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La industria de la radio y la televisión y la política del estado mexicano: 1920-1960
  • Language: es
  • Pages: 208
Un diario de contrastes
  • Language: es
  • Pages: 436

Un diario de contrastes

  • Type: Book
  • -
  • Published: 1991
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  • Publisher: Unknown

None

Televisa
  • Language: es
  • Pages: 244

Televisa

  • Type: Book
  • -
  • Published: 1987
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  • Publisher: Unknown

Este volumen reune trabajos sobre problemas especificos en la situación actual de Televisa. la mayor parte de estos textos fueron escritos especialmente para este libro.

Fragments of a Golden Age
  • Language: en
  • Pages: 534

Fragments of a Golden Age

DIVThe first cultural history of post-1940s Mexico to relate issues of representation and meaning to questions of power; it includes essays on popular music, unions, TV, tourism, cinema, wrestling, and illustrated magazines./div

Mexican Governance
  • Language: en
  • Pages: 340

Mexican Governance

  • Type: Book
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  • Published: 2005
  • -
  • Publisher: CSIS

None

Critical Passions
  • Language: en
  • Pages: 558

Critical Passions

The author, one of the most influential Latin Americanists in the US, has published a number of books, but none display the importance of her work in literary criticism, cultural studies and marxist and feminist theory as successfully as this collection o

Feminism on the Border
  • Language: en
  • Pages: 232

Feminism on the Border

"Sonia Saldívar-Hull's book proposes two moves that will, no doubt, leave a mark on Chicano/a and Latin American Studies as well as in cultural theory. The first consists in establishing alliances between Chicana and Latin American writers/activists like Gloria Anzaldua and Cherrie Moraga on the one hand and Rigoberta Menchu and Domitilla Barrios de Chungara on her. The second move consists in looking for theories where you can find them, in the non-places of theories such as prefaces, interviews and narratives. By underscoring the non-places of theories, Sonia Saldívar-Hull indirectly shows the geopolitical distribution of knowledge between the place of theory in white feminism and the th...

The Power of Identity
  • Language: en
  • Pages: 598

The Power of Identity

In this second volume of The Information Age trilogy, with an extensive new preface following the recent global economic crisis, Manuel Castells deals with the social, political, and cultural dynamics associated with the technological transformation of our societies and with the globalization of the economy. Extensive new preface examines how dramatic recent events have transformed the socio-political landscape of our world Applies Castells’ hypotheses to contemporary issues such as Al Qaeda and global terrorist networks, American unilateralism and the crisis of political legitimacy throughout the world A brilliant account of social, cultural, and political conflict and struggle all over the world Analyzes the importance of cultural, religious, and national identity as sources of meaning for people, and its implications for social movement Throws new light on the dynamics of global and local change

Images at War
  • Language: en
  • Pages: 296

Images at War

DIV“If colonial America was the melting pot of modernity, it was because it was also a fabulous laboratory of images. . . . Just as much as speech and writing, the image can be a vehicle for all sorts of power and resistance.” So writes Serge Gruzinski in the introduction to Images at War, his striking reinterpretation of the Spanish colonization of Mexico. Concentrating on the political meaning of the baroque image and its function within a multicultural society, Gruzinski compares its ubiquity in Mexico to our modern fascination with images and their meaning. Although the baroque image played a decisive role in many arenas, especially that of conquest and New World colonization, its po...

Making Hispanics
  • Language: en
  • Pages: 250

Making Hispanics

How did Puerto Ricans, Mexicans, and Cubans become known as “Hispanics” and “Latinos” in the United States? How did several distinct cultures and nationalities become portrayed as one? Cristina Mora answers both these questions and details the scope of this phenomenon in Making Hispanics. She uses an organizational lens and traces how activists, bureaucrats, and media executives in the 1970s and '80s created a new identity category—and by doing so, permanently changed the racial and political landscape of the nation. Some argue that these cultures are fundamentally similar and that the Spanish language is a natural basis for a unified Hispanic identity. But Mora shows very clearly ...