic Church throughout its history. McGuinness provides the reader with an overview of the history of Catholic women religious in American life, from the colonial period to the present.
Intimate apparel, a term in use by 1921, has played a crucial role in the development of the "naughty but nice" feminine ideal that emerged in the twentieth century. Jill Fields's engaging, imaginative, and sophisticated history of twentieth-century lingerie tours the world of women's intimate apparel and arrives at nothing less than a sweeping view of twentieth-century women's history via the undergarments they wore. Illustrated throughout and drawing on a wealth of evidence from fashion magazines, trade periodicals, costume artifacts, Hollywood films, and the records of organized labor, An Intimate Affair is a provocative examination of the ways cultural meanings are orchestrated by the "fashion-industrial complex," and the ways in which individuals and groups embrace, reject, or derive meaning from these everyday, yet highly significant, intimate articles of clothing.
Charged with murdering her husband in 1879, Margaret Meierhofer became the last woman executed by the state of New Jersey. Murder on the Mountain considers all sides of this fascinating and mysterious true crime story, investigating how the case's sensational details about domestic violence and female sexuality gripped the nation.
The 250th anniversary of the founding of Rutgers University is a perfect moment for the Rutgers community to reconcile its past, and acknowledge its role in the enslavement and debasement of African Americans and the disfranchisement and elimination of Native American people and culture. Scarlet and Black, Volume Three, concludes this groundbreaking documentation of the history of Rutgers’s connection to slavery, which was neither casual nor accidental—nor unusual. Like most early American colleges, Rutgers depended on slaves to build its campuses and serve its students and faculty; it depended on the sale of black people to fund its very existence. This final of three volumes concludes ...
How do students develop a personal style from their instruction in a visual arts program? Women Artists on the Leading Edge explores this question as it describes the emergence of an important group of young women artists from an innovative post-war visual arts program at Douglass College. The women who studied with avant-garde artists at Douglas were among the first students in the nation to be introduced to performance art, conceptual art, Fluxus, and Pop Art. These young artists were among the first to experience new approaches to artmaking that rejected the predominant style of the 1950s: Abstract Expressionism. The New Art espoused by faculty including Robert Watts, Allan Kaprow, Roy Li...
"Spans the period from World War II to the present during which Rutgers grew from two small, liberal arts colleges, an agricultural school, and an engineering school into a major public research university. We chronicle the remarkable story of Rutgers's rise as a research university, but also the way the school has been experienced by generations or students and residents of the state. The Cold War, the student protests of the 1960s and the 1970s, the rise of identity politics on campus, big-time athletics, and the various ways students have shaped and been affected by popular culture all play a part in this story. Three chapters cover chronologically the major changes that occurred at the u...
Washington Roebling is well known as the man who supervised construction of the Brooklyn Bridge. His path to overseeing that monumental task began during the Civil War. In addition to his brave, dramatic actions at Gettysburg, his Civil War service was remarkable: artilleryman, bridge builder, scout, balloonist, mapmaker, engineer, and staff officer. His story reveals much about Gettysburg but also about Civil War intelligence and engineering and the politics and infighting within the Army of the Potomac’s high command. Roebling’s service—leadership, engineering, decision-making, and managing personalities and politics—prepared him well for overseeing the Brooklyn Bridge.