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“Swell Suffering”
2012 Best Biography Award, Mormon History Association Maurine Whipple, author of what some critics consider Mormonism greatest novel, The Giant Joshua, is an enigma. Her prize-winning novel has never been out of print, and its portrayal of the founding of St. George draws on her own family history to produce its unforgettable and candid portrait of plural marriage's challenges along with its winsome, gallant, and sparkling heroine Clory McIntyre. Yet Maurine's life is full of contradictions and unanswered questions. Why did she never finish her projected trilogy after writing what she considered to be its first volume? Why, when she considered herself an outcast from St. George society, did ...
Blood & Irony
"Gardner's reading of a wide range of published and unpublished texts recovers a multifaceted vision of the South. For example, during the war, while its outcome was not yet a foregone conclusion, women's writings sometimes reflected loyalty and optimism; at other times, they revealed doubts and a wavering resolve. According to Gardner, it was only in the aftermath of defeat that a more unified vision of the southern cause emerged. By the beginning of the twentieth century, however, white women - who remained deeply loyal to their southern roots - were raising fundamental questions about the meaning of southern womanhood in the modern era."--BOOK JACKET.
New Essays on My Ántonia
A collection of essays on Willa Cather's most famous novel, My Antonia.
The Only Wonderful Things
A groundbreaking new look at American novelist Willa Cather's creative process What would Willa Cather's widely read and cherished novels have looked like if she had never met magazine editor and copywriter Edith Lewis? In this groundbreaking book on Cather's relationship with her life partner, author Melissa J. Homestead counters the established portrayal of Cather as a solitary genius and reassesses the role that Lewis, who has so far been rendered largely invisible by scholars, played in shaping Cather's work. Inviting Lewis to share the spotlight alongside this pivotal American writer, Homestead argues that Lewis was not just Cather's companion but also her close literary collaborator an...
Willa Cather
Previous biographies of Willa Cather have either recycled the traditional view of a writer detached from social issues whose work supported a wholesome view of a vanished America, or they have focused solely on revelations about her private life. Challenging these narrow interpretations, Janis P. Stout presents a Cather whose life and quietly modernist work fully reflected the artistic and cultural tensions of her day. A product of the South--she was born in Virginia--Cather went west with her family at an early age, a participant in the aspirations of Manifest Destiny. Known for her celebrations of immigrants on the prairie, she in fact shared many of the ethnic suspicions of her contempora...
One-smoke Stories
Retold in the Evocative language of a true enthusiast of the Southwest, One-Smoke Stories is Mary Austin's compilation of tales from Native American, Spanish colonial, mestizo, and European American peoples of the Southwest. Through folktales, animal tales, and other genres of popular lore, Austin creates a primer of early-twentieth-century Southwestern cultures. Many stories offer political critiques of intercultural conflicts such as the homesteader's conquest of nature, the assimilation policies of Christian missionaries, and the abuses of colonial government. Others celebrate the multicultural Southwest by representing the spirituality, humor, love, loyalty, and sense of community among ...
A Calendar of the Letters of Willa Cather
An infamous clause in Willa Cather's will, forbidding publication of her letters and other papers, has long caused consternation among Cather scholars. For Cather, a complex and private person who seldom made revelatory public pronouncements, personal letters provide-or would provide-an especially valuable key to understanding. But because of the terms of her will, that key is not readily available. Cather's letters will not come into public domain until the year 2017. Until then, even quotation, let alone publication in full, is prohibited. Janis P. Stout has gathered over eighteen hundred of Cather's letters--all the letters currently known to be available--and provides a brief summary of each, as well as a biographical directory identifying correspondents and a multisection index of the widely scattered letters organized by location, by correspondent, and by names and titles mentioned. This book will be an essential resource for Cather scholars.
The Preface
Building on insights from the fields of textual criticism, bibliography, narratology, authorship studies, and book history, The Preface: American Authorship in the Twentieth Century examines the role that prefaces played in the development of professional authorship in America. Many of the prefaces written by American writers in the twentieth century catalogue the shifting landscape of a more self-consciously professionalized trade, one fraught with tension and compromise, and influenced by evolving reading publics. With analyses of Willa Cather, Ring Lardner, F. Scott Fitzgerald, Ernest Hemingway, Robert Penn Warren, and Toni Morrison, Ross K. Tangedal argues that writers used prefaces as a means of expanding and complicating authority over their work and, ultimately, as a way to write about their careers. Tangedal’s approach offers a new way of examining American writers in the evolving literary marketplace of the twentieth century.
Reading Benedict / Reading Mead
Publisher Description
Picturing a Different West
Picturing a Different West addresses Willa Cather and Mary Austin as central figures in a women's tradition of the pictured West. Both Cather and Austin moved west in their youth and spent much of their lives there. Cather lived on the Great Plains, while Austin resided in California and the Southwest. Cather's travels repeatedly took her to the Southwest, and she wrote three novels with Southwestern settings. Starting with the masculine tradition of Western art that was prevalent when Austin and Cather launched their careers, Janis P. Stout shows how the authors challenged and revised that tradition. Rather than a West of adventure, violence, and conquest, open only to rugged and daring men...
