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The Figurative Artist's Handbook
An Authoritative, Comprehensive Guide for Contemporary Figurative Artists At a time when renewed interest in figurative art is surging throughout the art world, author Robert Zeller presents The Figurative Artist’s Handbook—the first comprehensive guide to figure drawing and painting to appear in decades. Illustrated with Zeller’s own exquisite drawings and paintings as well as works by nearly 100 historical and contemporary figurative art masters, the handbook is also a treasure trove of the finest figurative art of the past and the present day. Included are Michelangelo, Pieter Brueghel the Elder, Peter Paul Rubens, Jean-Auguste-Dominique Ingres, Gustav Klimt, Edward Hopper, Andrew L...
Bay Area Figurative Art, 1950-1965
"Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park
British Figurative Art
In this age of photography, video and installation art, there are those who decry the emphatic persistence of figurative painting. What can the painted image express that other more 'modern' media cannot? Martin Gayford's authoritative text seeks to answer this and other fundamental questions by examining the wealth of approaches currently employed by British artists painting the human figure. His comprehensive survey ranges from the elder statesmen of the genre such as Craigie Aitchison, Lucian Freud, David Hockney, Frank Auerbach and John Bellany through to rising stars like Alison Watt, Jenny Saville, Ishbel Myerscough and Tai-Shan Schierenberg. especially strong here - requires an explanation. It is simply a post mortem effect, a folkloric continuance of old technology after its primary function has gone? Do people continue to paint pictures with paint and brush rather as a few crafty eccentrics carry on with the spinning-wheel, the handloom, and the scythe?
Figuring Out Figurative Art
In 1797 Friedrich Schlegel wrote that "philosophy of art usually lacks one of two things: either the philosophy, or the art." This collection of essays contains both the philosophy and the art. It brings together an international team of leading philosophers to address diverse philosophical issues raised by recent works of art. Each essay engages with a specific artwork and explores the connection between the image and the philosophical content. Thirteen contemporary philosophers demonstrate how philosophy can aid interpretation of the work of ten contemporary artists, including: Jesse Prinz on John Currin Barry C. Smith and Edward Winters on Dexter Dalwood Lydia Goehr and Sam Rose on Tom de...
Figurative Art in Medieval Islam
In terms of elucidating inner meaning and symbolism, the study of medieval Islamic art has lagged almost a full century behind that of medieval Western art. This groundbreaking work suggests how it might at last prove possible to crack the allegorical code of medieval Islamic painting during its Golden Age between the fourteenth and seventeenth centuries. Barry focuses his study around the work of Bihzâd, a painter who flourished in the late fifteenth century in the kingdom of Herat, now in Afghanistan. Bihzâd became the undisputed master of the “Persian miniature” and an almost mythical personality throughout Asian Islam. By carefully deciphering the visual symbols in medieval Islamic figurative art, Barry’s study deliberately takes a bold approach in order to decode the lost iconographic conventions of a civilization. The glorious illustrations, scholarly text, and extracts from Persian poetry, many translated into English for the first time, combine to create an essential new work of reference and a visual delight.
The World New Made
A celebration of the richness of figurative painting over the last 100 years and a passionate critique of the accepted history of art in the 20th century. Figurative painting is due a reappraisal. In this passionately argued volume the distinguished writer and artist Timothy Hyman cuts a new path through the tangle of twentieth-century art. The World New Made explores the work of more than fifty individual painters, presenting a collective 'Resistance' who together offer a human-centred alternative to the dominance of the Abstract or the Conceptual in conventional narratives of modern art. Structured not as a survey but as in-depth studies of more than 130 specific artworks, this lavishly illustrated book brings these often marginalized artists centre-stage: not just Alice Neel and Balthus, Max Beckmann and Frida Kahlo, but also Marsden Hartley and Charlotte Salomon, Bhupen Khakhar and Jacob Lawrence. A rich cast is brought to life, partly through their own writings. As the author argues, 'All across the world, isolated artists found new idioms for human-centred painting in the midst of modern life.'
Figurative Paintings
Highlights the work of 204 newly discovered regional Modernist painters, especially some from Belgium, with carefully researched biographical information about each one. Over 350 color photographs display their dynamic works. These paintings helped spread the Parisian influence throughout the world, and are often showcased in galleries today. This pioneer work documents many of the artists for the first time.
British Figurative Art. Part Two--sculpture
In the last four decades the parameters of sculpture have shifted inexorably. Now, with the rise of artists like Jake & Dinos Chapman and Marc Quinn, the boundaries are even broader. Norbert Lynton's authoritative text investigates the many different approaches employed by British sculptors today, and ranges from established masters such as Anthony Caro, William Turnbull, Eduardo Paolozzi and Lynn Chadwick to the latest generation including David Mach, Don Brown, Ron Mueck, Sokari Douglas Camp, Tim Lewis and Nicola Hicks. The text is complimented by Adrian Flowers' remarkable photographs of the artists and their work. heads and portraits. Jane Ackroyd;s head, Full Moon, belongs to the later history of cubism and has something of Gonzalez's excellent constructed metal heads about it. Glenys Barton's suavely flattened head in glazed ceramic adds vividly to the long history of sculptured heads since ancient times and recalls Renaissance subtleties of form and expression.
Radical Figures: Painting in the New Millennium
This timely publication, accompanying a brand new survey exhibition at Whitechapel Gallery, presents key works by some of the most exciting practitioners in current figurative painting.0After a long period dominated by abstraction and conceptual approaches, painting saw a revival of figuration in the 1990s by artists whose work updated portraiture and history painting but remained rooted in the conventions of realism. However a new generation, coming to prominence in the new millennium, are distinguished by a radically different approach to the figure, in which bodies are fragmented, morphed, merged and remade but never completely cohesive.0'Radical Figures' highlights the renewed interest i...
